Battle over biopic: Rumored Mehwish Hayat-Benazir Bhutto film sparks response from Bakhtawar Bhutto Zardari

In this file photo, Pakistan’s former prime minister Benazir Bhutto arrives at an election campaign public meeting in Nowshera, Dec. 12, 2007. (AAMIR QURESHI/AFP)
Updated 23 June 2018
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Battle over biopic: Rumored Mehwish Hayat-Benazir Bhutto film sparks response from Bakhtawar Bhutto Zardari

  • Mehwish Hayat posted a photo in tribute of the politician, expressing her admiration for her and subliminally confirming that a biopic with her was in the works
  • The confirmed whispers was brought to the attention of Bhutto’s daughter Bakhtawar Zardari on Twitter, where she responded that no consent had or would be given for this project, and the family would seek against it

ISLAMABAD: Earlier in the year murmurs began to circulate that Mehwish Hayat was in talks about playing the late Benazir Bhutto, a revered and controversial figure from Pakistan’s history who was the first female prime minister of Pakistan and one of the first in Muslim countries worldwide.
Though nothing had been confirmed for some time, on June 21, which would have been the two-time Pakistani prime minister’s 65th birthday, Hayat, who starred in last year’s mega-blockbuster “Punjab Nahin Jaungi” and is one of the most in-demand of Pakistan’s actors, posted on her official Instagram page a snap of her reading Bhutto’s book with a caption highlighting the inspiring life of the assassinated politician, her admiration for Bhutto’s unwavering work on women’s rights, and a hint that the rumors of her forthcoming role may be true.

“I am privileged to have been given the opportunity to research and learn more about her life, and sitting here I can only reflect on so much more that could have been had she not lost her life so tragically,” wrote Hayat. “The sign of a true leader is the legacy they leave behind and the reverence with which the people remember them, irrespective of party allegiances. She was a truly remarkable woman and I look forward to giving life to her story soon.”
The post went viral in a matter of hours with major news publications, online platforms and bloggers picking up the picture and taking it as confirmation that Hayat would be playing Pakistan’s first female prime minister.
It was viral enough for one of Bhutto’s daughters, Bakhtawar Bhutto Zardari, to comment on a post tweeted to her by a follower, posted by Express Tribune on Hayat’s post, saying that no consent from her family was given, and that they would not be supporting the discussed biopic.
“Certainly no consent from her living heirs/children was sought. Absolutely unacceptable, and we will be taking action against it,” she wrote.

Bhutto is a mother to three children: Bakhtawar, Aseefa and Billawal Bhutto Zardari. She was also the first world leader in modern history to give birth while in office in 1990. Her children, who are all active in the People’s Party which their family started and have served for many years, have actively kept their mother’s name and legacy alive.
Hayat responded directly to Bakhtawar’s tweet with a two-part message assuring her that so far everything was only in the rumor stage and that things would not progress without the go-ahead from the late Benazir Bhutto’s family.
“To clarify rumors circulating: There is a project at the very early stages of development about your amazing mother. This cannot and will not be done without the consent or blessing of the family. I am sure that the team involved will be in touch before they progress further,” she wrote.

Hayat’s response quelled what were just rumors. Shem added that whether or not the film was made, her research is about her respect for the fallen leader, and she even asked to meet with Bakhtawar to learn more about her.
“Meanwhile, as an actress I am researching as much as I can about a real idol of mine.”
Bakhtawar Zardari has not yet responded.


Pakistan turns to immersive technology to reimagine ancient Gandhara

Updated 57 min 54 sec ago
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Pakistan turns to immersive technology to reimagine ancient Gandhara

  • New gallery uses artificial intelligence and 3D visuals to present Buddhist heritage
  • Visitors can explore archaeological sites digitally rather than through static displays

ISLAMABAD: At the Islamabad Museum, history no longer sits quietly behind glass.

