With the flu, Pink powers through pre-Super Bowl concert

In this Jan. 28, 2018, file photo, Pink performs “Wild Hearts Can’t Be Broken” at the 60th annual Grammy Awards at Madison Square Garden in New York. (AP)
Updated 03 February 2018
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With the flu, Pink powers through pre-Super Bowl concert

MINNEAPOLIS: Battling the flu, pop star Pink powered through a pre-Super Bowl concert, still hitting high notes, flying in the air and dancing onstage days before she will sing the national anthem at the big game.
Pink skipped some of the words during the songs, relying on her backup singers Friday at Nomadic Live at the Armory in Minneapolis. But she was still energetic and spirited, ending the set with her signature high-flying athleticism while singing the pounding hit, “So What.”
The mother of two told the audience she had the flu and that her children “cough into my mouth and I can’t stop them ‘cause they’re so cute.”
“I’m not going to sound like (crap) all night because you guys are going to help me,” she said. “We’re going to rock the (expletive) out and have a good time.”
As she began to sing “Beautiful Trauma” — from her recent album of the same name — she quickly stopped her band and told the crowd, “I can’t do it.”
“I hate this,” she said. “I can’t do that song. I’m sorry.”
Pink will sing “The Star-Spangled Banner” on Sunday at the US Bank Stadium before the New England Patriots take on the Philadelphia Eagles. The 38-year-old singer grew up about 30 miles from Philadelphia and gave a shout-out to the City of Brotherly Love during the show.
She wore a loose white top, loose white pants and red heels as she ran up and down the stage, kicking off the show with the jam “Get the Party Started.” She later sang well-known hits like “U + Ur Hand,” “Who Knew,” “What About Us” and “Raise Your Glass.”
Despite feeling under the weather, she was exceptional when she covered 4 Non Blondes’ “What’s Up,” a crowd favorite.
“We’re gonna wake up the entire neighborhood,” she said before singing the song.


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.