A starry night at the 40th Cairo Film Festival

The festival is the longest-running film event of its kind in the Middle East and Northern Africa. (Reuters)
Updated 24 November 2018
Follow

A starry night at the 40th Cairo Film Festival

CAIRO: The stars of Arab cinema walked the red carpet at the opening of the 40th Cairo International Film Festival on Tuesday night and there were plenty of glittering gowns on show.
Orchestrated by Egyptian producer Mohamed Hefzy, who at just 43-years-old is said to be the youngest president the festival has seen, the Cairo Opera House-based event was attended by stars from across the Middle East and North Africa.
Set to run from Nov. 20-29, the festival opened with the regional premiere of Peter Farrelly-directed comedy drama “Green Book,” starring US actors Viggo Mortensen and Mahershala Ali.
The festival will include 16 world premieres and screenings of 160 films from 60 countries.
Meanwhile, on the red carpet, Egyptian actress Nelly Karim and Tunisian star Dorra Zarrouk looked glamorous as they posed for photographs on Tuesday night.
Karim wore a black leather dress by designer Mohanad Kojak, while Zarrouk wowed onlookers with an opulent design by Lebanese couturier Zuhair Murad. The black ballgown was embroidered with golden flowers and leaves and also featured a daring high split.




Egyptian actress Nelly Karim wore a leather dress on stage. (AFP)

Seven Egyptian films will be screened during the festival, including “Leil Khargi” (External Night) — a film that will compete for the coveted Golden Pyramid Award.
The other Egyptian films on the itinerary are “Garemet Al-Immobilia, “Ward Masmom” (Poisonous Roses), “Kilo 64” and “La Ahad Honak” (The Giraffe).
Other films set to be screened at the festival include “Heaven Without People,” a provocative film that is the debut feature-length work of director Lucien Bourjeily; “Laaziza,” in which Moroccan writer-director Mohcine Besri tells the moving story of Laaziza, a troubled mother who is faced with the difficulty of welcoming back a man who once rejected her and “Fatwa,” which explores radicalization and its horrors.




Egyptian actress Sherine Reda took to the stage. (AFP)

The festival’s jury committee is headed by prominent Danish film director Bille August, who has received the Cannes Film Festival’s Palm d’Or award twice.
The festival has also added a People’s Choice Award for the first time in its history, with the prize money amounting to $20,000 for the film that gets a majority vote from the audience. A new award entitled “Best Arab Film,” with prize money of $15,000, has been added to this year’s festival as well, according to Al-Ahram newspaper.
Signs of a revamp in the festival include the attendance of executives from such international powerhouses as HBO, Netflix, France’s Gaumont, Participant Media and Middle Eastern players OSN, Front Row Distribution, New Century Productions and Aroma Studios.


Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. (Supplied)
Updated 17 January 2026
Follow

Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

  • Artworks by Attyat Sayed and El Dessouki Fahmi will be on display until Feb. 28

JEDDAH: Hafez Gallery in Jeddah has opened an exhibition showcasing the works of influential Egyptian artists Attyat Sayed and El Dessouki Fahmi. The exhibition runs until Feb. 28.

Kenza Zouari, international art fairs manager at the gallery, said the exhibition offers important context for Saudi audiences who are becoming increasingly engaged with Arab art histories.

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

“Attyat Sayed and El Dessouki Fahmi’s decades-long practice in Cairo established foundational models for how artists across the region approach archives, press, and ultimately collective memory,” Zouari told Arab News. 

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. Their early work in press illustration “demanded speed, clarity, the ability to distill complex realities into a single, charged image,” the gallery’s website states.

Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices.

Lina Al-Mutairi, Local art enthusias

Heba El-Moaz, director of artist liaison at Hafez Gallery, said that this is the second time that the exhibition — a posthumous tribute to the artists —has been shown, following its debut in Cairo.

“By placing their works side by side, it highlights how press illustration, often considered ephemeral, became a formative ground for artistic depth, narrative power, and lasting influence, while revealing two distinct yet deeply interconnected artistic paths within modern Egyptian visual culture,” she told Arab News. 

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

Sayed’s work evolved from black-and-white illustration into “layered, dynamic compositions that translate lived emotion into physical gesture, echoing an ongoing negotiation between the inner world and its outward form,” the website states. Viewed together, the works of Sayed and Fahmi “reveal two distinct yet deeply interconnected artistic paths that contributed significantly to modern Egyptian visual culture.”

The exhibition “invites visitors into a compelling dialogue between instinct and intellect, emotion and structure, spontaneity and reflection; highlighting how artistic rigor, cultural memory, and sustained creative exploration were transformed into enduring visual languages that continue to resonate beyond their time,” the gallery states.

Lina Al-Mutairi, a Jeddah-based art enthusiast, said: “Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices. The exhibition really brings their vision and influence to life.”