The mysterious, ancient Nine Domes Mosque of northern Afghanistan

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In this photo taken on November 8, 2017 shows the gate of the ninth-century mosque Masjid-e Haji Piyada (mosque of the walking pilgrim) in Balkh Province. (AFP)
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In this photo taken on November 8, 2017 shows scaffolding for the ongoing conservation work at the ninth-century mosque Masjid-e Haji Piyada (mosque of the walking pilgrim) in Balkh Province. (AFP)
Updated 06 January 2018
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The mysterious, ancient Nine Domes Mosque of northern Afghanistan

BALKH, Afghanistan: In the white dusty plains of northern Afghanistan, archaeologists are seeking to unravel the secrets of one of the oldest mosques in the world, whose structure is still standing after a thousand years of solitude.
The Nine Domes Mosque, named for the cupolas that once crowned its intricately decorated columns, glimmers with remnants of the blue lapis lazuli stones that encrusted it.
Carbon dating in early 2017 suggests the ancient structure in Balkh province was built in the eighth century, soon after Islam swept into Central Asia — but exactly when, and who by, remains a mystery.
The very survival of this modest square of just 20 by 20 meters (65 foot by 65 feet) has beguiled experts.
“It’s a miracle it’s still standing despite time and erosion,” said Italian architect Ugo Tonietti, from the University of Florence, who specializes in heritage conservation.
The mosque, which has weathered the centuries partly due to the arid climate of the region, is one of the best preserved Islamic buildings of its age in the world and is “highly valuable and highly vulnerable,” he said.
Time has washed most of the color from its columns, but the mosque was once a dazzling spectacle.
“This is a masterpiece. You have to imagine how it looked like, fully decorated with lapis, some parts in red, it was all covered and painted: it was like a garden of paradise inside, with a sky above, the domes with white and blue decoration,” he said.
The delicate vine leaves etched onto the pillars resemble those seen at Samarra, Tonietti said, referring to the powerful ninth century Islamic capital city that ruled the Abbasid Empire extending from present day Tunisia to Pakistan.
But the mosque at Balkh could be even older, with the carbon dating and historical sources suggesting it could have been built as early as the year 794.
“This means that the mosque of the Abassid Empire has been influenced by Afghanistan, not the other way around,” said Julio Sarmiento-Bendezu, director of the French Archaeological Delegation in Afghanistan, who is leading excavations at the site.

“This mosque is exceptional in its beauty, conservation, decoration and the knowledge it holds,” he said.
But Noh Gonbad, its Persian name, was only rediscovered by chance.
In the late 1960s, an American archaeologist traveling in the region asked local people to take her to a mosque destroyed by Genghis Khan, the Mongol emperor who rampaged across the region in the early 13th century.
Villagers led her to this lonely, half-buried temple some 20 kilometers (12 miles) west of Mazar-i-Sharif.
Once found, however, the building languished once again as war was unleashed on Afghanistan, enveloping the country in decades of bloodshed, and it was not until 2006 that excavations began on the site.
“We thought at first that it was an isolated monument, but as we went on we saw that it was stuck to other older structures,” said Sarmiento-Bendezu.
“At the end of the 8th century, the Buddhist world was in torment in the region. No doubt it was built on the remains of a monastery.”
In July archaeologists unearthed the base of the pillars, at a depth of 1.5 meters (five feet), but surveys suggest even deeper remnants.
“This is a window open to the ancient period, here we can find the base of the next culture to come,” said Arash Boostani, an Iranian architect and engineer from the University of Tehran, who was commissioned by the Aga Khan Trust for Culture (AKTC) to work on the site.
A specialist in conserving historical monuments, he said that some of the flower designs on the mosque are pre-Islamic and have been absorbed from local culture.
The building, which has been protected from the elements by a metal roof, remains vulnerable because its brick and patchwork structure is susceptible to erosion.
Noh Gonbad’s domes were toppled soon after the mosque was built and have lain at the site during the centuries since.
“With the earthquake in 819 most of the mosque collapsed,” Boostani said.
Another earthquake a hundred years later hit the outer walls and most of the 15 arches.
The experts stretched fiberglass nets to support the two main, deeply cracked arches, and injected cement — without altering the gypsum decorations.
“The place has always been occupied,” Sarmiento-Bendezu said. “Monastery and then mosque, abandoned and squatted in — we found fireplaces.
“Pieces of the domes, however heavy, were transported and used to cover nearby tombs: why give yourself this burden if the building did not have strong symbolic value?“
Noh Gonbad remains a place of pilgrimage: the women come to gather on Friday and weep over the tomb of an obscure saint, Hadji Pyada, the walking pilgrim, buried there in the 15th century.
“Like all excavations, those of the Nine Domes Mosque pose more questions than they answer,” says the archaeologist.


