Now read this: How Saudi Arabia is aiming to end illiteracy by 2024

Updated 21 November 2018
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Now read this: How Saudi Arabia is aiming to end illiteracy by 2024

  • The Ministry of Education has introduced programs to boost the Kingdom’s literacy rate to 100 percent
  • International group says it’s a role model to others trying to do the same worldwide literacy by 2030

DUBAI: Saudi Arabia’s goal to eradicate illiteracy has been applauded by international experts and educational bodies, who say the Kingdom is a role model for countries in the Arab world, where more than a quarter of women, men and children are unable to read or write.
Earlier this year, Saudi Arabia pledged to raise its literacy rate from 94.4 percent to 100 percent by 2024, and experts say the Kingdom can now play a major part in helping to eradicate illiteracy in the wider region.
According to the Project Literacy alliance, a coalition of charities and businesses, illiteracy is a major barrier to worldwide economic development, costing at least
$1 trillion (SR3.75 trillion) per year. It says that today about 750 million adults worldwide are unable to read or write.
“If the Kingdom is able to make the investment to eradicate illiteracy in their country, it will be a great example to other countries in the Arab world, and worth sharing best practices and the model they used for their success,” Alesha Anderson, senior program officer for ProLiteracy, another advocacy group, told Arab News.
Anderson hailed the Kingdom’s efforts to boost literacy rates, especially the country’s projects to tackle adult illiteracy. According to Saudi Arabia’s Ministry of Education (MOE), the current literacy rate was achieved by boosting enrolment in thousands of schools, vocational colleges and universities, with the aim of achieving 100 percent literacy by 2024.
Among its many initiatives, the MOE has rolled out adult education centers across the Kingdom, introduced lifelong learning initiatives, neighborhood learning programs, educational and literacy campaigns in remote areas of the country and implemented financially based reward programs to work toward an illiteracy-free society.
The government has also granted $51 billion to the education sector in 2018 as part of Vision 2030, its ambitious program to reduce economic dependency on oil sales. Since launching the Adult Education and Literacy System in 1972, and the General Secretariat for Adult Education and Literacy in 1977, the country has seen illiteracy rates fall from 60 percent in 1972 to 5.6 percent in 2018.
“Having a 100 percent literacy rate is ambitious, but when a government makes a commitment to address adult literacy issues in their country, we are excited as adults can often be left out of the national education agenda and funding for adult education is often non-existent or very low,” said Anderson. “Yet research suggests that investing in youth and adults (particularly mothers) can directly impact and improve rates for children’s literacy as well.
“Limited funding and visibility are given to the issue of adult literacy on a global scale, and the proposed campaign the Kingdom of Saudi Arabia is planning has the potential to impact 27 countries in the Arab world by promoting and sharing the results of their program.”
Anderson said Saudi Arabia and the neighboring UAE, which also has several initiatives underway to improve literacy rates, could use their political and geographic influence to lead the way in the adult literacy discourse across the region.
“They can do this both in terms of providing funding to lower-income countries, and by starting a conversation and advocating for the importance of literacy, especially for women and girls.”
Anderson said Middle Eastern countries that have strong economies and are advanced in their development tended to have higher literacy rates. However, there was still a significant need for literacy, especially in the adult population, for many countries in the region.
“The disparity in literacy rates is especially evident in looking at the variance between literacy rates for men and women. In places like Afghanistan, Egypt, Morocco, Yemen and Sudan, women’s illiteracy rates, in particular, tend to be high. For example, the literacy rate, for adult females (ages 15 and above) in Egypt was reported at 68.06 percent in 2015, according to the World Bank. In Afghanistan, more than three times as many men as women are literate. Some 47 percent of Afghan men and a mere 15 percent of women can read and write, according to the UN Children’s Fund (UNICEF).”
According to Project Literacy, two-thirds of the worldwide illiterate population are women. Furthermore, 123 million 15- to 24-year-olds in the world today cannot read or write.
“Female literacy is absolutely important and should be a priority in the Arab region. Access to education for women is still extremely limited, especially in countries that restrict women’s role in society,” Anderson said.
“Research shows that educating a mother results in her children and community also being educated because she will pass it on. Despite cultural restrictions for women, there are ways to include women in the education process. For example, we have a partner program in Afghanistan that has educated women by only registering men in a class if they agree to bring their wife or sister. In this way, women are allowed to learn alongside men and not excluded from the literacy class.”
Traditionally, Anderson said, barriers to success in national or large-scale literacy campaigns include lack of teacher training, curriculum and support for learners after achieving a certain level of literacy.
Despite the social benefits, tackling illiteracy has huge economic advantages. Each year, illiteracy costs a developed nation 2 percent of its GDP, an emerging economy 1.2 percent of its GDP and a developing country 0.5 percent of its GDP, she said.
The UN defines illiteracy as “the inability to read and write a simple message in any language.” While Saudi Arabia and the UAE are setting benchmarks to tackle illiteracy, other countries across the Middle East paint a more dire picture, with Afghanistan topping the highest illiteracy rates (72 percent of the population over the age of 15), followed by Pakistan (50 percent), Mauritania (49 percent), Morocco (48 percent) and Yemen (46 percent), according to the Global Campaign for Education.
Andrew Kay, CEO and founder of the World Literacy Foundation, said almost 20 percent of the global population was illiterate, while in the Arab region, 27.1 percent of people were unable to read or write.
“This means that even these basic educational standards are unmet,” said Kay. “Despite significant progress since the 1980s, the black cloud of illiteracy is still weighing heavily on some Arab countries that are going through a critical phase and facing tremendous political, social and economic challenges.
“Saudi Arabia’s literacy rates are much better than other countries in the region, although there are still disadvantaged people that struggle to read. Increased funding and a holistic government approach is a step in the right direction, but we need to ensure the specialist literacy support goes to the people where there is the greatest need.
“Often minorities, migrants and disadvantaged people have low-level literacy skills. Therefore, providing gender equality and fairness to all people in our literacy support and intervention is fundamental.”
Kay said oil-rich countries such as Saudi Arabia could help its Arab neighbors through “leading by example,” and providing literacy grants, books, tutoring and support.
Mansoor Ahmed, director of health care, education, development solutions and PPP for the MENA region at the advisory firm Colliers International, also said the Kingdom was implementing “several commendable initiatives to achieve its aspiration to eradicate illiteracy by 2024.”
“Among several education reforms, the roll-out of adult education and literacy centers is expected to positively impact on the literacy levels in the country. There has been a significant increase in literacy rates over the past decade due to focused policy measures.”
Ahmed said the region was becoming more aware of the importance of literacy and education for all.
“For example, Egypt has also come up with ambitious targets in tackling illiteracy by improving educational infrastructure. We expect this trend to continue in the long term as the governments implement their economic transformation programs. The UAE, also, has recently launched a free e-learning platform which provides education videos to over 50 million Arab students.
“We believe initiatives such as these, if implemented sustainably, will help the region achieve higher levels of literacy,” he said.
Hegazi Idris Ibrahim, a program specialist in basic education and literacy at the regional office for education in Arab states at the UN Educational, Scientific and Cultural Organization (UNESCO), highlighted the Kingdom’s efforts in diversifying its educational programs, paying financial incentives to adult learners who join literacy programs and adopting a “lifelong learning initiative” to achieve an illiteracy-free society.
“Literacy is more important than ever given the increasing dependence on fast-growing technology, and the rapid changes in the labor market and inter-country mobilities,” said Ibrahim. “For the region, it is also important for peace and stability.
“UNESCO’s target is to provide the right to high-quality education to all, including adult learners, and to make lifelong learning a reality and reduce the illiteracy rate by 2030.”


