Review: Turkish Netflix drama ‘The Protector’ a let-down

Cagatay Ulusoy (L) and Hazar Erguclu star in the show. (Photo courtesy: Netflix)
Updated 22 December 2018
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Review: Turkish Netflix drama ‘The Protector’ a let-down

CHENNAI: “The Protector,” the first ever original Turkish series by Netflix, is a bit of a let-down despite its impressive production values.
Edited with imagination and splendidly photographed, it is nonetheless weak on performances.
The dubbing in English is awful with lip-syncing going haywire, and the subtitling is quite off the mark as well.

Directed by several people, “The Protector” is a fantasy of sorts, but there is a political undertone to it given Turkey’s conflicting status that pulls it between Europe and Asia.
The protagonist of the series, Hakan Demir (played feebly by Cagatay Ulusoy), is an ordinary shopkeeper in Istanbul, where the drama unfolds.
When he realizes that he has special powers and is The Protector to save the city and its 15 million inhabitants, his life turns into a fascinating fable.
With his magical shirt and a sword, he is assigned to vanquish the lone surviving Immortal, who is out to destroy Istanbul.
Woven into this adventure are subplots. There is Zeyneb (played by an attractive Hazar Erguclu, whose performance stands out), who is bent on protecting The Protector but whose relationship with him is never defined clearly.
Is she in love with Demir, as his love interest Leyla Sancak (played by Ayca Aysin Turan) seems to suspect? The tension between the two women provides an entertaining additional storyline.
There is also Faysal Erdem (played by Okan Yalabik, who is unusually stiff), with his business empire.
His trusted lieutenant, Mazhar Dragusha (played by Mehmet Kurtulus), becomes a sworn enemy of Demir.
The series needs to work harder in its second season. But one standout feature is the wonderful, realistic portrayal of Istanbul and its many architectural wonders and quirks, from its many street cats to the endless cups of Turkish tea consumed by the show’s characters.


Director Kaouther Ben Hania rejects Berlin honor over Gaza

Updated 20 February 2026
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Director Kaouther Ben Hania rejects Berlin honor over Gaza

DUBAI: Kaouther Ben Hania, the Tunisian filmmaker behind “The Voice of Hind Rajab,” refused to accept an award at a Berlin ceremony this week after an Israeli general was recognized at the same event.

The director was due to receive the Most Valuable Film award at the Cinema for Peace gala, held alongside the Berlinale, but chose to leave the prize behind.

On stage, Ben Hania said the moment carried a sense of responsibility rather than celebration. She used her remarks to demand justice and accountability for Hind Rajab, a five-year-old Palestinian girl killed by Israeli soldiers in Gaza in 2024, along with two paramedics who were shot while trying to reach her.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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“Justice means accountability. Without accountability, there is no peace,” Ben Hania said.

“The Israeli army killed Hind Rajab; killed her family; killed the two paramedics who came to save her, with the complicity of the world’s most powerful governments and institutions,” she said.

“I refuse to let their deaths become a backdrop for a polite speech about peace. Not while the structures that enabled them remain untouched.”

Ben Hania said she would accept the honor “with joy” only when peace is treated as a legal and moral duty, grounded in accountability for genocide.