In September 2025, the museum introduced Pakistan’s first Digital Immersive Gallery, an experiment in how ancient civilizations can be narrated in the age of artificial intelligence, 3D projection and virtual environments. Developed in collaboration with the Korea Heritage Agency, Pakistan’s Department of Archaeology and the National Heritage and Culture Division, the gallery marks a shift from object-centered displays to experience-based storytelling.

Rather than beginning with labels and timelines, the gallery opens with movement, sound and light. Visitors are invited to step into a reconstructed visual world shaped around Gandhara, one of South Asia’s most influential yet often under-explained civilizations that developed across what is now northwestern Pakistan and parts of eastern Afghanistan and later played a foundational role in the spread of Buddhism beyond the subcontinent.

“We have shown here in our Immersive Gallery how Buddhism flourished here, how it was introduced, how it declined and how it shifted to China, Korea and Japan from here,” Dr. Abdul Ghafoor, Deputy Director at the Department of Archaeology and Museums, told Arab News.

“In order to make it, the content developed by Korea has fully used AI and IT,” he continued. “AI and IT are common in Korea and other developed countries, but we have done it for the first time in Pakistan.”

A picture taken on December 30, 2025, shows women watching Gandhara history at the Digital Immersive Gallery in Islamabad, Pakistan. (AN photo)

Gandhara flourished between the first century BCE and the fifth century CE in this region, which served as a cultural crossroads, shaped by Greek, Central Asian, Persian and South Asian influences.

It was here that artists first began depicting the Buddha in human form, a visual language that later traveled along trade routes to Central Asia, China, Korea and Japan. This transmission of ideas, beliefs and artistic styles forms the core narrative of the immersive gallery.

“Inside the gallery, visitors are drawn into a world of interactive experiences, heritage documentaries they can zoom in and out of, Gandhara artifacts explored up close and photo zones where they can capture themselves against Pakistan’s most iconic sites,” Muhammad Azeem, Project Director at the Department of Archaeology and Museums, said.

A picture taken on December 30, 2025, shows map of Gandhara civilization at the Digital Immersive Gallery in Islamabad, Pakistan. (AN photo)

While Gandhara anchors the gallery, the experience expands outward to place it within a longer and wider historical arc. One section is dedicated to Pakistan’s six UNESCO World Heritage Sites, offering visitors a compressed journey across centuries and regions.

“The main hall takes it further with a fully immersive 3D journey,” Azeem added. “Each seven-minute segment transports audiences to treasures like Mohenjo-Daro, Makli Necropolis, Lahore’s Shalimar Gardens and Sheesh Mahal, and the historic landscapes of Taxila and Takht-i-Bahi, making the past feel vivid, unforgettable and alive.”

For many visitors, the gallery’s appeal lies in how it lowers the barrier to understanding. Instead of long explanatory panels, history is introduced through visuals, motion and guided narrative.

“I saw different historical sites on big screens which was very exciting for me,” Fatima Nawaz, a government employee, said. “After that, I watched a complete documentary in the gallery, which was about 20 minutes long, and in which different historical sites related to Gandhara were highlighted.”

“Overall, it was a very good experience,” she added.

A picture taken on December 30, 2025, shows visitors watching Gandhara history at the Digital Immersive Gallery in Islamabad, Pakistan. (AN photo)

Researchers see the initiative as part of a broader global shift in how museums function.

“My topic is Cultural Heritage Museum, and with this research, I am studying and visiting museums,” Abdul Khaliq, an M.Phil. student at Quaid-e-Azam University, said. “One thing I have not seen in Pakistan before is the shift toward virtual reality.”

He added that it was a good step while calling the immersive gallery “very educational and gives us a lot to learn.”

For the officials involved in the project, the gallery is a starting point rather than a finished model.

“The response we have received from the public in Islamabad makes me feel that this should be done in all the museums, in all four provinces of Pakistan,” Dr. Ghafoor, the senior archaeology department official, said. “This is because it can make it easier to follow history.”

“I think such immersive galleries should be there in all the museums,” he added.