We know her mostly for her trademark hats, because she rarely talks about herself. She is the only person allowed to drive in the UK without a license. She loves horse riding and football, and has a sense of humor. During a low-key trip in Scotland, American tourists asked her where she lived. She said she had a house nearby, and when they asked if she had ever met the queen, she pointed at her policeman and said: “No, but he has.”
Queen Elizabeth II, the world’s longest-reigning monarch, is the subject of historical drama “The Crown,” which takes place from 1947 until 1955. Based on meticulous factual research, this book is primarily meant to entertain. Robert Lacey enlivens the narrative with tangy details that pique our interest and raise our adrenaline. The story focuses on Elizabeth Windsor and Philip Mountbatten, their marriage and their life together until 1955.
Despite his title, Philip Prince of Greece had no Greek blood. “I’m part Danish, part German and part Russian. I can go to practically any country in Europe, and there’s a relation there I stay with,” he told his close friend Mike Parker, who became his private secretary.
His aristocratic genes gave him a self-assurance that Princess Elizabeth noticed during their first meeting in 1939 at the Royal Naval College in Dartmouth. She was only 13-years-old at the time, but according to Sir John Wheeler-Bennet, who wrote the official biography of King George VI, Princess Elizabeth had been in love with her cousin from the first time she saw him.
He mother was not sure she was making the right choice, but nothing could stop her. Prince Philip proposed in the summer of 1946 and was accepted. The marriage was planned for the following year at Westminster Abbey. A day before the wedding, King George VI conferred the title “duke of Edinburgh” upon his future son-in-law and authorized the use of the prefix “his royal highness.”
The wedding was a moment of joy shared by the whole nation, as was the birth of Prince Charles a year later. But as the king’s health worsened, it became clear that she would have to replace her parents on the long royal tour to Kenya, Ceylon, Australia and New Zealand.
Princess Elizabeth and her husband arrived in February 1952 at the legendary Treetops Hotel in Aberdare National Park in Kenya. She was writing a letter to her father when her husband informed her of his death.
According to Martin Charteris, her private secretary: “She was sitting erect, fully accepting her destiny.” He was struck by the composure of the new queen, who insisted on personally drafting the telegrams of apology to those expecting her on the now-canceled tour.
When she met with her accession council in St. James Palace, she declared: “I shall always work, as my father did throughout his reign, to uphold the constitutional government and to advance the happiness and prosperity of my peoples.”
Within a few months, the duke of Edinburgh would also lose three of the things that gave him so much pleasure: His naval career, his family home and his family name. Upon his wife’s accession to the throne, they had to leave the cosy Clarence House and live in Buckingham Palace. But what hurt Prince Philip most was the loss of his family name. He complained that he was “the only man in the country not allowed to give his name to his children.”
Theresa May is the 13th prime minister to serve Queen Elizabeth. When she was asked which prime minister she enjoyed meeting the most, she answered: “Winston (Churchill), of course, because it was always such fun.” Churchill first met the queen when she was two-and-a-half-years-old. At that time, he declared: “She is a character. She has an air of authority and reflectiveness astonishing in an infant.”
More than 20 years later, in 1953, he gave some advice to the queen, who was preparing to tour the Commonwealth: “Never let them see the real Elizabeth Windsor… The camera, the television. Never let them see that carrying the crown is often a burden. Let them look at you, but let them see only the eternal.”
Mission accomplished. “I am aware that I am surrounded by people who feel they could do the job better, strong people with powerful characters, more natural leaders,” she said. “But for better or for worse, the crown has landed on my head.”
Book Review: A look at the woman behind the crown
Book Review: A look at the woman behind the crown
Saudi students explore intersection of science and art
- Exhibition organized by the Saudi Arabian Society for Culture and Arts runs until May 2
JEDDAH: The Saudi Arabian Society for Culture and Arts has launched an exhibition in Jeddah showcasing 25 artworks exploring the link between science and art.
The second annual exhibition organized by the arts society, in collaboration with the Biology Club at King Abdulaziz University, was opened in the presence of Mohammed Al-Subaih, director-general of the organization, Mona Al-Harbi, vice dean of the college of science, local artists, and parents.
HIGHLIGHTS
• The Sci-Art exhibition was organized by the Saudi Arabian Society for Culture and Arts in collaboration with the Biology Club at King Abdulaziz University.
• It is being held to encourage students to showcase their creativity.
The exhibition, which will run until May 2 at the organization’s Abdul Halim Radwi Auditorium, presents an artistic interpretation of scientific inquiry. It is being held to encourage students to showcase their creativity.
Fifteen female students presented their paintings, sketches and other projects at the opening of the event.
The students chose as subject matter the body’s various systems, the solar system, human mind, natural world, animals, mathematics, computer programming, global warming and more.
The Sci-Art exhibition allows participants to engage their creative and analytical minds to forge new connections between ideas and learn about the world through art.
Mona Al-Harbi, Vice dean of the college of science, King Abdulaziz University
Al-Subaih praised the students for their work. “This exhibition comes as part of our role in spreading culture and arts … we thought of creating a platform for students to exhibit their talents and showcase their innovative ideas and this exhibition is an exciting moment for us to share with our community.”
