Bringing the rich legacy of Nigeria’s famed Mbari Club to Art Dubai

The gallery displays artwork of prominent African artists. (Tafeta Gallery)
Updated 20 March 2019
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Bringing the rich legacy of Nigeria’s famed Mbari Club to Art Dubai

  • Mbari Club was founded by a group of artists in Nigeria
  • It aimed to support new artists in the country after its independence

LONDON: Eight leading modernist artists working across Africa and Europe from the 1960s to the present day are being showcased by London’s Tafeta Gallery at Art Dubai — the Middle East’s largest art fair, which kicked off on Wednesday and will wrap up on Saturday.   
They include Ibrahim El-Salahi, the first African artist to have a retrospective at the Tate Modern in London, and Bruce Onobrakpeya, whose works are in the collections of the Vatican Museum in Rome, the National Gallery in Nairobi, and the Smithsonian National Museum of African Art in Washington, among other prestigious places.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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All eight artists were affiliated with the Mbari Club for artists and writers in Ibadan, Nigeria and its regional chapters.
Established in 1961, the club was founded by a diverse group of artists, writers, musicians, actors and intellectuals.
Arab News met up with Ayo Adeyinka, founder and owner of Tafeta, to learn more about how the club nurtured talent. 
“The aim was to create an artistic space for artists to flourish post-Independence. The artists I’m bringing to Dubai showed at Mbari in the 1960s, 70s and 80s. They are very well established now, but back then they were fresh-faced starters trying to find their feet and create their own artistic language.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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“The legacy of the club, which was pan-Aftican, is that it gave artists a platform to engage internationally,” he said. 
Adeyinka has a background in finance and was a keen collector of art before deciding to make his passion his career. “I found the arts a lot more engaging and fulfilling and knowing a bit about business always helps in the creative space,” he explained. 
He has showed successfully at Art Dubai over three seasons and is especially pleased that he has attracted Emirati buyers. 




(Tafeta Gallery)


Speaking of the event, he said: “It’s super well organized and the only fair I go to where a free lunch is served to the exhibitors! You feel looked after which is a bonus.”   

Asked about the art scene on the African continent, he pointed to Nigeria as brimming with talent and singled out its booming youth population as an important factor — media reports indicate that more than half of its population is under the age of 35.

“That’s a lot of young, creative energy which is drawing on the deep-rooted traditions of the country’s artists, writers and musicians,” he said. 


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.