Romanian Jordanian designer Amina Muaddi teases new collection

Updated 23 April 2024
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Romanian Jordanian designer Amina Muaddi teases new collection

DUBAI: Romanian Jordanian designer Amina Muaddi teased her new collection, titled “High Summer,” on social media this week.

The celebrity-loved designer will release her new drop worldwide at 3 p.m. Central European Time on Tuesday.

Muaddi shared a teaser with her 1.3 million followers featuring a model opening a cream-colored clutch, revealing a mirror on the inside of the bag.

In addition to her collection of shoes, Muaddi’s jewelry and bag lines are also gaining acclaim among her celebrity clientele. The shoemaker’s label has garnered a loyal list of famous fans, including Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber Baldwin. 

Muaddi launched her eponymous footwear line in August 2018, about one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye.

The creator also helped design the shoes for Rihanna’s Fenty collection. The collaboration received the Collaborator of the Year award at the 34th edition of the FN Achievement Awards in 2020.

A year later, she landed a spot on Women’s Wear Daily and Footwear News’ 50 Most Powerful Women list.

Her jewelry collection encompasses rings, earrings and bangles.

The rings boast spiral-shaped designs, bombe rings with a crystal centrepieces available in both silver and gold, and a silver band adorned with crystals.

In the earring selection, versatility reigns supreme. Alongside simple rectangle and circular hoops embellished with crystals, she offers intricate multi-ring hoop designs.

The designer’s handbag range includes a variety of styles, from sleek clutches with striking embellishments to bold totes and crossbody bags.

Some of the bags are embellished with sparkling crystals or intricate sequins, while others are made from satin or leather and feature metallic finishes. The color palette includes classic cream, brown, black, red and silver.

Muaddi previously spoke to Footwear News about her rise of one of the most in-demand footwear designers in the industry.

“I was so passionate, so I was willing to go through any hardship,” she told the publication. “There’s a reason why only so many people get to this point, because you get tested a lot.

