Pakistan's famous Peshawar-style chappal gets Louboutin touch

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Louboutin posted to their official Instagram account a first look at their 'Imran Sandal' inspired by Pakistan's famous Peshawari chappal. (Photo courtesy: Louboutin Instagram)
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Though not confirmed by Louboutin as yet, the name 'Imran Sandal' seems to pay ode to the country's Prime Minister Imran Khan who frequently adorns the shoe. (Photo courtesy: Louboutin Instagram)
Updated 24 March 2019
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Pakistan's famous Peshawar-style chappal gets Louboutin touch

  • Famed shoe designer Christian Louboutin reveals his newest shoes named the ‘Imran Sandals’
  • He earlier launched ‘Lahore Flats,’ named after Pakistan’s historic eastern city

ISLAMABAD: Christian Louboutin, arguably the world’s best-known luxury shoe designer, has revealed his newest summer sandals inspired by the indigenous footwear of Pakistan’s northwestern province of Khyber Pakhtunkhwa and the city of Peshawar from where it gets its name.

The traditional men’s leather sandals with their distinctive criss-cross straps are known as the Peshawari chappal and the first look at the Louboutin design on its official Instagram page shows off a glitzy, spiked version of the classic shoes with the recognizable Louboutin logo scrawled over the front. The photo is captioned “Louboutin Homme’s Imran Sandals.”

Hundreds of comments, both positive and negative, have followed since the photo was uploaded on Saturday, with most of Louboutin's followers from Pakistan speculating that the shoe has been named after Prime Minister Imran Khan, who is well known for being an avid wearer of the shoe at all state events. 

“By the way,” read one comment from Pakistan, “You can get these in Pakistan in just 1,500 rupees [$10].”

This is not the first time Louboutin has paid homage to Pakistan. In 2017, following a well publicized visit to the country, he released a trio of shoes called the ‘Lahore Flats,’ named after the historic, bustling city of Pakistan’s eastern province.

The Peshawari chappal made its first rounds in international fashion soirees in 2014, when British fashion brand Paul Smith came out with its take on the traditional shoes priced at £300.


The difference between European and Gulf weddings — from a photographer’s point of view

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The difference between European and Gulf weddings — from a photographer’s point of view

DUBAI: From her early career in northeast France to working across the Gulf and Europe, wedding photographer Maddy Christina has observed many contrasts between such events in different parts of the world.

Her early years as a photographer were defined by variety; she worked across fashion, family portraits and weddings simultaneously before recognizing how wedding photography brings multiple genres together in a single day. 

Christina said weddings in the region required a shift in both perspective and technique. (Supplied)

“I actually fell into weddings by accident,” Christina told Arab News. “It blends every discipline at once — fashion for the couple session, sports for the reception, documentary work throughout the day, still life with details and jewelry.”

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session: “I instantly connected with the energy of the city,” she said.

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session. (Supplied)

A few years later, a wedding in Kuwait marked the start of her long-term relationship with the region.

Now working extensively across the Gulf Cooperation Council, Christina said weddings in the region required a shift in both perspective and technique.

For Christina, the most meaningful aspect extends beyond the wedding day itself. (Supplied)

“Working across the GCC has opened my mind in ways I didn’t expect,” she said, adding it felt like “resetting everything I thought I knew about weddings” — particularly compared to her experience in Europe.

She said there were clear distinctions between the two regions. “European weddings tend to be more demonstrative and expressive, while brides in the Gulf often place a deeper emphasis on tradition, family bonds and a sense of ceremony,” she said. “The emotional language is different, yet equally beautiful.”

From a technical standpoint, the contrast is just as pronounced: “In the south of France, I was used to shooting outdoors at sunset with couples already comfortable in front of the camera. Here, I often find myself in much smaller spaces, with no windows, artificial light and couples who may be more reserved.”

Christina is drawn to candid moments. (Supplied)

She added that adapting to these conditions pushed her to explore new ways of shaping light and expanded her creative approach.

While Christina is drawn to candid moments, like “guests laughing together, old friends reconnecting, a fleeting emotion passing across someone’s face,” posed pictures remain central to her work.

For Christina, the most meaningful aspect extends beyond the wedding day itself.

“It’s not the decor that makes a wedding unforgettable for me,” she said. “It’s the connection I build with the bride. That long-term bond is what feels truly magical.”