LOS ANGELES: The trailers have dropped, the frantic media tours have concluded and the phony war is over: “Star Wars: The Last Jedi” finally begins the real battle Saturday at its glittering world premiere.
Hotter than one of Yoda’s root leaf curries, the movie is expected to cash in on 12 months of relentless hype with one of the biggest domestic opening weekends ever.
A galaxy of stars and lucky fans from near and far, far away will descend on downtown Los Angeles — the first moviegoers in the world outside of the production to see the eighth installment of the blockbuster space saga.
All eyes will be on the initial flood of social media reaction, encouraged by Lucasfilm, although the studio has embargoed detailed reviews until 9am Los Angeles time on Tuesday.
Fans will have to be patient before heading to Twitter for the inevitable rhapsody of excited buzz, as “The Last Jedi” is the longest “Star Wars” movie ever, clocking in at 153 minutes.
That is about 10 minutes longer than “Attack of the Clones” (2002), although critics will be hoping the new movie doesn’t overstay its welcome, like that unloved second episode.
The premiere comes six days before the movie’s general release in US theaters, kicking off a run widely expected to be the most successful worldwide since 2015’s “Star Wars: The Force Awakens.”
Experts are predicting an opening weekend domestic box office of around $220 million, which would push it beyond “Jurassic World” (2015) into second place behind “Awakens” ($248 million).
The cast came together in LA with director Rian Johnson on Sunday to build buzz for “The Last Jedi,” which sees the return of the characters introduced in J.J. Abrams’s first entry in the rebooted trilogy.
Gwendoline Christie, who plays stormtrooper commander Captain Phasma, put the continued relevance of “Star Wars” down to its foundational mythology of good versus evil.
“I think it’s because the world we live in is a changing and evolving place that it retains the simplicity of those elements,” she said.
“But it really resonates with what it is to follow your own human, dark, narcissistic tendencies, where that will take you.”
Christie was joined at the event by returning stars Daisy Ridley, John Boyega, Adam Driver, Oscar Isaac, Andy Serkis, Domnhall Gleeson and Luke Skywalker himself — Mark Hamill.
There were new faces too: Kelly Marie Tran as Resistance maintenance worker Rose Tico and Laura Dern, who plays Vice Admiral Amilyn Holdo.
“The Last Jedi” — filmed on the west coast of Ireland and at Pinewood Studios near London — marks the last appearance of Carrie Fisher, who died last December, having already wrapped her scenes.
One of Lucasfilm’s trailers hinted darkly at a possible untimely demise for Fisher’s iconic General Leia Organa at the hands of her son Kylo Ren.
Written by Johnson, “The Last Jedi” picks up directly where “The Force Awakens” left off, with Rey (Ridley) looking to Luke to teach her about The Force.
It is expected to presage adverse times for the Resistance — prompting comparisons with the middle chapter of the original trilogy, “The Empire Strikes Back.”
Like Fisher and Hamill, Harrison Ford was a “Star Wars” mainstay as loveable rogue Han Solo — but the character is missing from the latest chapter, having been killed off.
“There hasn’t been a ‘Star Wars’ movie yet that has explored war the way ‘The Last Jedi’ has,” said Boyega.
“It’s very messy. The categorizing of good and evil is all mixed together.”
“It’s a dire situation, it’s critical. The Resistance is on its last legs,” added Isaac.
“When you’re trying to survive, the First Order’s right on top of us, it is like war, where you’ve got to keep moving to try to survive. You feel the momentum of everything that happened in ‘The Force Awakens’ just pushing to a critical mass.”
The hype reawakens: ‘Star Wars’ stages ‘Last Jedi’ premiere
The hype reawakens: ‘Star Wars’ stages ‘Last Jedi’ premiere
Fantasia Barrino-Taylor flaunts Monot in New York
DUBAI: Helmed by Lebanese designer Eli Mizrahi, New York-based label Monot dressed US actress Fantasia Barrino-Taylor for a red carpet appearance at the 2024 Time100 Gala.
Barrino-Taylor showed off a custom look by the label, which featured head-to-toe sequins and wrist cuffs that flared dramatically to cover her hands. The backless number was figure hugging and Barrino-Taylor complemented the outfit with a black, sequined head wrap.
Mizrahi is no stranger to star power and made headlines in 2020 when he enlisted the likes of British supermodel Kate Moss, Italian star Mariacarla Boscono, British model Jourdan Dunn, US celebrity Amber Valletta and China’s Xiao Wen to star in a Monot campaign shot in Saudi Arabia.
