NEW YORK: Reuters won two Pulitzer Prizes on Monday, one for revealing the massacre of 10 Muslim Rohingya men by Buddhist villagers and Myanmar security forces, and another for photographs of Central American migrants seeking refuge in the United States.
The awards marked the second year in a row that Reuters has won two Pulitzers, the most prestigious prize in American journalism. Reuters has won seven since 2008.
Two of this year’s honorees have been jailed for 490 days in Myanmar for their role in uncovering the killings.
“While it’s gratifying to be recognized for the work, public attention should be focused more on the people about whom we report than on us: in this case, the Rohingya and the Central American migrants,” Reuters Editor-in-Chief Stephen J. Adler said.
In other categories, coverage of mass shootings in the United States and investigations into US President Donald Trump featured prominently. The New York Times and the Washington Post also took two Pulitzers each.
Reuters and the Associated Press were both awarded prizes for international reporting, with the AP winning for its coverage of war atrocities in Yemen.
The Reuters award was for an investigative report that revealed the massacre of 10 Rohingya at the village of Inn Din, in the heart of the conflict zone of Rakhine state in Myanmar.
Two young Reuters reporters, Wa Lone and Kyaw Soe Oo, both Myanmar citizens, found a mass grave filled with bones sticking out of the ground. They went on to gather testimony from perpetrators, witnesses and families of victims.
They obtained three devastating photographs from villagers: two showed the 10 Rohingya men bound and kneeling; the third showed the mutilated and bullet-ridden bodies of the same 10 men in the same shallow grave.
In December 2017, before Wa Lone and Kyaw Soe Oo could complete their story, they were arrested in what international observers have criticized as an effort by authorities to block the report. The report, “Massacre in Myanmar,” was completed by colleagues Simon Lewis and Antoni Slodkowski and published in February of last year.
In September, Wa Lone and Kyaw Soe Oo were sentenced to seven years imprisonment for violating the country’s Official Secrets Act.
“I’m thrilled that Wa Lone and Kyaw Soe Oo and their colleagues have been recognized for their extraordinary, courageous coverage, and our photojournalists for their moving pictures that show humanity defying huge obstacles,” Adler said. “I remain deeply distressed, however, that our brave reporters Wa Lone and Kyaw Soe Oo are still behind bars.”
In the breaking news photography category, 11 Reuters photographers contributed pictures to “On the Migrant Trail to America,” a package of images showing asylum-seekers and other migrants from Central America at the US border.
One photo by Kim Kyung-Hoon showed migrants fleeing tear gas launched by US authorities into Mexico at the San Diego-Tijuana border. In the image a mother grabs her twin daughters by the arm, one in diapers and wearing rubber sandals, the other barefoot, as a teargas cannister emits its fumes.
In another image, an aerial photo, Mike Blake was the first to photograph the detention facility in Tornillo, Texas, where children walked in single file, like prisoners.
Goran Tomasevic captured an image in San Pedro Sula, Honduras, a city with one of the highest murder rates in the world, of a rooster scratching in the dirt next to the slain body of a Barrio 18 gang member. Tomasevic was a previous finalist for his pictures of the war in Syria.
The New York Times won a prize for explanatory reporting of Trump’s finances and tax avoidance and another for editorial writing by Brent Staples.
The Washington Post’s Lorenzo Tugnoli won the feature photography prize for images of the famine in Yemen and the newspaper’s Carlos Lozada also won for criticism.
The Wall Street Journal won the national reporting prize for uncovering Trump’s secret payoffs to two women during his campaign who claimed to have had affairs with him.
Coverage of mass shootings in the United States was also recognized four times.
The South Florida Sun Sentinel won the public service award for “exposing failings by school and law enforcement officials before and after the deadly shooting rampage at Marjory Stoneman Douglas High School,” the Pulitzer board said. Seventeen people died in the massacre at the Parkland, Florida, high school on Feb. 14, 2018.
The staff of the Pittsburgh Post-Gazette won the breaking news prize for its coverage of “immersive, compassionate” coverage of the massacre at Pittsburgh’s Tree of Life synagogue that killed 11 people on Oct. 27, 2018.
Pulitzer administrator Dana Canedy, upon announcing the winners, also offered admiration for a non-winner: the staff of the Eagle Eye student newspaper at Marjory Stoneman Douglas High School for its coverage of the killings.
The Pulitzer board also awarded a special citation to the Capital Gazette of Annapolis, Maryland, for “their courageous response to the largest killing of journalists in US history in their newsroom.” A gunman shot and killed five people there on June 28, 2018.
Jailed Reuters reporters, US border photographers win Pulitzer Prizes
Jailed Reuters reporters, US border photographers win Pulitzer Prizes
- The Reuters honorees have been jailed for 490 days in Myanmar for their role in uncovering Rohingya killings
- Wa Lone and Kyaw Soe Oo, both Myanmar citizens, found a mass grave filled with bones sticking out of the ground
A look back at how Arab News marked its 50th anniversary
- In a year crowded with news, the paper still managed to innovate and leverage AI to become available in 50 languages
- Golden Jubilee Gala, held at the Diplomatic Quarter in Riyadh, now available to watch on YouTube
RIYADH: In 2025, the global news agenda was crowded with headlines concerning wars, elections and rapid technological change.
