No end to eyesores at India’s Taj Mahal as restoration work drags on

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Restoration teams use scaffolding for restoration works at the Taj Mahal facade, blocking views of the ornate Islamic carvings engraved on its walls. (AFP)
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The number of local tourists is also being capped to 40,000 a day in a bid to reduce wear and tear on the monument to love. (AFP)
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Experts warn that iron scaffolding risks leaving irrevocable scars on the fine marble. (AFP)
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Building restoration at India’s most popular tourist attraction is now into its fourth year, with work yet to even begin on its imposing dome. (AFP)
Updated 22 January 2018
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No end to eyesores at India’s Taj Mahal as restoration work drags on

AGRA, India: Tourist Muskan Mahuwakar pictured the Taj Mahal as a dazzling vision of symmetry and beauty but upon reaching the monument, she — like thousands of other visitors — was disappointed to find it covered in scaffolding, its once white marble now yellowing due to pollution.
Building restoration at India’s most popular tourist attraction is now into its fourth year, with work yet to even begin on its imposing dome.
“It’s disappointing not to get a perfect frame of this immaculate structure,” Mahuwakar, a history student, said on her first visit to the Taj, as nearby cleaners armed with colorful plastic buckets and large mops desperately tried to scrub some luster back into the stained stone.
Other restoration teams scale the facade, blocking views to the ornate Islamic carvings engraved on its walls. The interruption to the serenity of visiting one of the seven modern wonders of the world.
“The repair has been going on for so long. Of course, old monuments need to be conserved, but we must find solutions that are quick and effective,” Mahuwakar said, casting a dejected look at the scaffolding around.
Pollution and old age are taking their toll on the 17th century mausoleum, nestled on the south bank of the Yamuna river in Agra, but critics warn that even the options authorities are using to try to fix, may be exacerbating the problem.
Mudpacks have been applied in stages to draw out stains but critics say the process is as damaging as bleaching the fine stone.
Authorities reject this, but admit they are concerned about how to proceed with handling the fragile central dome.
There are fears this inevitable work risks damaging the unmistakable feature of the Taj and will put off tourists.
Experts warn that iron scaffolding risks leaving irrevocable scars on the fine marble. But bamboo frames are inadequate for such heights, leaving few options for those charged with executing the daunting task.
“We have to clean the dome, but the challenge is how to erect the scaffolding,” Bhuvan Vikrama, the government archaeologist overseeing restoration efforts, said.
“The structure is almost 400 years old, so we can’t put any extra load on it. In righting the wrong, we should not wrong the right.”
It remains unclear when work will begin or for how long the central dome will be encased in scaffolding.
Fodor’s Travel, a publisher of tourism guidebooks, has advised readers to avoid the Taj until at least 2019 lest visitors be disappointed.
The number of local tourists is also being capped to 40,000 a day in a bid to reduce wear and tear on the monument to love, which was built by Mughal emperor Shah Jahan for his beloved wife Mumtaz Mahal, who died giving birth in 1631.Currently daily visitor numbers average 10,000-15,000 but can be much higher at weekends, going up to around 70,000. According to government figures, nearly 6.5 million people — mainly from India — visited the historic complex in 2016.
Anyone wanting to see the main crypt, which houses marble graves inlaid with semi-precious stones, will also have to pay for a pricier ticket.
But critics warn that restoration is only half the solution, pointing to the industrial factories across the river that near continuously belch out noxious fumes, leaving the air thick with smog.
This toxic haze from this and from dung and garbage burning in and around Agra is responsible for discoloring the Taj, experts say.
Efforts to curb these pollutants, including banning motor vehicles within 500 meters of the building, have failed to clear up the air.
M C Mehta, a lawyer, said his battles in court to shift polluting industries — including a huge crematorium — had fallen on deaf ears.
“No one wants to take hard decisions,” Mehta said.
“The Taj used to be surrounded by lush greenery, but now there is nothing. Taj is in the last stage of cancer. It is dying, it is gasping for breath.”


AlUla’s ancient scripts come alive after dark at Ikmah

The team at ‘Ikmah After Dark: Secrets of the Scribe’ showing a visitor how to carve on a stone. (Supplied)
Updated 04 January 2026
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AlUla’s ancient scripts come alive after dark at Ikmah

  • Gen-Z local Omer Mohammad guided Arab News through the vast outdoor setting of ‘Secrets of the Scribe’

ALULA: Ikmah Mountain, also known as Jabal Ikmah, one of AlUla’s landmark archeological sites, is offering visitors a new experience this week as part of the Winter at Tantora programming, which ends on Jan. 10. 

Near the ancient city of Dadan, Ikmah highlights AlUla’s role as a major cultural and religious center long before the rise of the Nabataeans. It is being activated under the stars in a brand new, old way.

The site, often described as “an open-air library” for its hundreds of ancient inscriptions carved on its canyon walls thousands of years ago, provides visitors with have a chance to etch their own names, using the ancient alphabet, on a block of stone they can take home.

The team at ‘Ikmah After Dark: Secrets of the Scribe’ showing a visitor how to carve on a stone. (Supplied)

Written mainly in Dadanitic and Lihyanite, the ancient texts once recorded religious dedications, laws, names of rulers and traced everyday life, providing rare insights into the beliefs and social structures of early Arabian kingdoms. 

Arab News spoke with Gen-Z local Omer Mohammad, who guided us through the vast outdoor setting of the “Secrets of the Scribe — Ikmah After Dark” experience.

“When the guests arrive, we welcome them ... give them some tea to get refreshed. After that, if the group is big, we split them into two; some of the group goes to go to the carving where they are going to learn how to carve. And the other group is going to go to explore the gorge,” he said. 

Storytelling was such an important thing here 3,000 years ago. People from all over the world used to bring their animals and rest here; it had a river so it had some water and everything.

Omer Mohammad, AlUla local

The gorge is an elevated path with candles lighting the way on both sides.

“In the scripts and descriptions you’re going to see (in the mountains), you will get to know more about Dadani lives and what they used to do here,” he said.

After the hike down, visitors from both groups join at the gathering point where everyone is encouraged to rest, mingle and enjoy small bites such as dates and other goodies, as well as tea. 

While it is a new experience, the tradition is old. 

“Storytelling was such an important thing here 3,000 years ago. People from all over the world used to bring their animals and rest here; it had a river so it had some water and everything,” he said.

Dressed in garb from olden times and speaking in poetic prose, Mohammad and his peers guided us to see the light in the dark night.

“It is significant to me personally to work on this project to get people to come here and get excited (about) what’s happening, enjoy our stories and know more about Dadani life,” he said.

On a personal note, Mohammad is grateful to know more about his own history and wants to continue passing on that newfound knowledge to all generations — both younger and older than his own — and be part of the unfolding story of the land and its people.

“I guess you can say that this is the land of my ancestors. I really love history, and I really would like to know more about history — and my history,” Mohammad said. “But I just learned about this ancient history three years ago when I started working here.

“I never had the experience before, so when I knew more about it, I was so happy. And it was so good. Everyone should come,” he said.