The label has garnered a legion of celebrity fans, with US Olympian Simone Biles, model Kendall Jenner, Brazilian influencer Camila Coelho and US model Emily Ratajkowski donning Monot looks in the past.
“The Color Purple” star Barrino-Taylor also made headlines when she attended the Astra Film Awards in Los Angeles in January in a mandarin orange gown by Saudi designer Yousef Akbar.
Barrino, who is also a singer, most recently starred as protagonist Celie in “The Color Purple,” a musical period drama film directed by Blitz Bazawule. The film’s screenplay is based on the stage musical of the same name, which in turn is based on the 1982 novel by Alice Walker. It is the second film adaptation of the novel, following the 1985 film directed by Steven Spielberg and produced by Spielberg and Quincy Jones.
The movie tells the story of Celie, who is torn apart from her sister and her children and faces many hardships in life, including an abusive husband. With support from a sultry singer named Shug Avery, as well as her stand-her-ground stepdaughter, Celie ultimately finds strength.
Barrino showed off Akbar’s gown at an event in Los Angeles and paired it with chunky gold jewelry and slicked back hair.
Jordanian Crown Prince marks Princess Rajwa’s 30th birthday
DUBAI: Jordan’s Crown Prince Hussein bin Abdullah II took to social media to wish his Saudi-born wife Princess Rajwa Al-Hussein on her 30th birthday as a new official portrait of the princess was unveiled.
"May God continue to bless and nurture the bond between us. Happy Birthday Rajwa," the Crown Prince wrote on Instagram, sharing a brand new photo of the couple.
The Jordanian royal family also shared a new official portrait of Princess Rajwa to celebrate her birthday. Set against a blue background, the portrait shows the princess in a matching blue outfit from French label Rabanne.
Earlier this month, it was announced that the royal couple, who married last year in June, are now expecting their first baby.
The news of the pregnancy was announced by the Jordanian royal family in a statement.
“The Royal Hashemite Court is pleased to announce that their Royal Highnesses Crown Prince Al Hussein bin Abdullah II and Princess Rajwa Al Hussein are expecting their first baby this summer,” it read.
Muse to perform in Abu Dhabi this year
DUBAI: British rock veterans Muse are headed to Abu Dhabi for the second time as they get ready to perform at the 2024 Etihad Airways Abu Dhabi Grand Prix after-party concert series.
Running from Dec. 5 - 8, Muse is the first the band to be announced as part of the concert series. Access to all concerts is exclusive for Abu Dhabi F1 Grand Prix ticket holders.
“Catch the Grammy Award winning rock icons electrifying the stage at @etihadpark this December at the #F1Finale Yasalam After-Race Concerts,” read a social media post on the official Instagram account of Abu Dhabu Grand Prix.
A date has not yet been announced for the concert.
This is the second time the “Starlight” rockers are performing as part of the concert series, having made their debut in the UAE capital in 2013.
Music ‘haven of freedom’ Tangiers hosts global jazz festival
- This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers
TANGIERS, Morocco: The Moroccan city of Tangiers, which has a long history as a haven of inspiration for American jazz musicians, will host UNESCO’s International Jazz Day for the first time on Tuesday.
Over the last century, jazz greats such as Randy Weston, Idrees Sulieman and Max Roach all crossed the Atlantic to play and record music in the North African port city, perched on the edge of the Strait of Gibraltar.
“The city has had a fascinating power of attraction on a wave of intellectuals and musicians,” Philippe Lorin, the founder of an annual Tangiers jazz festival, told AFP.
“It’s not for nothing that a writer once said there was always a cruise liner in New York preparing to sail for Tangiers.”
This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers.
The festivities will culminate in an “All-Star Global Concert” on Tuesday led by jazz icon Herbie Hancock, also featuring bassists Marcus Miller and Richard Bona, as well as guitarist Romero Lubambo.
The city’s cosmopolitan artistic reputation stems from its location between Africa and Europe as well as its history, having been administered by several colonial powers from 1923 to 1956, the year Morocco gained independence.
This melting pot of influences prompted visits from international writers and poets, notably from the Beat Generation movement, as well as African American musicians seeking to find “their African roots,” Moroccan historian Farid Bahri told AFP.
Lorin said that Tangiers “was a haven of freedom — just like jazz music.”
A pivotal moment in the city’s musical history came in 1959, when Tangiers jazz promoter Jacques Muyal — then just a teenager — recorded a session with trumpeter Idrees Sulieman, pianist Oscar Dennard, bassist Jamil Nasser and drummer Buster Smith at the Radio Tanger International studio.