“Many times, I was close to giving up. I had to part ways with my partner, with producers; I’ve had (orders) cancelled. It’s not about what you go through, it’s how you survive the situation and how you thrive after it. It’s a never-ending lesson,” she added.


REVIEW: ‘Returnal’ — a thoughtful and challenging sci-fi adventure

Updated 23 April 2024
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REVIEW: ‘Returnal’ — a thoughtful and challenging sci-fi adventure

LONDON: Right from the start, before you even take control of Selene Vassos, a reconnaissance scout who has crash landed on a prohibited and mysterious planet, you are warned that “Returnal” (available originally for PS5 but now PC too) is “intended to be a challenging experience.” Such difficulty may deter the casual gamer used to a steady progression of character and exploration through a games environment. However, “Returnal” is a thoughtful and rewarding adventure that lays claim to much originality of thought in its set up. The key theme is that when you die, you return! But not to the same environment that you were in before. Instead, each new cycle postures new challenges and progress can only be made by unlocking upgrades that allow you to make more meta progress in Selene’s journey.

Selene herself is a super professional, unfazed character who doesn’t appear too bothered when she comes across a body of her former self that died in this strange world where the laws of physics and time appear not to apply. Staying alive is obviously crucial, particularly as it allows her to retain better weapons for longer. In addition, avoiding damage allows for boosts of agility, vision and more, making for a more lethal Selene. The environment is varied and surprising with each incarnation and the weapons on offer come complete with a range of exciting alternative fire mechanisms such as homing missiles or laser-like items. A hostile environment where even plants are a threat to life is mitigated by your technology, the core of which you can improve despite the reset of deaths, through fancy smart “xeno-tech” that becomes integrated with alien kit left around.

There is a paradox in “Returnal” described by Selene herself that she is trapped in an environment that is “always the same, always changing,” which literally makes no sense. Players have to be patient in the early chapters getting used to the sapping dynamic of death and return. Once that makes more sense, the loneliness of both her alien environment and the impossibility of even dying to escape it make for a pretty special atmosphere that a smart shooting engine then complements.


Simi, Haze Khadra share entrepreneurial insights at Harvard

Updated 22 April 2024
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Simi, Haze Khadra share entrepreneurial insights at Harvard

DUBAI: US Palestinian beauty moguls Simi and Haze Khadra took to the stage at the Arab Conference at Harvard in the US to share insights into their business, SimiHaze Beauty.

The twins — who are often spotted alongside the likes of Kylie and Kendall Jenner as well as Canadian musician The Weeknd — spoke at the conference that ran from April 19-21.

“Thank you for having us as speakers at Harvard’s ACH24, discussing our unwavering values in our lives and business which has not only brought us more purpose, but also more success. We also discuss the next frontier of the beauty business as founders (of) @simihazebeauty,” the pair shared on Instagram.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Simi & Haze (@simihaze)

The brand is set to be available in the GCC via French multinational retailer Sephora starting from May 2024, with the sisters scheduled to jet to Dubai for a launch event on May 2.

The twins launched their US-born cosmetics brand in 2021 with a range of stick-on makeup designs that can be placed on the face for a bold beauty look achievable within seconds. The sticker book features an array of edgy designs inspired by their favorite DJ looks from the past, such as chrome wings, neon negative space eyeliner and holographic cat-eyes.

SimiHaze Beauty has expanded to include a range of products, including lipsticks, bronzing powders, a lifting mascara and more.

The beauty entrepreneurs and DJs, who grew up between Riyadh, Dubai and London, are known for their contemporary beauty looks and are often spotted in public with futuristic makeup, something they have managed to encapsulate in their brand.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Simi & Haze (@simihaze)

Earlier this month, the sisters celebrated their birthday with a call for donations to Gaza.

“Thank you for all the sweet birthday messages. Feeling all the love and radiating it all back to you. All we want for our (birthday) is for you to help us build a NICU for the babies in Rafah,” the sisters posted.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Simi & Haze (@simihaze)

“Many premature babies in Gaza are in dire need of help as a result of the ongoing blockade by Israel. Newborns share incubators as supplies run low at the few swamped remaining hospitals that have not been attacked. @heal.palestine is actively working on building a new NICU in Rafah while supporting the only other existing NICU at the Emirati Hospital by providing medication and all the other supplies to help give premature babies the care they need,” the sisters posted on Instagram earlier this week, referring to US-based nonprofit organization Heal Palestine.

The pair have been vocal about the conflict in Gaza, posting frequently on their social media platforms as well as hosting video discussions on YouTube on various aspects of Israeli-Palestinian politics.