Swiss artist pays homage to heritage in Riyadh show

Updated 12 May 2024
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Swiss artist pays homage to heritage in Riyadh show

  • ‘From Roots to Vision’ by Vlad Pocol is inspired by Saudi Vision 2030 and his own personal journey

RIYADH: In Ahlam Gallery’s latest solo exhibition, Swiss painter Vlad Pocol examines the ties that link past, present and future — with Saudi Arabia’s Vision 2030 as a reference point.

“If you could explain your artworks in one word, what would it be?” one listener asked. “Intuition,” Pocol replied, explaining the basis of his first show in the Kingdom.

The artist relied on intuition when he decided only a few months ago that Saudi Arabia would be his new home, leading him to create an exhibition based around three ideas: heritage, transition, and vision.

The immersive exhibition titled “From Roots to Vision: A Migration” urges observers to think about heritage, and challenge the possibilities of the future as we weave our past legacy for generations to come.  

Ambassador of Switzerland to the Kingdom Yasmine Chatila and Pocol discussing a patched installation made of discarded materials salvaged from artwork waste. (Supplied/AN photo by Huda Bashatah)

Pocol told Arab News: “It’s great to evolve, but it’s also important to stay rooted in our own heritage. I’ve taken Saudi Arabia as an example. Everyone is so excited with what’s happening with the Vision (2030), but everyone is still so rooted and respectful and inspiring in a collective way … that can also inspire us in an individual way.”

Within the “Heritage” collection, “Identites” delves into the themes of self-reflection and outsider perceptions. Four papier mache panels woven together by rope encourage the viewer to see alternative versions of themselves as they are layered in complexity with oil paint.

It is great to evolve, but it is also important to stay rooted in our own heritage.

Vlad Pocol, Swiss artist

“Legacite” is a series of six artworks that explores the themes of circularity, continuity, and generational cycles. In a single dot, each painting prompts a reflection on the viewer’s part within these continuous loops.  

Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)

The highlight of the show, “Sans Fin,” is a mirage of moving images constructed by strokes of paint. The piece is inviting, yet mysterious, prompting us to question our capability to grow using the metaphor of a black hole — you never know what may lie in the unknown.  

In 2018, when Pocol was a lawyer, he was invited by a colleague to a workshop centered around recreating the work of a contemporary artist. After an accident that resulted in a damaged painting, he developed a technique to repair the artwork.

Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)

“My technique gives structural movement. When you see my paintings, you enter a world … it’s moving. My energy also comes up in the artwork,” he said.

In “Transition,” the works invite viewers to consider what lies beneath the surface, with more sculptural works coming into play.

Another installation is made of discarded materials salvaged from artwork waste. What we deem as undesirable is turned into something valuable, and even beautiful, challenging us to reconsider sustainability practices and our role in global consumption.  

In the “Vision” collection, the artist’s optimism about the future is linked to the promise of Saudi Arabia’s Vision 2030.

His work “Dessen” is based on a childhood memory of winning his first drawing contest, and celebrates the impact of early creative expressions on future artistic development.  

While “Elles” is a tribute to femininity and the women in his family, nearby twin works are inspired by the artist’s migration from Romania to Switzerland.  

Pocol describes the green-colored “Ja Deu Tu Certo” as “one of the most personal” works in the collection.

“Any pieces I’ve offered to my mom have been green because I really believe in the power of healing and the green (color). My mother has been fighting metastatic cancer for two years now,” he said. The work conveys his belief that “she will be well.”

He said the color also holds significant meaning in Saudi culture, as it stands for pride and patriotism.

Reflecting on showcasing his works in the Kingdom, Pocol said: “It’s so significant to have my exhibition here. While I have roots from Romania, 30 percent of my genes are Middle Eastern. Being here in Saudi Arabia is very subconscious. I feel at peace, like I’m coming back to something.  

“I’ve traveled a lot in my life and it’s the first time I’m able to find a new home outside of Switzerland … once you follow your intuition, it gets you to whatever is meant for you. That’s why I’m here in Saudi Arabia. It’s meant to be.”

The exhibition will run until June 2.

 


Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Updated 11 May 2024
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Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Bambie Thug, Ireland’s entry in the Eurovision Song Contest, claims to have cried  after Israel qualified for the final to be held on Saturday. 

“It is a complete overshadow of everything, goes against everything that Eurovision is meant to be,” Bambie Thug told journalists ahead of the event at Malmo Arena in Sweden. “I cried with my team.”

