GENEVA: UN human rights experts investigating a possible genocide in Myanmar said on Monday that Facebook had played a role in spreading hate speech there.
Facebook had no immediate comment on the criticism on Monday, although in the past the company has said that it was working to remove hate speech in Myanmar and kick off people who shared such content consistently.
More than 650,000 Rohingya Muslims have fled Myanmar’s Rakhine state into Bangladesh since insurgent attacks sparked a security crackdown last August. Many have provided harrowing testimonies of executions and rapes by Myanmar security forces.
The UN human rights chief said last week he strongly suspected acts of genocide had taken place. Myanmar’s national security adviser demanded “clear evidence.”
Marzuki Darusman, chairman of the UN Independent International Fact-Finding Mission on Myanmar, told reporters that social media had played a “determining role” in Myanmar.
“It has ... substantively contributed to the level of acrimony and dissention and conflict, if you will, within the public. Hate speech is certainly of course a part of that. As far as the Myanmar situation is concerned, social media is Facebook, and Facebook is social media,” he said.
UN Myanmar investigator Yanghee Lee said Facebook was a huge part of public, civil and private life, and the government used it to disseminate information to the public.
“Everything is done through Facebook in Myanmar,” she told reporters, adding that Facebook had helped the impoverished country but had also been used to spread hate speech.
“It was used to convey public messages but we know that the ultra-nationalist Buddhists have their own Facebooks and are really inciting a lot of violence and a lot of hatred against the Rohingya or other ethnic minorities,” she said.
“I’m afraid that Facebook has now turned into a beast, and not what it originally intended.”
The most prominent of Myanmar’s hard-line nationalist monks, Wirathu, emerged from a one-year preaching ban on Saturday and said his anti-Muslim rhetoric had nothing to do with violence in Rakhine state.
Facebook suspends and sometimes removes anyone that “consistently shares content promoting hate”, the company said last month in response to a question about Wirathu’s account.
“If a person consistently shares content promoting hate, we may take a range of actions such as temporarily suspending their ability to post and ultimately, removal of their account.”
UN investigators cite Facebook role in Myanmar crisis
UN investigators cite Facebook role in Myanmar crisis
Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape
- The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
- Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences
DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”
That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.
Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.
“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.
Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.
The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”
Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”
The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.
Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.
What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.
“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.
“So, it’s an evolution and it’s another home for all our content and our community.”
Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”
Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.
What began as a personal design mission would soon expand into a broader platform to champion Saudi talent.
“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.
“Art is such a great way of learning about a culture and a country,” he said.
On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.
Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.
He envisions the platform growing into a long-term cultural record.
“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.
