NEW YORK: Fallen movie mogul Harvey Weinstein was expected to plead innocent Tuesday to rape and sexual assault charges in New York, opening a legal battle for the #MeToo movement that dreams of seeing him behind bars.
The 66-year-old Weinstein was charged with rape and a sex crime in New York late last month, nearly eight months after his career imploded in a blaze of accusations of sexual misconduct.
Weinstein is due in a Manhattan court at 10am local time (1400 GMT), for a formal reading of the indictment: he has been indicted for allegedly forcing a woman to perform oral sex on him in 2004, and for allegedly raping another at a Manhattan hotel in 2013. That crime could put him in prison for as many as 25 years.
Two women are named in this indictment. But nearly a hundred have said since October they were harassed or sexually abused by Weinstein over several decades.
That has turned the one-time toast of Hollywood into the catalyst of the MeToo movement and arguably one of the worst sexual predators in recent American history.
Salma Hayek, Gwyneth Paltrow and Angelina Jolie are among more than two dozen actresses who say they were sexually harassed by the producer. A few, including Asia Argento and Rose McGowan, said they were raped.
Benjamin Brafman, Weinstein’s lawyer, is one of America’s most celebrated criminal defense attorneys. His past clients include former IMF boss Dominique Strauss-Kahn, who escaped criminal prosecution for alleged sexual assault in 2011.
No details about the identity of the two accusers were given by the prosecutor.
Brafman said the rape complaint came from a woman who had a 10-year affair with Weinstein, but the information was not confirmed.
The accusation of forced fellatio comes from Lucia Evans, a marketing consultant who, in 2004, was an aspiring actress. She told her story in October to the magazine The New Yorker.
Her story resembles many other reports of unwanted contact from stars such as Ashley Judd or Paltrow.
But especially countless were young unknown or just emerging stars who hoped to see the revered producer make them Hollywood stars.
Evans tells how he spoke of a possible place in his show for aspiring models “Project Runway,” before forcing her into oral sex, and then went about the day as if nothing had happened.
The prosecutor will still have to prove beyond a reasonable doubt that Weinstein committed illegal acts, and with these two women specifically.
No one, however, expects the lawsuits will be dropped, as was the case for Strauss-Kahn.
Indeed, it is the same Brafman who defended the former IMF director against the same Manhattan prosecutor, Cyrus Vance.
Harvey Weinstein set to plead innocent in New York sexual assault charges
Harvey Weinstein set to plead innocent in New York sexual assault charges
Showtime: The best television of 2025
- From belly laughs to gut punches, here are the must-watch shows of the year
‘Adolescence’
This harrowing drama consisted of four episodes, all shot in a single take. It told the story of 13-year-old Jamie Miller (the debut role for Owen Cooper, who deservedly won an Emmy for his faultless performance), who is accused of murdering a schoolmate, and the aftermath of that accusation for his family. “Adolescence” was the perfect blend of style and substance; you could marvel at the “balletic production processes that must have been involved,” as our reviewer noted, even while squirming in your seat at the painfully raw performances of the excellent ensemble cast. “It may be one of the most upsetting shows released this year,” our review concluded, “but it is also a remarkable work of art.”
‘Severance’ S2
Apple’s absorbing sci-fi comedy-drama expanded its universe in season two, as Mark S (Adam Scott) and his team of data refiners dealt with the fallout from their successful, if brief, escape from their ‘severed’ floor — where work and out-of-work memories and personalities are controlled and delineated by a chip embedded in their brains — at Lumon, during which they tried to alert the outside world to the cruelties of their working conditions. “Creator Dan Erickson and director Ben Stiller waste no time in rediscovering the subtle blend of tangible oddness and sinister dystopian creepiness that made the first season such an uncomfortable joy,” our reviewer wrote.
‘Stranger Things’ S5 Vol. 1
At the time of writing, we don’t know whether volume two of the final season of this epic Eighties-set sci-fi horror drama — out Dec. 26 — will be able to maintain the quality of this first volume, but all signs are good. As our reviewer wrote of volume one: “The Duffer Brothers lay down a compelling claim to be the current best-in-class when it comes to making thrilling mainstream TV. Is there anyone better at consistently building tension, releasing it a little through comedy, action, or both, then applying the pressure once again? The four episodes fly by.” There was edge-of-the-seat action and high-stakes jeopardy aplenty, but tempered by the moments of emotional interaction that have been crucial to the show’s success.
‘Mo’ S2
In Mo Amer’s semi-autobiographical comedy drama, he plays Mo Najjar, a Kuwait-born Palestinian refugee living in Houston, Texas, with his mother Yusra (the superb Farah Bsieso), and his older brother Sameer (Omar Elba), who’ve been waiting more than two decades to have their asylum case heard. In season two, our reviewer said, Amer continued to explore “incredibly complex and divisive topics — family, religion, imbalance of power, exile, mental health, parenthood, multiculturalism and much more — with an artful lightness of touch, without ever taking them lightly.”
‘Andor’ S2
The best of the multitude of TV spinoffs from “Star Wars,” “Andor” was only two seasons long, and the majority of viewers would already have known what was coming (spoiler: the events of “Rogue One” were coming). But its story of a population rising up against the erosion of their rights was both convincing and timely. “With ‘Andor,’ (creator Tony) Gilroy and (star Diego) Luna have truly set the gold standard for what future ‘Star Wars’ can be,” our reviewer wrote. “Not just a space opera, but real stories of transformation and beauty.”
‘The Studio’
With “The Studio,” Seth Rogen and his co-creators manage both to skewer Hollywood and remind us why it’s still (sometimes) great (because it can still produce shows like ‘The Studio’). The star-studded comedy about a newly appointed Hollywood studio head, Matt Remick (Grogan), who believes himself to be a supporter of great art, but quickly discovers that he’ll have to park his principles and chase the money, was as sharp a satire as you could wish to see, confronting the inherent silliness of showbusiness but remaining entertaining throughout.
‘Slow Horses’ S5
The fifth season of this excellent, darkly humorous espionage drama wasn’t its strongest, but even so, it trumped most of the competition. British super-spy Jackson Lamb and his crew of misfit agents at Slough House were once again embroiled in high-level conspiracies when their resident tech nerd Roddy gets a glamorous new girlfriend who everyone — or, at least, everyone except for Roddy — can see is well out of his league. That led us into a plot covering Islamic extremism, the British far-right, and much more, all held together by Gary Oldman’s scene-stealing turn as Lamb.
‘Last One Laughing’
Putting a group of 10 comedians in a room for six hours and telling them not to laugh isn’t the greatest premise on paper, but this UK adaptation of the Japanese show “Documental,” featuring a stellar lineup of some of Britain’s funniest people — and host Jimmy Carr — was an absolute joy. From Joe Wilkinson being eliminated by Lou Sanders’ whispered “Naughty tortie” to eventual winner Bob Mortimer’s whimsical flights of fancy, there was so much to love about this endearingly silly show. And credit to the casting directors — the mix of comics was central to its success.
