Christian Louboutin releases Lahore-inspired shoe

The new release is a flat shoe complete with a pointed toe and a wrap-around scarf for the ankle. (Photo courtesy: christianlouboutin.com)
Updated 27 November 2017
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Christian Louboutin releases Lahore-inspired shoe

LAHORE: Earlier this year, Pakistani social media flew off the handle when shoe designer Christian Louboutin landed in the country and now shoe fans have been treated to the designer's latest creation, which is named after the city of Lahore.
Louboutin, who was in Pakistan attending an exclusive dinner hosted by the Art Divvy Foundation in April, visited design and art schools, made appearances at art events and traveled to sites to take in what Pakistan had to offer.
Known worldwide for his infamous red-soled shoes, owning a pair of his shoes is as much a style bucket list item as it is a status symbol.
Last week, reports broke out that on his website, a new shoe design had been released dubbed the “Lahore Flat.” Naturally those that love when Pakistan gets a nod abroad collectively rushed to the site to get a look at the shoe and its description. Curiously enough, though the shoe holds the name of Lahore, the description itself refers to the designer’s visit to Venice as the inspiration behind the shoe.

Follow in the footsteps of Lahore.

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A flat shoe complete with a pointed toe and a wrap-around scarf for the ankle — which one could say resembles a dupatta, or scarf — comes in a classic black and two variations of the designer’s signature scribbles.
With Pakistan aiming to be a brand among international shopping enthusiasts, the little nod to his trip has been appreciated.


Mona Tougaard wears bridal look at Dior’s Paris show

Updated 27 January 2026
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Mona Tougaard wears bridal look at Dior’s Paris show

  • Rihanna and Brigitte Macron among attendees at show
  • Design part of new director Jonathan Anderson’s vision

DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.

The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.

The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.

The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.

The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.

The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.

“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.

The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.

Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.

Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.

Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”

“Now, I feel like I’m doing a Ph.D. in couture,” he explained.