From Jeddah to White City, curator Wejdan Reda has big dreams

‘Every Second In Between’ in London’s White City. (Tim Bowditch)
Updated 05 June 2018
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From Jeddah to White City, curator Wejdan Reda has big dreams

  • Wejdan Reda is one of seven curators behind the fantastic displays created by South Korean artist Kyung Hwa Shon
  • The art installationsi nclude vivid abstract designs placed across the façade and open seating areas of a five-story building

LONDON: It’s a long way from Jeddah to White City, but for Saudi national Wejdan Reda this part of London will always be special.
Reda is one of seven curators behind the fantastic displays created by South Korean artist Kyung Hwa Shon, titled “Every Second In Between,” that are currently adding a shot of color and vibrancy to the area.
The art installations, distributed across various new public spaces in White City, include vivid abstract designs placed across the façade and open seating areas of a five-story building. It continues with a large scale digital animation of the design.

The project forms part of Reda’s Royal College of Art Master’s degree in Curating Contemporary Art. She and her fellow curators chose Shon from 50 artists who answered their open call. 

White City, an ethnically and economically diverse area, is named after the white marble clad pavilions of major exhibitions held in the district at the onset of the 20th C. In 1908, the area hosted the summer Olympics and other claims to fame include having been home to the BBC and its iconic Television Center and the stadium hoted the 1908 Olympics and was the temporary home to Queens Park Rangers Football Club.
“It touches upon the sense of fragmentation and the chaotic aspect of White City, but also the beauty that exists within this chaos,” Reda told Arab News of the artist’s work.
Shon is a PhD researcher in painting at the Royal College of Art. In her practice, she explores urban life experience using a wide range of mediums including installation, painting, drawing, sound, video and text.
Reda will return to Jeddah after completing her Royal College of Art Master’s degree in curating contemporary art and is keen to put her studies to good use.
“I will focus on working with artists. I hope to co-curate temporary public art exhibitions… It’s a very exciting time to be working in the arts in Saudi Arabia. There are a lot of opportunities, especially with the support of the government and surge in funding dedicated to the arts and cultural sector,” she said.
She is proud that Saudi female artists are raising their profile within the Kingdom.
“Around the world the exposure of female artists needs more work, but in Saudi Arabia we are doing well with that,” she said.
“Many people in Saudi Arabia have supported me throughout my journey and I am very appreciative of that. My husband and my father have also provided me with an incredible support system. The tutors have been amazing and this whole experience has allowed me to further expand my knowledge in the curatorial field,” she added.

She also singled out Jeddah-based Spaces of Design for Advertising Est. (Block Studio) which sponsored the project’s website and key sponsor, White City Place developer, Mitsui Fudosan | Stanhope, which has extended the display of the art work to three months from the original seven days, a sure sign of its success.


5 artists named on 2026 Ithra Art Prize shortlist

Updated 23 January 2026
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5 artists named on 2026 Ithra Art Prize shortlist

DUBAI: Five artists from across the Arab world were announced this week as winners of the seventh edition of the Ithra Art Prize, marking a shift in the format for the one of the region’s most established contemporary art awards.

Ala Younis is from Jordan. (Supplied_

For the first time, the shortlisted artists — Aseel Al-Yaqoub from Kuwait, Bady Dalloul from Syria, Heba Y. Amin from Egypt, Ala Younis from Jordan and Jawad Al-Malhi from Palestine — will all receive production grants. Their new works will be unveiled in a dedicated exhibition at the King Abdulaziz Center for World Culture (Ithra) in Dhahran in spring.

Aseel Al-Yaqoub is from Kuwait. (Supplied)

The change reflects a growing emphasis on supporting artistic production rather than selecting a single winner. 

Bady Dalloul is from Syria. (Supplied)

Farah Abushullaih, head of Ithra’s museum, said: “This year’s shortlist reflects the incredible diversity, creativity and critical thought shaping contemporary art in the Arab world. Expanding the shortlist to include five finalists aims to strengthen dialogue across cultures and generations, while reaffirming Ithra’s support for artists and their distinct artistic perspectives.”

Heba Y. Amin is from Egypt. (Supplied)

This year also sees the prize exhibition returning to Dhahran, after previous editions toured cities including Dubai, AlUla and Riyadh.

Jawad Al-Malhi is from Palestine. (Supplied)

Ithra said more than 500 submissions were received through an open call, with works undergoing a multi-stage review process before the final five were selected. 

The shortlisted projects span a wide range of mediums and research-driven practices, engaging with contemporary political, social and historical questions across the Arab world.