Artist Abdullah Al-Saadi represents the UAE at Venice Biennale

Updated 22 April 2024
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Artist Abdullah Al-Saadi represents the UAE at Venice Biennale

VENICE: Emirati conceptual artist Abdullah Al-Saadi is representing the UAE at the 60th Venice Biennale, curated this year by Adriano Pedrosa under the theme of “Foreigners Everywhere. Stranieri Ovunque.” The pavilion’s exhibition, which opened on April 20 and runs until Nov. 24, was curated by Tarek Abou El-Fetouh.

Al-Saadi has played a pivotal role in the development of the UAE’s evolving art scene — his multidisciplinary practice includes the mediums of painting, drawing, sculpture, performance and photography, as well as collecting and cataloguing found objects and the creation of new alphabets.

“Since I was a student, four decades ago, art has been an integral part of my daily life,” Al-Saadi said in a statement. “My art is the result of interactions with places, people, ideas, and aesthetics that I encounter every day where I live and in my journeys. I find myself driven to document these experiences visually or in written diaries and contemplations, seeking to transfigure the ordinary with the passage of time.”

“I am representing myself in Venice as an artist foremost and then as a local Emirati artist,” Al-Saadi told Arab News. “This pavilion will showcase my artistic journey over a long period of time since after university through eight works, two of which are new commissions,” he said of the ongoing show titled “Abdullah Al-Saadi: Sites of Memory, Sites of Amnesia.”

One of the artistic journeys he made that will serve as a new artwork took place amid the Arabian landscape.

“I spent seven days in the valley studying the tea, the coffee, and bread,” Al-Saadi explained to Arab News. “Then after one week I rode my bicycle, and I went to the mountains. During that time, I was reading a book on the Silk Road and trying to imagine how it was to travel on the Silk Road and I compared my way of traveling with how it was to travel on the Silk Road long ago.”

“Abdullah’s work is comprised of multiple aspects, from his diaries to sketches, to landscapes, scrolls and other objects that he creates,” Laila Binbrek, Director of the National Pavillion UAE, explained to Arab News. “They all stem from his diary — a diary he has been keeping for the last 40 years. Every day he writes in his diary.” 


Christie’s Art of the Islamic and Indian Worlds auction highlights rare finds in London

Updated 22 April 2024
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Christie’s Art of the Islamic and Indian Worlds auction highlights rare finds in London

LONDON: Christie’s Art of the Islamic and Indian Worlds spring sale will see 261 lots —including paintings, ceramics, metal work, works on paper, textiles, rugs and carpets — go under the hammer at a live auction at their London headquarters on April 25.

Arab News was given an exclusive viewing of some of the works prior to their public pre-sale showing from April 21-24.

Sara Plumbly, Christie’s Head of Department for Islamic and Indian Art, gave her expert insights into some selected pieces.

These included lot 45, an exquisite miniature octagonal Qur’an, dated AH 985/1577-8 AD, which was made in Madinah, the Qur’an has an estimate of $13,000-19,000.

“We very rarely see manuscripts that were copied in the holy cities. So this being copied in Madinah makes it very rare,” she explained.

“It has a Naskh script. This a very steady, cursive script which is relatively easy to read — unlike some of the others. For example, Nastaliq script, which is copied on the diagonal, is much trickier to read. For Qur’ans you would almost always see a Naskh script for ease of reading. Nastaliq is usually reserved for poetic manuscripts,” she said.

This miniature Qur’an would be small enough to carry with the owner on a daily basis, usually around the neck. Alternatively, they would be hung in their silver boxes on an ‘alam (standard or flag) and carried into battle.

Plumbly, who completed her master’s degree in Islamic Art and Archaeology at the University of Oxford, has lived and travelled extensively across the Middle East and North Africa, including extended periods in Egypt, Syria, Lebanon, Saudi Arabia and Sudan.

Another stunning item in the sale is a Watercolor Album depicting a selection of known prestigious and rare Iznik ceramics from the Louis Huth collection. It comprises 44 single and double-page watercolor paintings of Iznik bowls, flasks, ewers and dishes.

Watercolor paintings of Iznik bowls, flasks, ewers and dishes will go under the hammer. (Supplied)

It was also fascinating to see a rare and complete illustrated manuscript copy of the Khamsa of Nizami by 12th century Persian poet Nizami Ganjavi, together with the Khamsa of Amir Khusraw Dihlavi, a 13th century Persian Sufi singer, musician, poet and scholar. The colors in the illuminations leap off the pages as though created yesterday.

Plumbly also pointed out the exceptional workmanship of an early 13th century Kashan pottery bowl, excavated in Iran’s Kashan in 1934.

A Khashan pottery bowl inscribed with three Persian quatrains, or poetic verses. (Supplied)

“This type of Kashan ceramics have a wonderful luster. It’s a very difficult technique to perfect. This bowl has a really beautiful dark gold color which is very well controlled. The condition is remarkable. It’s one of those ‘best of type’ objects,” Plumbly observed.