The 31-year-old singer and songwriter wore a keffiyeh and carried Irish flags while urging the European Broadcasting Union to show “conscience” and “humanity.”
 
The artist will perform “Doomsday Blue” in the final.

Israel’s performer, Eden Golan, will present her song “Hurricane” at the competition. The track underwent revisions after the initial version, “October Rain,” was deemed too political by the EBU.

Although the contest’s motto is “united by music,” this year’s event has attracted protests from Palestinians and their supporters, who say Israel should be excluded because of its conduct of the war in Gaza.

Thousands of people are expected to march for a second time this week through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a ceasefire in the seven-month conflict. 

In Finland, a group of about 40 protesters stormed the headquarters of public broadcaster YLE on Saturday, demanding it withdraw from the song contest because of Israel’s participation.

Venues across England are canceling their gigs after Palestine protest groups instructed their followers to pressure pubs showing the contest - leading some venues to close due to staff safety concerns.

The Duke of York cinema in Brighton called off its Eurovision event this week, telling ticket holders it was doing so “due to safety concerns for our staff and customers,” the Guardian reported. The Brighton Palestinian Solidarity Campaign called the decision a “massive win.”


AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

Updated 11 May 2024
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AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

DUBAI: Saudi Arabia’s AlUla is expected to have a starring role in director Potsy Ponciroli’s upcoming action thriller “Motor City.”

Production is due to start on July 10 in New Jersey and Saudi Arabia. The film is part of production company Stampede Ventures’ 10-picture slate deal with Film AlUla.

The cast will include Alan Ritchson, Shailene Woodley, Ben Foster and Pablo Schreiber. 

“Motor City” is centered around John Miller (Ritchson), a Detroit auto worker who loses everything, including his girlfriend (Woodley), after being framed by a local gangster (Foster) and sent to prison.

After his release, Miller seeks revenge while trying to win his former girlfriend back.


 


Louvre Abu Dhabi to exhibit Van Gogh artwork

Updated 11 May 2024
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Louvre Abu Dhabi to exhibit Van Gogh artwork

DUBAI: Louvre Abu Dhabi is set to display an artwork by Dutch painter Vincent van Gogh at the “Post-Impressionism: Beyond Appearances” exhibition running from Oct. 16 to Feb. 9 next year.

The work, “Bedroom in Arles,” depicts van Gogh’s bedroom in his yellow house in Arles, where he set up his studio and lived from September 1888.

The exhibition will be curated by Jean-Remi Touzet, conservator for paintings at the Musee d’Orsay, and Jerome Farigoule, chief curator at Louvre Abu Dhabi, with the support of Aisha Alahmadi, curatorial assistant at Louvre Abu Dhabi.

It will delve into the period known as post-impressionism, focusing specifically on the years between 1886 and 1905. “These two decades were a time of immense artistic innovation and experimentation, marking the transition from impressionism to the explosive emergence of the ‘fauves’ at the Salon d’Automne,” a press release said.

Highlights from the Arab world include two masterpieces by French Egyptian artist Georges Hanna Sabbagh: “The artist and his family at La Clarte” (1920) and “The Sabbaghs in Paris” (1921).


Singer Elyanna makes her TV debut on ‘The Late Show’

Updated 11 May 2024
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Singer Elyanna makes her TV debut on ‘The Late Show’

  • Chilean Palestinian star performs hits from debut ‘Woledto’
  • Proudly adorned with Palestinian keffiyeh around her head

DUBAI: Chilean Palestinian singer Elyanna made her television debut this week on “The Late Show with Stephen Colbert.”

The 22-year-old music sensation delivered a medley of hits from her debut album “Woledto,” including “Callin’ U (Tamally Maak)” and “Mama Eh,” the first song performed entirely in Arabic on the show.

Her performance featured an ensemble of oud, tabla, riq and dancers.

“I had so much fun performing on this iconic stage,” she wrote to her 1.2 million followers after her show.

The hitmaker was adorned in a white lace dress featuring two thigh-high slits. She complemented the attire with coin-belt accessories, draping them over her shoulders and fastening them around her calves to add a Middle Eastern touch to her look.

In one of the pictures she shared with her fans, she proudly wore the Palestinian keffiyeh around her head as she posed in front of “The Late Show” desk.

Elyanna dropped her album in April. It features nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.”

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

In 2023, Elyanna became the first artist to perform a full set in Arabic at California’s Coachella music festival.

She embarked on a North American Tour this year, gracing stages in Dallas, Houston, Toronto, Montreal, Washington, New York, Chicago, Detroit, San Francisco and Santa Ana.