Gigi Hadid stars in Pirelli’s 2019 calendar

Gigi Hadid stars in the latest edition of Pirelli’s world-famous calendar. (AFP)
Updated 29 July 2018
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Gigi Hadid stars in Pirelli’s 2019 calendar

  • Hadid, designer Alexander Wang, actresses Laetitia Casta and Julia Garner and dancers Misty Copeland, Sergei Polunin and Calvin Royal III have all been featured in the calendar
  • Hadid plays the role of a wealthy and successful woman who only feels safe in her New York penthouse haven and whose life is pervaded by sadness

DUBAI: For the 2018 edition of Pirelli’s world-famous calendar, lauded Scottish photographer Albert Watson snapped a cohort of international models, including US-Palestinian star Gigi Hadid.

In the photographs, the models — four female protagonists and three male leads — pose as film characters who are “on the road to achieving or have achieved their goals in life,” according to the company’s website. Hadid, designer Alexander Wang, actresses Laetitia Casta and Julia Garner and dancers Misty Copeland, Sergei Polunin and Calvin Royal III have all been featured in the calendar, which has been released since 1963.

Casta plays the role of a painter who has vivid dreams of her future, while Garner plays a photographer who works in a botanical garden, but dreams of becoming a well-established portrait photographer. Meanwhile, Hadid plays the role of a wealthy and successful woman who only feels safe in her New York penthouse haven and whose life is pervaded by sadness. Her friend, played by Wang, comforts her in the photograph.

Shot in April 2018 in Miami and New York, Hadid spoke about the experience to reporters, saying: “It’s just funny that this character was chosen for me because I can really relate to her, it’s a little emotional.

“I’m always traveling alone and sometimes I find myself (alone at night), after being around hundreds of people in a setting that seems like there’s a lot going on for me, and it’s very glamorous and da-da-da. At the end of the night I’m in a hotel room by myself in a country where I don’t know anyone,” she said. “The time is weird at home so no one is awake to talk to (because of the time zone difference). I find myself in the same situations as this character where it’s kind of lonely and sad, but I think there’s kind of a beauty in that, in terms of getting to know yourself and learning how to find strength.”

The model, who recently got tongues wagging when she reportedly reunited with her singer boyfriend Zayn Malik after they split earlier this year, made international headlines in February by discussing her weight loss and said it was the result of learning to manage her Hashimoto’s Disease, not because of an eating disorder or drug use.

The model sent out a series of tweets stating that she would no longer respond to comments on her appearance.

“I will not further explain the way my body looks, just as anyone with a body type that doesn’t suit (your) ‘beauty’ expectation shouldn’t have to. Not to judge others, but drugs are not my thing. Stop putting me in that box just because you don’t understand the way my body has matured,” she said at the time.


‘The Secret Agent’ — Brazilian political thriller lives up to the awards hype

Updated 13 February 2026
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‘The Secret Agent’ — Brazilian political thriller lives up to the awards hype

DUBAI: Brazilian director Kleber Mendonca Filho’s political thriller may be set during his homeland’s turbulent 1970s — under a military dictatorship that committed extensive human rights abuses — but this ambitious, layered, and beautifully realized movie is loaded with timely reminders of what happens when political violence and moral turpitude are normalized, and — in one memorable fantastical scene — when fake news turns into mass hysteria.

The film follows Marcelo (the compelling Wagner Moura), an academic working in engineering, who discovered that a government minister was shutting down his university department in order to funnel its research into a private company in which the minister owned shares. When Marcelo points out the corruption, he becomes a marked man and must go on the run, leaving his young son with the parents of his late wife. He is moved to a safe house in Recife, run by the sweet-but-steely Dona Sebastiana (an effervescent Tania Maria) on behalf of a resistance group. They find him a job in the government department responsible for issuing ID cards.

Here he meets the despicable Euclides (Roberio Diogenes) — a corrupt cop whose department uses a carnival as cover to carry out extrajudicial murders — and his goons. He also learns that the minister with whom he argued has hired two hitmen to kill him. Time is running out. But soon he should have his fake passport and be able to flee.

“The Secret Agent” is much more than just its plot, though. It is subtle — sometimes oblique, even. It is vivid and darkly humorous. It takes its time, allowing the viewer to wallow in its vibrant colors and equally vibrant soundtrack, but always building tension as it heads towards an inevitable and violent climax. Filho shows such confidence, not just in his own skills, but in the ability of a modern-day audience to still follow stories without having to have everything neatly parceled and dumbed-down.

While the director deserves all the plaudits that have already come his way — and there will surely be more at the Oscars — the cast deserve equal praise, particularly the bad guys. It would’ve been easy to ham it up as pantomime villains. Instead, their casual cruelty is rooted in reality, and all the more sinister for it. Like everything about “The Secret Agent,” they are pitch perfect.