The recording gained renown in jazz circles decades before its distribution as “The 4 American Jazzmen In Tangier” album in 2017.
Bahri, the author of “Tangiers, a world history of Morocco,” said “the presence of American musicians in Tangiers was also linked to a very active American diplomacy.”
Famous US pianist Randy Weston settled in Tangiers for five years after visiting 14 African countries in 1967 during a tour organized by the US State Department.
The Brooklynite virtuoso would play a key role in building the musical reputation of the city, to which he dedicated his 1973 album “Tanjah.”
“Randy was an exceptional, kind and respectful man,” said Abdellah El Gourd, a 77-year-old Moroccan legend of gnawa music, a centuries-old style played with a three-stringed lute and steel castanets, rooted in West African rituals and Sufi traditions.
“He gave a lot to the city and its musicians,” added the friend and collaborator of Weston, who died in 2018.
Together, El Gourd and Weston blurred the lines of their respective genres, creating the beginnings of jazz-gnawa fusion, which remains a key part of Tangiers’ musical legacy.
“The language barrier was never a problem because our communication was through (musical) scales,” El Gourd recalled in a rehearsal room lined with old photos and memorabilia from the years he toured with Weston and jazz saxophonist Archie Shepp.
“Our language was music.”
The two men’s collaborative work would years later yield the acclaimed 1992 album “The Splendid Master Gnawa Musicians of Morocco.”
Two years after settling in the city, Weston opened the African Rhythms jazz club, above the iconic Cinema Mauritania in downtown Tangiers.
“We used to rehearse there,” El Gourd recalled. “Randy would invite his musician friends. It was a beautiful time.”
With El Gourd’s help, Weston launched Tangiers’ first-ever jazz festival in 1972, featuring big names such as drummer Max Roach, flautist Hubert Laws, double-bassist Ahmed Abdul-Malik, and saxophonist Dexter Gordon.
“It was quite a unique experience, because it was the first time we played in front of such a large audience,” said El Gourd, who was then used to small crowds for gnawa performances.
Weston and El Gourd’s festival was only held once.
But three decades later it inspired Lorin to create the Tanjazz festival, which is held in the port city every September.
Guerlain’s Ann-Caroline Prazan on mixing cultures, Mideast inspiration
DUBAI: Ann-Caroline Prazan, the director of art, culture, and heritage at French luxury beauty brand Guerlain, shared her affection for the Middle East and shed light on why she is so keen to mesh together cultures when creating new products.
“The Guerlain family is totally in love with the region. I am in love with this region because it is like a paradise,” she told Arab News. “People here love fragrances and they are such experts. When Guerlain creates a fragrance for the Middle East, it is always with a French touch.”
For Prazan, who joined the Guerlain team in 2000, understanding the brand’s story has been pivotal, motivating her to craft fragrances over her 24-year tenure, prioritizing longevity over trends.
“It is important to understand the past to create a future,” Prazan said. “You know, a house is like a big tree. You need to know the roots to create the leaves and to create new flowers. Without roots, you cannot do anything if you do not understand the brand.”
“Innovation is our obsession,” she added. “Guerlain created the first lipsticks, the first lip liners, the first modern perfume, the first moisturizing Nivea cream was by Guerlain.”
Her regional knowledge shapes Guerlain’s tailored fragrances for its customers.
“You have the best perfumers here, local perfumers. What was interesting is to mix the roots with the leaves to mix different cultures. And for me, when you mix different cultures, when you mix traditions and modernity, you can create beautiful products,” she explained.
Guerlain has collaborated with regional creatives before. In 2023, the brand worked with Lebanese artist Nadine Kanso to design a fragrance bottle for the label, making her the first Arab designer to collaborate with the LVMH-owned perfume and beauty house.
She designed 30 limited edition bee-inspired bottles, decorated with 1,720 crystals, with Arabic calligraphy that read “Love.”
At an event in Dubai last week, the label chose to work with contemporary Tunisian artist Nja Mahdaoui, who showcased his abstract Arabic calligraphy with engraved Cherry Oud bottles serving as place cards for the invitees.
The brand also created a number of bottles, showcased at the event in Dubai, that celebrate Arab design elements.
The Parfumerie D’Art collection features the Bee Bottle by Baqué Molinié. Unveiled to mark Eid Al-Fitr this year, the bottle features hand-placed mother-of-pearl beads and moonstones, designed by the Parisian atelier as a tribute to the “wonders of Arab architectural art,” according to a released statement.
