Review: ‘Hotel Transylvania 3’ blurs the line between good and bad

A still from the kid-friendly film. Sony Pictures Animation
Updated 24 July 2018
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Review: ‘Hotel Transylvania 3’ blurs the line between good and bad

CHENNAI: Nothing can be compared to Japanese animation, especially the works of cinematic art created by Hayao Miyazaki (“Spirited Away,” “Princess Mononoke,” “The Wind Rises”), which is not just sharply political but also intensely emotional. In comparison, American animated films may seem somewhat plastic, though the Transylvania franchise has risen above the mundane. The latest installment,” Hotel Transylvania 3: A Monster Vacation,” from director Genndy Tartakovsky, depicts a battle between the good and evil. However, the movie underlines that those who are considered “bad” need not be malevolent.

The plot sees Dracula (voiced by Adam Sandler), his daughter Mavis (Selena Gomez), her human husband Johnny (Andy Samberg) and the entire monster entourage go on a cruise vacation to Atlantis. On board, widowed and lonely Dracula falls head over heels in love with the director of the event, Ericka (Kathryn Hahn). However — plot twist! — she is a human being and several centuries younger. Even worse, she is the granddaughter of the legendary vampire hunter, Abraham Van Helsing (Jim Gaffigan), whose bitter enmity with Dracula dates back to the 1800s.

If there are a lot of the sinister elements (the huge, dark ship and the ferocious werewolf couple) in the work, it is liberally interspersed with humor, which comes courtesy of the Mummy, the Invisible Man and the giant puppy that Dracula’s grandson smuggles aboard the ship.

Tartakovsky, who helmed all three editions of the franchise, undoubtedly employed a brilliant set of animators — the characters are sharply etched out, with pointed features and wonderful detail. The wit flows at a breathless pace, but what is lacking is a certain novelty, which one expects in an ongoing series.

One plus point is that parents will not find themselves wanting for entertainment. Dracula’s romance with Ericka may be lost on children, but it will keep the adults entertained. At 97 minutes long, however, the film could have been far more fantastic.


Hamza Hawsawi on headlining The Fridge in Riyadh

Updated 14 February 2026
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Hamza Hawsawi on headlining The Fridge in Riyadh

DUBAI: Saudi R&B artist Hamza Hawsawi headlined The Fridge’s “Concert Series KSA Season 1” over the weekend, performing a show in Riyadh’s JAX District as part of a two-day program spotlighting emerging talent.

Hawsawi’s performance followed “The Fridge Open Mic,” which took place at the same venue the night before. The open mic offered rising artists a professional stage to perform original material in front of a live audience, creating space for experimentation and discovery within the local music scene.

Speaking during the event, Hawsawi highlighted the importance of platforms such as open mics for artists. “I think it is important because an open mic is an opportunity to get to know new artists,” he said. “For industry professionals, like Fridge, it is an eye-opener to the scene, and it lets you understand how the scene is going, what kind of artists you’re gonna be dealing with in the future.”

From an artist’s standpoint, he added, the format remains essential for growth. “We do need open mics. We do need to be out there and to try different things, and to sing to different people, and to test our art and find out if people are gonna gravitate towards it or not.”

Hawsawi has spent more than 15 years developing a sound rooted in R&B, soul and pop, building an audience that now spans the region and beyond. He has accumulated more than 33 million global views and collaborated with a range of regional and international artists. 

His track “Million Miles” was selected as the official Rally Dakar anthem, while his live performances have included stages such as MDLBeast and the Abu Dhabi Grand Prix.

Asked whether he feels a responsibility to help shape the Saudi R&B scene, Hawsawi described a fluid relationship with that role. “Sometimes I feel that sense of responsibility,” he said. “Other times I feel like I’m just a human being trying to express my feelings … But we’re just artists at the end of the day.”

He added that while he sometimes embraces being a beacon for the genre, “other times I feel like I want to be low-key, and I don’t even want to be seen or heard.”

Hawsawi also reflected on one of his personal challenges as an artist in the Kingdom: writing and performing primarily in English. 

“That has been the biggest challenge to face,” he said. 

While Arabic remains the most widely spoken language in Saudi Arabia, Hawsawi explained that English allows him to express what he feels more clearly, particularly when it comes to emotion and meaning.

“The nuances of what I feel and all the metaphors for me trying to say something but not saying it, you know, not a lot of people get that,” he said, noting that his work often reaches a niche audience. “But I’m happy with that.”