Marvels of Chaukhandi tombs attract tourists from around the world

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Chaukhandi tombs are situated some 29 kilometers east of Karachi (Photo Arab News/ M.F. Sabir)
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Tombs with different designs (Photo Arab News/ M.F. Sabir)
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Chaukhandi tombs are situated some 29 kilometers east of Karachi (Photo Arab News/ M.F. Sabir)
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Chaukhandi tombs are situated some 29 kilometers east of Karachi (Photo Arab News/ M.F. Sabir)
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A tomb has name of Jamal Bin Manda (Photo Arab News/ M.F. Sabir)
Updated 28 March 2018
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Marvels of Chaukhandi tombs attract tourists from around the world

Some 29 kilometers east of Karachi, more than 600 graves of yellow sandstone, popularly known as Chaukhandi tombs, tell a story of Jokhio and Baloch tribes whose men were fond of horse riding and animal hunting, and whose women would wear beautiful jewelry. The tombs also reveal how skillful the architects of that time were.
“Chaukhandi tombs are generally attributed to the Jokhio, Jam and Baloch tribes and were built between the 15th and 18th centuries,” reads a board at the entrance of the historic Islamic cemetery, which has now been declared a national heritage.
Chaukhandi literally means “the four corners.” The tombs are built of yellow sandstone that was carried from Jung Shahi, a railway station near Thatha.
The most impressive tombs have the pyramidal structure, under which lay four chieftains of the time. “One tomb has an inscription, indicating that it belongs to Jam Mureed bin Hajji, who was one of the famous chieftains of the Jam tribe,” said Jamshed, a caretaker of Chaukhandi graveyard, while talking to Arab News.
The tombs are rectangular in shape and generally two and half feet wide, five to eight feet long and four to 14 feet high. The geometric designs that cover the entire surface of the tombs are quite extraordinary.
The intricate carving in geometric design is unique and its delicacy gives the impression of a woodcarving. “The same designs are found in the textiles, pottery, jewelry and wood carvings in Sindh and Balochistan today,” says Muhammad Farooq, a caretaker, who has been with Chaukhandi for more than 35 years.
The tombs of men are capped and stylized in turban and occasionally carved with horses, arms and weapons. The tombs of women are decorated with anklets, bracelets, necklace, rings and ear pendants, etc. On one tomb there is a horse and a man with a lantern.
“The more influential the man, the higher his grave,” said Farooq. Among the curved tombs, one can also find normal graves that depict the difference between the haves and have-nots. Not everyone could afford to buy the stone and provide a month’s ration to the architect, which back then was the cost of labor.
Some of the graves have been recently carved out. These include the tombs of chieftain Jam Bijar Khan Jokhio and his son, which were built in 2008 and 2018. These tombs resemble the old ones, paying tribute to the architects of the past. “Although the stone is still available at Jung Shahi, the skillful architect no longer exists and the work in these stones is all done by machines,” said Farooq, pointing to the new tombs.
“There is one tomb belonging to Jamal Bin Bijar, who was fond of hunting, and one can also see that by taking a look at his grave,” said the caretaker, adding that people back then wanted carvings on their graves that reflected their particular skills and hobbies. “There are 1,160 different designs on more than 600 graves,” he added.
Although the graves have names of the deceased embedded on them, two graves of an unmade?? mother and her daughter being built at a single platform has name of the architect, Ustad Enyatullah.
Till the early 1990s, it was the highest tourist attraction for people belonging to European countries, which gradually decreased and almost came to an end when violence hit the seaside metropolis.
“Recently, however, there has been a rise again in the number of tourists. But most of them are Chinese, whereas the Japanese stand at number two,” said Farooq.

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Mohammed Bakri, filmmaker who championed Palestinian cause, dies aged 72

Updated 1 min 3 sec ago
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Mohammed Bakri, filmmaker who championed Palestinian cause, dies aged 72

  • Bakri was known for his documentary “Jenin, Jenin” which denounced alleged Israeli war crimes in the Jenin refugee camp
  • The father of six also directed several socially conscious documentaries about the situation of Palestinian citizens of Israel

JERUSALEM: Actor and filmmaker Mohammed Bakri, a champion of the Palestinian cause, died on Wednesday aged 72, a hospital spokesperson said.
He was known for his documentary “Jenin, Jenin” and his commitment to the Palestinians, which led to frequent confrontations with Israeli authorities.
“Mohammed Bakri died this Wednesday at the Galilee Medical Center” in the northern Israeli city of Nahariya, hospital spokesperson Gal Zaid told AFP.
He died from heart and lung problems, according to his family.
Born in Galilee in 1953 into a Muslim family, Bakri was an Israeli citizen.
He appeared in leading Israeli films but was also directed by the French-Greek director Costa-Gavras and Italian filmmakers Paolo and Vittorio Taviani.
His role as a Palestinian inmate in an Israeli prison in the 1980s film “Beyond the Walls” earned him critical acclaim in Israel and around the world.
But his international renown grew with the release of 2002’s “Jenin, Jenin,” which denounced alleged Israeli war crimes in the Jenin refugee camp in the occupied West Bank during the Second Intifada.
The Israeli Supreme Court upheld a ban on the film in 2022, deeming it “defamatory.”
The father of six also directed several socially conscious documentaries about the situation of Palestinian citizens of Israel.
Arab-Israeli radio station A-Shams published a tribute on its social media, describing Bakri as a “free voice.”
“From his early days in theater, art was not simply a pastime for Mohammed Bakri, but a tool for raising awareness and engaging in dialogue,” the radio station said.
“The legacy left by Mohammed Bakri will remain, reminding us that art can be an act of resistance.”