Fashion giants in rights drive after Bangladesh factory tragedy

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Mohammad Ibrahim, a garment worker union leader, in front of the site of the former Rana Plaza garment complex in Savar, northwest of the Bangladeshi capital Dhaka. (AFP)
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Nilufer Begum, an injured garment worker who survived the Rana Plaza disaster, sits with her crutches by her small tea stall in Savar, northwest of the Bangladeshi capital Dhaka. Every hour seems to be eternal struggle for Nilufer Begum ever since she was pulled out from the debris of the Rana Plaza factory complex, which collapsed in 2013. (AFP)
Updated 24 April 2018
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Fashion giants in rights drive after Bangladesh factory tragedy

  • The collapse of the Rana Plaza building housing several garment factories on April 24, 2013 sparked global outrage
  • The Rana Plaza disaster focused global attention on grim working conditions in factories in Bangladesh

PARis: Five years on from the industrial disaster that killed over 1,130 clothing factory workers in Bangladesh, high street fashion giants have invested millions in developing more socially responsible practices.
But experts say the people who produce the T-shirts, dresses and rompers that sell like hotcakes online and on high streets around the world still often face dangerous working conditions and dismally low pay.
The collapse of the Rana Plaza building housing several garment factories in the Dhaka suburb of Savar on April 24, 2013 sparked global outrage and forced a rethink of how fast fashion collections should be produced.
It also triggered a huge drive among activists to encourage shoppers to buy from small, local stores, rather than from large multinationals — while calling the fashion giants to account.
The tragedy, one of the worst industrial accidents in modern history, exposed a key problem of globalization. While workers in Bangladesh earned a pittance for their labor, companies kept prices low and their profits high.
“This global model ... based on keeping production costs low, pitting workers around the world in competition against each other, and ... the short-term search for profit” endures, according to Ethique Pour l’Etiquette, a French group that is part of the global Clean Clothes Campaign.
After years of outrage over images of so-called sweatshops around the world, the Rana Plaza disaster focused global attention on grim working conditions in factories in Bangladesh, the second-biggest garments exporter after China.
According to British charity War on Want, garments exports account for 80 percent of Bangladesh’s total export revenue.
But even today, garments workers’ rights remain far from guaranteed, with many working 14-to 16-hour days at some of Bangladesh’s 4,500 factories, the organization says.
As Western consumers grow more socially and environmentally conscious, the fashion houses that have long relied on factories like those in the Rana Plaza have battled to redeem themselves.
Primark, for one, says it “continues to support those who were affected and ... has contributed a total of over $14 million in aid and compensation.”
It also says it launched a program of building inspections “to assess its suppliers’ factories against international standards” six weeks after the building collapse, and that it “remains committed” to improving the Bangladeshi garment industry as a whole.
Swedish retail giant H&M, which says it never used the Rana Plaza factories to produce garments, is nonetheless committed to ensuring greater “social and environmental progress” in Bangladesh.
On April 19, H&M said in a statement that 450,000 textile workers at 227 factories in Bangladesh that produce garments for its stores worldwide “are now represented by democratically elected representatives.”
The role of these representatives is to “speak on behalf of the workers when discussions are held about for example working hours, working conditions, health and security issues,” the statement said.
More broadly, the International Labour Organization launched a program following the disaster, to “enhance safety in factories so that the country should never again experience a tragedy like the Rana Plaza collapse.”
The ILO program includes training for local producers in chemical safety, inspection of over 1,500 factories for building and fire safety, labor inspection, and an improved culture of safety in the workplace.
Celine Choain, a garment industry specialist at the Paris-based Kea Partners consultancy, said that while there has definitely been progress, much remains to be done.
“The incident definitely acted as a catalyst for brands” to put in place changes in the way they produce their garments, Choain said.
She noted that two thirds of the 1,700 Bangladeshi factories inspected following an ILO-sponsored safety agreement successfully corrected 75 percent of the breaches that were identified.
However, wages remain dismally low, according to War on Want, which last week described working conditions for the vast majority of Bangladesh’s garment factory workers as “appalling.”
Many garment workers earn little more than the minimum wage of 5,300 taka ($65) per month.


Lily Collins shows her appreciation for Arab designers

Updated 23 December 2025
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Lily Collins shows her appreciation for Arab designers

DUBAI: Actress Lily Collins has made her appreciation for Arab designers very clear — both in her personal style and through her role as Emily Cooper in Netflix’s hit show “Emily in Paris.”

Over the years, she has worn creations by designers such as Georges Hobeika and Elie Saab, and that influence now extends to the show’s styling.

Since season five premiered, fans have spotted several jewelry pieces worn by Collins on screen from Egyptian label Jude Benhalim. Her character is seen wearing a mix of the brand’s designs, including the Mini Harmonia earrings alongside the Elara earrings.

The styling leans into playful layering, with the Mini Gemino and Gemino earrings worn together. The jewelry is finished with rings such as the Cassandra Mix ring, paired with the Riverstone Mix and Gemino Mix rings.

This is not the first time the actress has showed off jewelry from the Cairo-based label on the show.

Last year, the Ripple Ring in gold is seen on Collins in episode six of season four. Also in episode six, Camille’s mother, Louise, played by Camille Japy, shines in the Droplet Earrings in white.

Additionally, Mindy Chen, brought to life by Ashley Park, is spotted wearing the Elea Hoops in the same episode.

Benhalim, who is part-Libyan and part-Syrian, and grew up in Egypt, founded her eponymous brand in 2011 when she was just 17, and has since gone on to release a number of lines that each pay tribute to her heritage, finding fans in a handful of celebrities.

In a released statement, Benhalim said: “Seeing Jude Benhalim return to ‘Emily in Paris’ is incredibly meaningful. The show celebrates individuality, confidence and self-expression — values that are deeply rooted in our brand.

“Dressing Emily for a second season felt like a continuation of a story rather than a placement, where the jewelry becomes part of her identity,” she added.

“Emily in Paris” is a romantic dramedy about Cooper, an ambitious American marketing exec trying to juggle work, love and friendship while living abroad — first in Paris and now splitting her time between Paris and Rome. Season five debuted on Dec. 18, continuing Emily’s stylish (and often chaotic) European adventures.