DJ Avicii death a suicide, report claims

A fan signs a memorial for Swedish DJ Tim Bergling, known as Avicii, during a gathering in his memory in Muscat, oman on April 27. (AFP)
Updated 02 May 2018
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DJ Avicii death a suicide, report claims

NEW YORK: Dance music superstar Avicii’s death last month in Oman was a suicide, the celebrity gossip site TMZ reported Tuesday.
A representative for the Swedish DJ did not reply to requests for comment. But his family earlier insinuated that Avicii had killed himself.
“He really struggled with thoughts about Meaning, Life, Happiness,” his family said in an open letter on Thursday. “He could not go on any longer. He wanted to find peace.”
TMZ, quoting unnamed sources, said that Avicii committed suicide.
The 28-year-old whose real name was Tim Bergling was found dead on April 20 while on vacation in Oman.
Police in the Gulf sultanate said that there was no indication of foul play.
Avicii had long spoken of his problems with alcoholism and his struggles as an introvert in adapting to the hard-partying DJ lifestyle.
He stunned fans in 2016 by retiring from touring at the age of just 26, although he later returned to the studio.
Avicii was one of the first DJs to bring electronic dance music into the mainstream, filling festivals and winning radio airplay as he collaborated with artists including Madonna and Coldplay.
His death sparked a revival of interest in Avicii’s music. Three of his albums appeared after his death on the benchmark US chart, the Billboard 200.
“True,” his debut album from 2013 that had peaked at number five, returned at number 22 for the week through Thursday.


Mona Tougaard wears bridal look at Dior’s Paris show

Updated 27 January 2026
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Mona Tougaard wears bridal look at Dior’s Paris show

  • Rihanna and Brigitte Macron among attendees at show
  • Design part of new director Jonathan Anderson’s vision

DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.

The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.

The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.

The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.

The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.

The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.

“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.

The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.

Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.

Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.

Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”

“Now, I feel like I’m doing a Ph.D. in couture,” he explained.