Holy smoke! Pakistan Twitter on fire over ‘sin tax’ on cigarettes

Electronic cries of rage and amusement are ringing across Pakistan’s Twitter community after the government announced on Wednesday its plans to impose a ‘sin tax’ on tobacco products ostensibly to make cigarettes more expensive. (REUTERS/file)
Updated 05 December 2018
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Holy smoke! Pakistan Twitter on fire over ‘sin tax’ on cigarettes

  • Pakistan’s government plans to impose a sin tax on tobacco and sugary beverages
  • The fund collected from sin tax will be allocated to health budget, says Minister for National Health Services

ISLAMABAD: Electronic cries of rage and amusement are ringing across Pakistan’s Twitter community after the government announced on Wednesday its plans to impose a ‘sin tax’ on tobacco products ostensibly to make cigarettes more expensive and reduce the number of youngsters who take to smoking each year.

While sin tax is a commonly used term to mean excise or sales tax on products deemed harmful to society, the translation by Urdu-language media of the word sin as ‘gunnah,’ used to refer to activities that go against the commands of Allah, did not go down too well among Pakistan’s puff-chested, rambunctious Twitter users.

Journalists, cultural critics and members of the ruling Pakistan Tehreek-e-Insaaf party alike took to Twitter to blow off smoke.

The gunslinging, motorbike-riding parliamentarian Faisal Vawda wouldn’t have any of it.   

‘I’m a chain cigarette smoker myself and I appreciate all the measures taken by the government to discourage smoking and I understand it’s injurious to health but this term “Gunnah Tax” is inappropriate,” he tweeted. “If this is gunnah then what would we name and term the actual gunnahs.”

Journalist Zarrar Khuhro, known for his sharp wit and merciless trolling, who is generally never on the same page as Vawda, responded that he was ‘with [Vawda] on this.’

“It is a common term used internationally and is just a literal translation, not a big deal,” Khuhro told Arab News, adding that the outcry was “just another storm in a teacup.”

But Khuhro’s response to Vawda had already unleashed an army of economists (read: people adept at using google search) who proceeded to educate him about what sin tax actually meant and that the use of the word gunnah was merely a translation error. Indeed, the sheer number of people who suddenly emerged as experts on the origins and use of the sin tax since the beginning of time proved beyond a doubt that Pakistanis are capable of google searching a wide variety of topics other than just raunchy content. Ahem.

There were also those who welcomed Vawda’s stand.

“Thank God, someone z there in PTI to represent us - the smokers,” Twitter user Arsalan M Kashif said in response to Vawda’s post.

 

The searingly funny Farid Alvie ascribed the quote “sin tax is a sin” to a make-belief ministry:

"Sin tax aik gunah hai!’ -- Jimmy Jirga, Minister for Brunch & Other Extracurricular Activities,” Alvie posted.


One Twitter user directly addressed the prime minister for raining on his fun:

“Dude @ImranKhanPTI apni jawaani mein har mazzay kar ke abb hamarey time pe tumhen gunnah yaad aa gaya hai? Aesay nahi challega. #IStandWithMahiraKhan.’ (Oh Imran Khan, after having all the fun in your youth, now when it’s our turn you’ve remembered this is a sin? It’s not going to work like this.”


Others took an ever more dramatic approach. Hasan Aly tweeted that soon the government would tax citizens simply for being alive.

Many even revived the #IStandWithMahiraKhan hashtag from last year which was created to express solidarity with Pakistan actress Mahira Khan after she was shamed on social media over leaked photos that showed her smoking in a backless dress with Indian actor Ranbir Kapoor.

Then there was also those enterprising few who wondered if they could be rewarded for giving up smoking:

“I quit smoking. Am I eligible for ‘Sawab’ (reward) allowance?” Iftikhar Firdous, an editor at Samaa TV, said in a tongue-in-cheek post.

Author, columnist and cultural critic Nadeem Farooq Paracha had his own ideas.  

“I sure wish they could have called it something else,” Paracha told Arab News. “Like Indulgence Tax or Fun Tax Or Minor Sin tax or Chota Gunnah (small sin) Tax.” 


‘Palestine 36’ set for Saudi cinemas in January

Updated 04 January 2026
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‘Palestine 36’ set for Saudi cinemas in January

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”