TV star Muna Abusulyam to launch app to capture ad revenues for “good intentions”

Updated 10 April 2018
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TV star Muna Abusulyam to launch app to capture ad revenues for “good intentions”

  • Arab television star to launch new app that will send money to non-profit organizations
  • 13 organizations including orphan support groups have already signed up

KING ABDULLAH ECONOMIC CITY, Saudi Arabia: Muna Abusulyman, the media personality and entrepreneur, is to launch a new app designed to lure away some of the billions of dollars in advertising spent each year in Saudi Arabia with the the big social media sites like Facebook, Twitter and Google Ads.

Revenue raised from the initiative will be spent instead on Saudi non-profit organizations (NPOs) as a way of enabling them to capture more financial resources. It will be called Niya - the Arabic phrase for “good intentions” - and she plans to launch it during the Holy Month of Ramadan.

Speaking on the sidelines of the Arab Women Forum in King Abdullah Economic City near Jeddah, Abusulyman told Arab News: “All that money spent online on social media is going out to the Kingdom, so I would like to divert that back to Saudi Arabia. That way we can use the goodwill of the Saudi population and their social media use to create social revenue streams for NPOs.”

Some 13 organizations have already signed up, like charities and support groups for orphans, female employment and autism. There are around 1400 such NOPs in the Kingdom. 

She said the initiative was being launched in support of the Vision 2030 strategy to diversify the economy away from oil dependency and the public sector. “The idea behind Vision 2030 is to encourage businesses that will create value for the country. Niya would keep money, that at the moment goes outside, inside the Kingdom. I’m tired of giving other people our money.”

She said full details would be revealed on the company website and social media at time of launch.
She is believed to have secured financing for the project from a Saudi investor.

Abusulyman was speaking after appearing on a panel devoted to the role of women entrepreneurs in the Saudi economic transformation. She said that the Kingdom’s female workforce was adept at running small start ups, often based in their own homes, but that was often the limit.

“It’s very difficult for women to take the next step. There are a lot of constraints on them - social, cultural and financial - towards going further. And they have the responsibility of the family and home too.”

She continued: ‘The number of Saudi women who apply for and get government funding is low. The banks, a lot of the time, don’t provide entrepreneurial funds anyway. But men who want to raise capital have an easier time because of their circle of friends and contacts, which women do not have.

“In Saudi, we’re creating a lot more opportunities for women who want income, a job outside the home, and all the other opportunities of a more modern economy,” she added.

She said that her TV show Kalam Nawaem on MBC channel  was “all about the energy of social change and innovation,” and that she was aiming to air more content concerning the digital and hi-tech sectors. “It is all about giving the right information to the right people at the right time,” she added.


Art Cairo spotlights pioneering artist Inji Efflatoun

Updated 23 January 2026
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Art Cairo spotlights pioneering artist Inji Efflatoun

CAIRO: Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26, with visitors treated to gallery offerings from across the Middle East as well as a solo museum exhibition dedicated to pioneering Egyptian artist Inji Efflatoun.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989. (Supplied)

Efflatoun was a pivotal figure in modern Egyptian art and is as well known for her work as her Marxist and feminist activism.

“This is the third year there is this collaboration between Art Cairo and the Ministry of Culture,” Noor Al-Askar, director of Art Cairo, told Arab News.

“This year we said Inji because (she) has a lot of work.”

Born in 1924 to an affluent, Ottoman-descended family in Cairo, Efflatoun rebelled against her background and took part heavily in communist organizations, with her artwork reflecting her abhorrence of social inequalities and her anti-colonial sentiments.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series. (Supplied)

One untitled work on show is a barbed statement on social inequalities and motherhood, featuring a shrouded mother crouched low on the ground, working as she hugs and seemingly protects two infants between her legs.

The artist was a member of the influential Art et Liberte movement, a group of staunchly anti-imperialist artists and thinkers.

In 1959, Efflatoun was imprisoned under Gamal Abdel Nasser, the second president of Egypt. The artist served her sentence for four years across a number of women’s prisons in the deserts near Cairo — it was a period that heavily impacted her art, leading to her post-release “White Light” period, marked dynamic compositions and vibrant tones.

Grouped together, four of the exhibited works take inspiration from her time in prison, with powerful images of women stacked above each other in cell bunkbeds, with feminine bare legs at sharp odds with their surroundings.

Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26. (Supplied)

The bars of the prison cells obstruct the onlooker’s view, with harsh vertical bars juxtaposed against the monochrome stripes of the prison garb in some of her works on show.

“Modern art, Egyptian modern art, most people, they really don’t know it very well,” Al-Askar said, adding that there has been a recent uptick in interest across the Middle East, in the wake of a book on the artist by UAE art patron Sultan Sooud Al-Qassemi.

“So, without any reason, all the lights are now on Inji,” Al-Askar added.

Although it was not all-encompassing, Art Cairo’s spotlight on Efflatoun served as a powerful starting point for guests wishing to explore her artistic journey.