ISMAILIA, Egypt: In an Egyptian schoolyard, hundreds of fans watched as amateur fighters with painted faces and dramatic costumes recreated an American-style wrestling show.
With eyes blackened by make-up, “The King of the Night” readied to take on “Tiger,” clad in a leopard skin cape.
Under bright lights and blaring rock music, the duo took to the ring and the fight played out with a mix of athletic moves and careful choreography.
The rare spectacle at a village school near the city of Ismailia, on the banks of the Suez Canal, attracted a crowd of nearly 1,000 men, women and children.
The show was the brainchild of Ashraf Mahrous, who founded the self-declared Egyptian Federation of Professional Wrestling in 2012 and has since organized 22 events.
The group started with just eight fighters, including two women, but now boasts 50 amateurs from across Egypt — although it is still not an official body.
“The idea of wrestling started with performing fighting moves on the bed with my brother,” said 37-year-old Mahrous.
Three beds were broken in the process, forcing the boys to sleep on the floor.
Years later the strikingly-tall Mahrous now uses the wrestling name “Kabonga.”
He dressed in a suit and tie for the school show, which he had spent months preparing.
But the playground lacked space and, after just 10 minutes, the event was shut down due to overcrowding.
“We were not up to it,” co-organizer Ahmed Abdullah told the crowd through a microphone.
“We had hoped to present something new to the village of Abu Saltan,” he added.
Mahrous broke down in tears as people left and the lights went off one by one.
“If there was money, we could offer seats to everyone and hire an event organizer,” he said.
The wrestling federation lacks sponsors and its members spend their own money on organizing events.
Most take place in clubs, but one is hosted by a Cairo children’s hospital.
“No-one succeeds here” in Egypt, one of the wrestlers whispered.
But despite the challenges, the wrestlers remain hopeful of one day achieving the fame enjoyed by professionals in the United States.
Momen Mohamed — who fights as “Commando” — said he has been passionate about American wrestling since he was a child.
“My favorite is Rey Mysterio, because of his light movements on the ropes and his fighting style in the ring,” he said.
US wrestling is aired in cafes in working-class Egyptian neighborhoods, allowing enthusiasts to watch icons, including John Cena, Triple H and The Undertaker.
Global wrestling stars make a fortune from their performances, while they also cash in on spin-off films and adverts.
Their Egyptian counterparts are just starting to get noticed, helped by a Facebook page which has 40,000 fans.
Samir Ibrahim, a 22-year-old student who goes by “Ninja” in the ring, was thrilled when he was recognized after appearing on local television.
“I ran into people who told me: ‘You were on TV, we know you, you’re Ninja who wrestles,’” he said, wearing a mask and dressed head-to-foot in black.
The struggle to find suitable facilities has not put Mahrous off.
He built a makeshift ring by his family home in a nearby village, where he trains amateur wrestlers surrounded by fields and part-complete red-brick houses.
The wrestlers’ enthusiasm was clear at the school event, where 27-year-old Mohamed was steadfast in his ambitions.
“I always hope that Egypt will have a professional wrestling federation,” he said, after entering the arena as “The Lumberjack” and wielding an axe.
“I won’t abandon my dream.”
Egyptian enthusiasts get American wrestling off the ground
Egyptian enthusiasts get American wrestling off the ground
- The self-declared wrestling federation lacks sponsors and its members spend their own money on organizing events
- Despite the challenges, the wrestlers remain hopeful of one day achieving the fame enjoyed by professionals in the US
Cambodia takes back looted historic artifacts handled by British art dealer
- The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia
PHNOM PENH, Cambodia: Cambodian officials on Friday received more than six dozen historic artifacts described as part of the country’s cultural heritage that had been looted during decades of war and instability.
At a ceremony attended by Deputy Prime Minister Hun Many, the 74 items were unveiled at the National Museum in Phnom Penh after their repatriation from the United Kingdom.
The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia.
“This substantial restitution represents one of the most important returns of Khmer cultural heritage in recent years, following major repatriations in 2021 and 2023 from the same collection,” the Culture Ministry said in a statement. “It marks a significant step forward in Cambodia’s continued efforts to recover, preserve, and restore its ancestral legacy for future generations.”
The artifacts were described as dating from the pre-Angkorian period through the height of the Angkor Empire, including “monumental sandstone sculptures, refined bronze works, and significant ritual objects.” The Angkor Empire, which extended from the ninth to the 15th century, is best known for the Angkor Wat archaeological site, the nation’s biggest tourist attraction.
Latchford was a prominent antiquities dealer who allegedly orchestrated an operation to sell looted Cambodian sculptures on the international market.
From 1970 to the 1980s, during Cambodia’s civil wars and the communist Khmer Rouge ‘s brutal reign, organized looting networks sent artifacts to Latchford, who then sold them to Western collectors, dealers, and institutions. These pieces were often physically damaged, having been pried off temple walls or other structures by the looters.
Latchford was indicted in a New York federal court in 2019 on charges including wire fraud and conspiracy. He died in 2020, aged 88, before he could be extradited to face charges.
Cambodia, like neighboring Thailand, has benefited from a trend in recent decades involving the repatriation of art and archaeological treasures. These include ancient Asian artworks as well as pieces lost or stolen during turmoil in places such as Syria, Iraq and Nazi-occupied Europe. New York’s Metropolitan Museum of Art is one of the prominent institutions that has been returning illegally smuggled art, including to Cambodia.
“The ancient artifacts created and preserved by our ancestors are now being returned to Cambodia, bringing warmth and joy, following the country’s return to peace,” said Hun Many, who is the younger brother of Prime Minister Hun Manet.












