Greek maestro Yanni enthrals music lovers in Jeddah

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Greek musician Yanni performs at a concert in the King Abdullah Economic City, Saudi Arabia on November 30, 2017. (AN photo by Huda Bashatah)
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Greek musician Yanni and English cellist Sarah O’Brien perform at a concert in the King Abdullah Economic City, Saudi Arabia on November 30, 2017. (AN photo by Huda Bashatah)
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Updated 21 May 2021
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Greek maestro Yanni enthrals music lovers in Jeddah

JEDDAH: Renowned Greek composer and pianist Yanni enthralled a sell-out crowd at King Abdullah Economic City (KAEC) on Thursday in a concert held under the supervision of the Saudi General Authority for Entertainment.
Yanni, 63, enjoyed a great reception from fans as he arrived on stage with his 12-piece orchestra.
The show kicked off with a short introductory performance by the trumpet players, with Yanni assisting them on the piano. At the end of this ephemeral piece, Yanni told the crowd, “I am so happy to be in Saudi Arabia. It feels like home… it’s just perfect.”
After the powerful introductory piece, Yanni calmed things with a performance of his popular 1992 track “Felitsa” — composed for his mother — under a bright spotlight, with dim red and blue spotlights falling on orchestra members, accompanied by a sea of smartphones held aloft by the crowd.
While Yanni’s performance included many new compositions, it was the blockbusters the crowd most wanted to hear and he did not disappoint, airing classics including “Nostalgia,” “Marching Season,” and “Standing In Motion” to rapturous applause.
“The Rain Must Fall” was enlivened by the outstanding skills of bassist Gabriel Vivas, while an exquisite rendition of “Nightingale” revealed the phenomenal vocal range of American soprano Lauren Jelencovich.

Perhaps the wildest reception of the night (aside from those afforded Yanni himself), though, was reserved for drummer Charlie Adams’ extended solo — performed with dazzling speed and dexterity — during which he amused the crowd by sipping from his coffee.
Yanni concluded his show with his upbeat composition “The Storm,” which featured a beautiful performance by Armenian violinist Samvel Yervinyan and Lindsay Deutsch, an American violinist. The crowd was noisily appreciative of the awe-inspiring pace at which the musicians performed this intricate piece.
Speaking to Arab News before the show, Yanni’s daughter Krystall Ann, who is travelling with her father, said: “I’m just so happy and thrilled that we can actually be here. It’s been beautiful. I’m excited that we’ll be here a full two weeks, from coast to coast. It’s been lovely so far."
Yanni performed another show in Jeddah on Friday. He will play at the Princess Noura bint Abdulrahman University auditorium in Riyadh on Dec. 3-4, and at the King Abdulaziz Center for World Culture in Dhahran on Dec. 6-7.
For more photos from the concert, click here.


Cambodia takes back looted historic artifacts handled by British art dealer

Updated 28 February 2026
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Cambodia takes back looted historic artifacts handled by British art dealer

  • The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia

PHNOM PENH, Cambodia: Cambodian officials on Friday received more than six dozen historic artifacts described as part of the country’s cultural heritage that had been looted during decades of war and instability.
At a ceremony attended by Deputy Prime Minister Hun Many, the 74 items were unveiled at the National Museum in Phnom Penh after their repatriation from the United Kingdom.
The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia.
“This substantial restitution represents one of the most important returns of Khmer cultural heritage in recent years, following major repatriations in 2021 and 2023 from the same collection,” the Culture Ministry said in a statement. “It marks a significant step forward in Cambodia’s continued efforts to recover, preserve, and restore its ancestral legacy for future generations.”
The artifacts were described as dating from the pre-Angkorian period through the height of the Angkor Empire, including “monumental sandstone sculptures, refined bronze works, and significant ritual objects.” The Angkor Empire, which extended from the ninth to the 15th century, is best known for the Angkor Wat archaeological site, the nation’s biggest tourist attraction.
Latchford was a prominent antiquities dealer who allegedly orchestrated an operation to sell looted Cambodian sculptures on the international market.
From 1970 to the 1980s, during Cambodia’s civil wars and the communist Khmer Rouge ‘s brutal reign, organized looting networks sent artifacts to Latchford, who then sold them to Western collectors, dealers, and institutions. These pieces were often physically damaged, having been pried off temple walls or other structures by the looters.
Latchford was indicted in a New York federal court in 2019 on charges including wire fraud and conspiracy. He died in 2020, aged 88, before he could be extradited to face charges.
Cambodia, like neighboring Thailand, has benefited from a trend in recent decades involving the repatriation of art and archaeological treasures. These include ancient Asian artworks as well as pieces lost or stolen during turmoil in places such as Syria, Iraq and Nazi-occupied Europe. New York’s Metropolitan Museum of Art is one of the prominent institutions that has been returning illegally smuggled art, including to Cambodia.
“The ancient artifacts created and preserved by our ancestors are now being returned to Cambodia, bringing warmth and joy, following the country’s return to peace,” said Hun Many, who is the younger brother of Prime Minister Hun Manet.