Saudi author’s novel tackles taboo of being bipolar

Author Ghada Aboud (supplied photo)
Updated 10 October 2018
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Saudi author’s novel tackles taboo of being bipolar

  • Ghada Aboud says the media over-romanticizes the illness, associating it with creativity
  • This masks the fact that people are suffering in silence in growing numbers

JEDDAH: Saudi author Ghada Aboud, published her first Arabic novel earlier this year titled “Bipolar.” What made her interested in writing about the disorder is how the media over-romanticize the illness, associating it with talent.

“Teenagers are being sold this image: It kind of makes it attractive to become depressed, miserable, sad and self-destructive when it actually is the most harmful, sad, horrible thing that can ever happen to you because people who are actually suffering are not talking,” Aboud told Arab News.

“People who are really suffering with all the pressure that’s happening and with all the judgments, labeling and media campaigns, the social pressure, the financial pressure.  The numbers are multiplying: 300 million people around the world are suffering from depression and manic depression.” 

In the beginning of her book, Aboud uses areas of Jeddah as a metaphor for the illness. “When rain comes, people in the north have better streets, better houses, they’re okay. They see it, but their houses are not ruined by the rain and their streets did not flood. Unlike the people who live in the south of Jeddah, who have a very bad infrastructure. They can’t withstand it. This is a metaphor for the mental illness. We all go through difficult circumstances, but people shouldn’t be blamed.”

“For example, if I told you I went through a traumatic love experience, and you would be able to get through it, those are your circumstances. But not my circumstances, because I have circumstances, my infrastructure, my upbringing as a child, as a teenager, made these outer circumstances, when it hit me, it destroyed me. Why are you blaming me?”

The protagonist in her novel is a therapist who is diagnosed as bipolar. “It’s very easy to sit back and lecture people,” Aboud said. “It’s very rare that we can help ourselves and get ourselves out of our own circumstances.”

The novel’s message is: “We are all bipolar somehow. It’s only normal to go through these extreme ups and extreme downs. So we have to accept our differences and our contradictions and our downfalls and our victories, and accept life as it is and accept others.”


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 19 sec ago
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Centerpiece of display, Jazan: A Nation and a Prince, places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.