SEOUL: Korean boyband phenomenon BTS have become the first K-Pop group to rise to the top of the US album charts, a vivid illustration of the genre’s growing global appeal.
Known for boyish good looks, floppy haircuts and meticulously choreographed dance moves, the septet has become one of South Korea’s best known and most lucrative musical exports.
On Sunday, they passed a new milestone — becoming the first K-Pop group to top the Billboard 200 music charts which ranks albums via sales, downloads and streams.
“It’s the first No. 1 for the seven-member group, and the first K-pop album to lead the tally,” Billboard wrote in its online report detailing the latest chart ranking.
While plenty of older music listeners in the West might be asking “who?,” it’s hard to underestimate the popularity of BTS and their seven stars Suga, J-Hope, Rap Monster, Jimin, V, Jungkook and Jin.
According to one data analysis, they were they most talked about phenomenon on Twitter in 2017, with nearly double the number of mentions on the social media platform than US President Donald Trump and Canadian badboy heartthrob Justin Bieber combined.
Throw in their similarly massive appeal across the globe — they have huge social media followings in Japan, China, Southeast Asia and parts of Latin America — and you have a truly global supergroup.
Their new album “Love Yourself: Tear” toppled “Beerpong and Bentleys” by rising hip-hop star Post Malone, whose facial tattoos are the very antithesis of BTS’ wholesome, meticulously manicured image.
While BTS sing in Korean, their style successfully fuses the catchy earworms of K-Pop with hip-hop and R’n’B.
Last year, their previous release “Love Yourself: Her” became the first K-Pop album to make it into the top 10 US album charts, rising to number seven, and hit the number one spot on iTunes in more than 70 countries.
Boyband BTS make K-Pop history topping US album charts
Boyband BTS make K-Pop history topping US album charts
Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’
- 70 works by local, Mideast, international artists on Jan. 31
- Work of late Saudi artist Safeya Binzagr will also be on sale
DUBAI: Sotheby’s will have its second auction in Saudi Arabia on Jan. 31 featuring more than 70 works by leading local, Middle East and international artists.
Titled “Origins,” the sale will be staged again in Diriyah, the birthplace of the Kingdom and a UNESCO World Heritage Site. The full selection will be available for free public viewing at Bujairi Terrace from Jan. 24.
The event coincides with the opening of the Diriyah Contemporary Art Biennale and comes just ahead of the debut of Art Basel Doha in February, marking Art Basel’s first fair in the Middle East.
The sale spans a wide range of collecting categories, including Ancient Sculpture, 20th-Century Design and Prints, Middle Eastern, Modern and Contemporary, Latin American, and Modern and Contemporary South Asian.
Ashkan Baghestani, Sotheby’s head of sale and contemporary art specialist, said in a recent press release that the second auction reflects the company’s continued commitment to Saudi Arabia’s growing ecosystem.
Among the headline lots is “Coffee Shop in Madina Road” (1968) by Safeya Binzagr (1940–2024), estimated at $150,000 to $200,000. She is considered one of Saudi Arabia’s pioneering artists and the “spiritual mother” of contemporary local art.
The piece comes from the collection of Alberto Mestas Garcia, Spain’s ambassador to Saudi Arabia from 1966 to 1976, and his wife, Mercedes Suarez de Tangil Guzman.
A 1989 untitled painting by Mohammed Al-Saleem (1939–1997), estimated at $150,000 to $200,000, is from a private collection in Bahrain. The work exemplifies his Horizonism style, inspired by desert landscapes, and follows his record $1.1 million sale at Sotheby’s London in 2023.
Also included is “Demonstration” (1968) by Iraqi modernist Mahmoud Sabri (1927–2012), estimated at $400,000 to $500,000. The work reflects Sabri’s socially engaged practice and combines social realism with Christian imagery in a charged depiction of mourning and protest.
Samia Halaby’s “Copper” (1976), estimated at $120,000 to $180,000, highlights the artist’s move toward abstraction in the 1970s. Halaby, born in Jerusalem and now based in the US, has works in major international collections and participated in the 60th Venice Biennale in 2024.
A rare early work by Egyptian artist Ahmed Morsi, “Deux Pecheurs” (“Two Fishermen”) (1954), is estimated at $120,000 to $180,000. Morsi’s works have appeared only five times at auction previously and are held in major museum collections worldwide.
International highlights include Pablo Picasso’s “Paysage” (1965), estimated at $2 million to $3 million. Painted in Mougins during the final decade of his life, the work reflects Picasso’s late engagement with landscape and his dialogue with art history.
Anish Kapoor’s large-scale concave mirror sculpture “Untitled” (2005), estimated at $600,000 to $800,000, is also offered. Executed during a period of major institutional recognition for the artist, the work comes from Kapoor’s iconic mirror series.
Andy Warhol’s “Disquieting Muses (After de Chirico) (1982), estimated at $800,000 to $1.2 million, reinterprets Giorgio de Chirico’s 1917 painting through Pop Art repetition. The sale includes Warhol’s set of four Muhammad Ali screenprints from 1978, estimated at $300,000 to $500,000.
Jean Dubuffet’s “Le soleil les decolore” (1947), estimated at $800,000 to $1.2 million, appears at auction for the first time. Painted after the artist’s travels in the Sahara, the work reflects his response to desert landscapes and nomadic life.
The auction will also feature seven works by Roy Lichtenstein from the personal collection of Dorothy and Roy Lichtenstein.
Leading the group are “Interior with Ajax (Study)” (1997), estimated at $600,000 to $800,000, and “The Great Pyramid Banner (Study)” (1980), estimated at $150,000 to $200,000.