Inside the newsroom of Arab News, the year carried additional weight: Saudi Arabia’s first English-language daily marked its 50th anniversary.
And with an industry going through turmoil worldwide, the challenge inside the newsroom was how to turn a midlife crisis into a midlife opportunity.
For the newspaper’s team members, the milestone was less about nostalgia than about ensuring the publication could thrive in a rapidly changing and evolving media landscape.
“We did not want just to celebrate our past,” said Faisal J. Abbas, editor-in-chief of Arab News. “But more importantly, we were constantly thinking of how we can keep Arab News relevant for the next five decades.”
The solution, he added, came down to two words: “Artificial intelligence.”
For the Arab News newsroom, AI was not a replacement for journalism but as a tool to extend it.
“It was like having three eyes at once: one on the past, one on the present, and one on the future,” said Noor Nugali, the newspaper’s deputy editor-in-chief.
One of the first initiatives was the 50th anniversary commemorative edition, designed as a compact historical record of the region told through Arab News’ own reporting.
“It was meant to be like a mini history book, telling the history of the region using Arab News’ archive with a story from each year,” said Siraj Wahab, acting executive editor of the newspaper.
The issue, he added, traced events ranging from the outbreak of the Lebanese civil war in 1975 to the swearing-in of Donald Trump, while also paying homage to former editors-in-chief who shaped the newspaper’s direction over five decades.
The anniversary edition, however, was only one part of a broader strategy to signal Arab News’ focus on the future.
To that end, the paper partnered with Google to launch the region’s first AI-produced podcast using NotebookLM, an experimental tool that synthesizes reporting and archival material into audio storytelling.
The project marked a regional first in newsroom-led AI audio production.
The podcast was unveiled during a special 50th anniversary ceremony in mid-November, held on the sidelines of the Arab Media Forum, hosted by the Dubai Future Foundation. The event in the UAE’s commercial hub drew regional media leaders and officials.
Remarks at the event highlighted the project as an example of innovation in legacy media, positioning Arab News as a case study in digital reinvention rather than preservation alone.
“This is a great initiative, and I’m happy that it came from Arab News as a leading media platform, and I hope to see more such initiatives in the Arab world especially,” said Mona Al-Marri, director-general of the Government of Dubai Media Office, on the sidelines of the event.
“AI is the future, and no one should deny this. It will take over so many sectors. We have to be ready for it and be part of it and be ahead of anyone else in this interesting field.”
Behind the scenes, another long-form project was taking shape: a documentary chronicling Arab News’ origins and its transformation into a global, digital-first newsroom.
“While all this was happening, we were also working in-house on a documentary telling the origin story of Arab News and how it transformed under the current editor into a more global, more digital operation,” said Nugali.
The result was “Rewriting Arab News,” a documentary examining the paper’s digital transformation and its navigation of Saudi Arabia’s reforms between 2016 and 2018. The film charted editorial shifts, newsroom restructuring and the challenges of reporting during a period of rapid national change.
The documentary was screened at the Frontline Club in London, the European Union Embassy, Westminster University, and the World Media Congress in Bahrain. It later became available on the streaming platform Shahid and onboard Saudi Arabian Airlines.
It was also nominated for an Association for International Broadcasting award.
In early July, a special screening of the documentary took place at the EU Embassy in Riyadh. During the event, EU Ambassador to Saudi Arabia Christophe Farnaud described the film as an “embodiment” of the “incredible changes” that the Kingdom is undergoing.
“I particularly appreciate … the historical dimension, when (Arab News) was created in 1975 — that was also a project corresponding to the new role of the Kingdom,” Farnaud said. “Now the Kingdom has entered a new phase, a spectacular phase of transformation.”
Part of the documentary is narrated by Prince Turki Al-Faisal, the former Saudi ambassador to the US, who in the film delves into the paper’s origins.
The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter.
Hosted by the Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama, the evening featured a keynote address by Prince Turki, who spoke about Arab News’ founding under his father, the late King Faisal, and its original mission to present the Kingdom to the English-speaking world.
Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz under the slogan to give Arabs a voice in English while documenting the major transformations taking place across the Middle East.
The two founders were honored with a special trophy presented by Prince Turki, Assistant Media Minister Abdullah Maghlouth, Editor-in-Chief Abbas, and family member and renowned columnist Talat Hafiz on behalf of the founders.
During the gala, Abbas announced Arab News’ most ambitious expansion yet: the launch of the publication in 50 languages, unveiled later at the World Media Congress in Madrid in cooperation with Camb.AI.
The Madrid launch in October underscored Arab News’ aim to reposition itself not simply as a regional paper, but as a global platform for Saudi and Middle Eastern perspectives.
The event was attended by Princess Haifa bint Abdulaziz Al-Mogrin, the Saudi ambassador to Spain; Arab and Spanish diplomats; and senior editors and executives.
As the anniversary year concluded, Arab News released the full video of the Golden Jubilee Gala to the public for the first time, making the event accessible beyond the room in which it was held.
For a newspaper founded in an era of typewriters and wire copy, the message of its 50th year was clear: longevity alone is not enough. Relevance, the newsroom concluded, now depends on how well journalism adapts without losing sight of its past.
