What We Are Reading Today: The Man Without a Face: The Unlikely Rise of Vladimir Putin

Updated 08 May 2018
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What We Are Reading Today: The Man Without a Face: The Unlikely Rise of Vladimir Putin

The swearing-in of Vladimir Putin for his fourth term as president of Russia was not a scenario envisaged in 1999 when his only administrative experience was as deputy mayor of St. Petersburg.

But for the oligarchy bent on molding Russia’s political figure to its own designs, he was perfect. Suddenly the boy who had scrapped his way through post-war Leningrad schoolyards, dreaming of ruling the world, was a public figure, and his popularity soared.

But he was not the progressive Russia an infatuated West thought they were getting. With ruthless efficiency Putin dismantled the country’s media, wrested control and wealth from the country’s burgeoning business class, and decimated the fragile mechanisms of democracy.

Within a few brief years, virtually every obstacle to his unbridled control was removed and every opposing voice silenced, with political rivals and critics driven into exile or the grave.

As a journalist living in Moscow, Masha Gessen experienced this history firsthand. 

Drawing on previously untapped information and sources, her horrifying and spellbinding account of how this “faceless” man maneuvered his way into absolute — and absolutely corrupt — power will stand as a classic of narrative non-fiction.


Book Review: ‘Small Things Like These’ by Claire Keegan

Updated 19 February 2026
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Book Review: ‘Small Things Like These’ by Claire Keegan

In “Small Things Like These,” Irish writer Claire Keegan delivers a quietly devastating meditation on conscience, courage and compassion.

Set in a small Irish town in 1985, the novella follows Bill Furlong, a coal merchant and devoted father whose steady routine is disrupted when he uncovers disturbing secrets within a local convent’s Magdalene laundry, institutions known for placing women in harsh working conditions under the guise of care. 

What unfolds is not a story of grand heroics but of moral awakening and quiet bravery. Keegan’s writing is economical yet deeply expressive, her sentences carrying a stillness that mirrors the winter atmosphere and the emotional restraint of her characters.

Furlong’s dilemma, whether to remain silent or act, reflects a broader question about how ordinary people respond to injustice when it happens in plain sight and when society prefers to look away. 

Keegan’s restraint is one of her greatest strengths. The novella avoids overt judgment or sentimentality, relying instead on nuance, rhythm and suggestion.

Everyday details, a gesture or a silence, reveal the quiet conflicts of conscience. Furlong’s character embodies the tension between comfort and conviction, reminding readers that doing nothing is itself a choice and that small decencies can carry immense moral weight. 

The book’s impact lies in its understatement. Within its brief length, Keegan captures the weight of an entire community’s silence and the redemptive power of individual decency. Her prose feels timeless in its precision, emotional intelligence and empathy. 

“Small Things Like These” is a beautiful, haunting work that lingers long after it ends.

It asks readers to consider how goodness survives in a world inclined toward indifference and how small acts can illuminate even the darkest corners of collective memory.