GDANSK, Pologne: Vying for an Oscar, “Loving Vincent” is the world’s first animated feature film painted by hand — all 65,000 frames — in the distinct style of Vincent van Gogh.
Centered on a probe into his untimely death, the film was shot on a shoestring budget of $5.5 million (€4.5 million). That is 30 times less than Disney’s “Coco,” one of the film’s four Oscar rivals.
For director Dorota Kobiela, “Loving Vincent” has been a seven-year labor of love combining her twin passions of cinema and painting.
“Van Gogh’s style was perfect for the project; his paintings show all the details of his life, his day-to-day habits, his house, his room, his friends,” Kobiela said ahead of Sunday’s Oscar ceremonies in Los Angeles.
Kobiela and co-director Hugh Welchman already have one Oscar under their belt; their BreakThru Productions film company won an Academy Award in 2008 for the animated short “Peter and the Wolf,” based on the story and music by Sergei Prokofiev.
“We are the underdogs! In our category it’s normally dominated by Disney and Pixar but I have a feeling we might be one of the big upsets this year,” said Welchman, who is also Kobiela’s husband.
After five years of pre-production, it took another two years for 125 artists from around the globe to bring the opus to life under Kobiela’s watchful eye.
Working in a massive studio in Poland’s Baltic port city of Gdansk, they based their oil paintings on scenes initially shot on film with actors.
The film includes representations of van Gogh’s most famous paintings such as “The Starry Night.”
Van Gogh, known for his bold colors and rough, vibrant painting style, is considered one of the most revolutionary painters of the 19th century.
Painting the 93-minute-long movie was a painstaking task.
“The pace of work was very slow, averaging a quarter of a second of the film a day,” said Kobiela, who spent seven years on the project.
A single second of the film represents an average of 12 hand-painted frames.
Each artist completed an average of six paintings a day, amounting to a half-second of the film for simple scenes.
But according to Kobiela, the quality of the hand-painted frames surpasses digital animation, making them well worth the extra effort.
“Often in animation, we have the problem that facial expressions are limited. But in oil painting, we can show even greater expression if the portrait is painted properly,” she said.
“Loving Vincent” explores both van Gogh’s works and his death, widely regarded as a suicide, from a gunshot wound.
Based on an original script by Pole Jacek Dehnel, the film follows Armand Roulin, the son of the postman from Arles who was the subject of several of van Gogh’s paintings.
Doubting van Gogh committed suicide, Armand travels to Paris to find out more about his death.
The artist was only 37 when he died after suffering frequent bouts of mental illness including the infamous episode in which he sliced off part of his left ear.
Five million people have already seen “Loving Vincent” in cinemas across the globe.
Its makers are already thinking about their next project, which could be a horror film based on the disturbing canvases of Spanish painter Francisco Goya.
World’s first hand-painted film vies for an Oscar
World’s first hand-painted film vies for an Oscar
Burkinabe teen behind viral French ‘coup’ video has no regrets
- “Coup d’etat in France,” declared the video, posted by the 17-year-old, showing what appeared to be journalists reporting on an ongoing takeover by an unidentified colonel
- Posted on December 9 on TikTok, then shortly afterwards on Facebook, the post went viral, garnering more than 12 million views and tens of thousands of “likes”
PARIS: A Burkinabe teenager who used artificial intelligence to post fake news of a French coup on Facebook got more than he bargained for.
As well as millions of views and tens of thousands of “likes,” he also acquired a certain notoriety — and French President Emmanuel Macron, for one, was not amused.
And what he had planned as a money-making scheme only netted him seven euros, he said. But he has no regrets.
“Coup d’etat in France,” declared the video, posted by the 17-year-old, showing what appeared to be journalists reporting on an ongoing takeover by an unidentified colonel.
In one shot, the Eiffel Tower and the blue lights from a police car flashed in the background.
“Demonstrators have gathered to support the colonel who seems to have taken power yesterday,” said the reporters.
It was all fake, of course: the product of his online training in the use of artificial intelligence.
Posted on December 9 on TikTok, then shortly afterwards on Facebook, the post went viral, garnering more than 12 million views and tens of thousands of “likes.”
Last Tuesday, when Macron was asked about the video during a visit to Marseille, he spoke of his frustration at not having been able to force Facebook to take it down.
They had told him that it did not violate their rules, he said.
Money-making goal
In the end, it was the creator himself who deleted it, shortly after the French news media started contacting him.
Speaking to AFP, he explained that he had got into creating AI-generated videos last year after finding a training course on YouTube. But he only really started producing in October 2025.
He was taken aback by his sudden celebrity and that the French media was reporting on and even interviewing him.
He laughed about all the fuss in a video posted to his Facebook page.
But the teenager, who preferred to remain anonymous, was clear that his real aim had been to make money from advertising attached to his posts.
Not that he was living in poverty, he added.
“I eat, I can get to school, my parents take good care of me, thank God,” he told AFP.
But he wanted more to gain “financial independence,” he added.
He had seen “loads of pages that get millions of views” and had heard that TikTok paid money to producers, so he jumped into social media to see what he could do.
After a bit of trial and error, he latched on to AI-generated fake news because it generated more online traffic.
“I haven’t yet made a lot of money that way,” he admitted.
His Facebook page was not yet monetised, though he had made a little money from TikTok.
Normally, Africa is not a region that is eligible for monetization on the platform but he said he had found a way around that.
While his viral video on the fake coup in France may not have been a moneyspinner, he has used it to promote an offer of online training in AI-generated content on Facebook.
“There are people who have got in touch with me after this video, at least five people since last week,” he said.
For one hour’s coaching, he makes 7,000 CFA francs (10 euros).
No regrets
France is frequently the target of disinformation, in particular from the Alliance of Sahel States (AES) — Mali, Niger and Burkina Faso.
Since a string of military coups there, all three countries have distanced themselves from France, the former colonial power, and moved instead toward Russia.
The Burkinabe junta in particular has become adept at AI-generated propaganda videos. They have included false clips of celebrities such as singer Beyonce or Pope Leo XIV singing the praises of Ibrahim Traore, the military government’s leader.
Burkina Faso also has a group of influential cyberactivists who promote the government’s propaganda online, known as the “Rapid-Intervention Communication Battalion.”
The teenager behind the fake French coup video told AFP he was not part of that group.
But while his main motivation was far from being political, he was happy to take a passing shot at France.
“I also created this video to scare people,” he said.
Some French media personalities and politicians do not present a fair view of what is going on in Africa’s Sahel region, instead broadcasting “fake news,” he said.
He cited recent reports that the Malian capital, Bamako, was on the point of falling to jihadist forces.
Informed sources agree that if the military government there was in difficulty recently from a jihadist blockage of supply routes, it has not so far been threatened to the point of losing power.
The French authorities “have no regrets about publishing false statements on the AES,” said the teenager.
“So I’m not going to regret publishing false things about them!“