Al-Harbi added: “The sci-art exhibition allows participants to engage their creative and analytical minds to forge new connections between ideas and learn about the world through art.
“This exhibition is a way to provide a platform for students and others to express that side of themselves and bring art and science together. Our aim is to encourage students to show their artistic talents and create paintings that related to subjects that they have learned in science.”
‘Chicago’ musical to hit the stage in the UAE
DUBAI: “Chicago,” the American musical with the longest Broadway tenure, is set to be performed in the UAE in September.
The musical will hit the stage at Abu Dhabi’s Etihad Arena for a limited run from Sept.12-22.
“Chicago” is a tale of passion, murder, greed, betrayal and redemption through the journey of two competitive women – an aspiring jazz performer, Roxie Hart, and a former vaudeville star, Velma Kelly.
The production spawned numerous beloved tunes such as “All That Jazz,” “Cell Block Tango” and "Razzle Dazzle.”
Since its premiere on Broadway New York 27 years ago, “Chicago” has played in major cities around the world like London, Sydney, Tokyo, Seoul, Paris, Berlin and Madrid.
Emily Blunt, Ryan Gosling laud stunt performers in ‘The Fall Guy’
TEXAS: Hollywood stars Emily Blunt and Ryan Gosling pay tribute to stunt actors in a film by director David Leitch, who himself started as a stunt actor. Loosely based on the 1980s TV series about stunt performers, “The Fall Guy,” which releases in Saudi Arabia on Thursday, is billed as blending humor, romance, mystery, and action.
“It's a celebration of our incredible industry and this film is about that, but it's really to just broadcast the incredible and indelible work of stunt performers and what they've done for cinema,” Blunt said in an interview with Arab News.
“What they've done for people's entertainment … they've risked life and limb to give people that crackling sense of wonder that you feel in movies and it's time they got their outing,” she added.
In a challenge to the invasion of digital effects in film, not only is “The Fall Guy’ packed with stunts but it has officially set a Guinness World Record for the most cannon rolls in a car, performed by stunt driver Logan Holladay. Eight-and-a-half rolls broke the previous record of seven, set by Adam Kirley for 2006’s “Casino Royale.”
Gosling praised the film for giving a platform to stunt performer.
“I had a stunt double my whole life. And it's always been this strange dynamic where they come in, they do all the cool stuff, and then they go and hide and you pretend like you did it and it's not cool, it's about time that recognize (their work),” he said.
The film follows the story of Colt Sievers, a stuntman who left his job to focus on his own health. When the star of a big-budget movie directed by his ex-girlfriend goes missing, he is recalled to active duty.
“Ted Lasso” star Hannah Waddingham also stars in the film. The British actress shed light on what the movie means to her.
“You know, we shot it this time last year in Sydney. Starting in late November, October time. So to finally be here, I feel like I've had to keep a lid on it for so long. And my brother and I were obsessed with “The Fall Guy” when I was little, when I was like ten years old so it's so lovely,” she said.
Heba Ismail brings Saudi representation to NFT ecosystem
- Heba Ismail is highlighting ways for artists to flourish in the digital world
JEDDAH: Saudi artist Heba Ismail showcased her work at the Outer Edge Innovation Summit in Riyadh this week.
Commenting on her experience at the summit as one of the first Saudi artists to venture into the Web3 art scene, she said: “Having my paintings displayed on the event screens is a tremendous honor, offering global visibility and inspiring more Saudi and Arab artists to explore the diverse options available for sharing their art with the world.
“Through my participation with Nuqtah, the first Saudi NFT platform, I am eager to present my art on a global stage and connect with audiences in innovative ways,” she continued.
Non-fungible tokens — or NFTs — are, in this scenario, digital tokens that can be redeemed for a digital art work. Ismail is exploring their potential in the Saudi art scene.
HIGHLIGHTS
• With a professional background in dentistry, Heba Ismail found parallels between that meticulous work and her own creative process.
• Partnering with ChainVisory, a blockchain consultancy company, Ismail launched the Hebaism brand.
• It combines NFTs and original paintings, providing collectors with both digital and physical assets.
For Ismail, art has always been more than just a hobby — it’s been a lifelong calling. With a professional background in dentistry, Ismail found parallels between that meticulous work and her own creative process.
Inspired by movements including cubism, fauvism, and surrealism, Ismail’s art is a fusion of diverse influences and personal narratives “Each face represents a feeling and a vision documented on a painting. I paint poetry, and often times each piece is accompanied by a poem,” she said. “As a Saudi female, most of my paintings represent myself and my Saudi culture, which I am proud of. The characters are coded feelings, faces that tell a story — either joy, sadness, or acrimony.”
Her introduction to NFTs came in 2021, sparking a fascination with the technology and its potential. Partnering with ChainVisory, a blockchain consultancy company, Ismail launched her Hebaism brand, which combines NFTs and original paintings, providing collectors with both digital and physical assets.
As a female Saudi artist, I want to leave a mark and impact on every art platform, putting Saudi art on the map worldwide.
Heba Ismail, Saudi artist
“I wanted to keep the authentic classical painting process, yet the NFT world gave me a chance to meet and discover different ways to share my art and build a name and a brand,” she said. “It’s been an enlightening journey, uncovering the futuristic art process and connecting with a vibrant community through Web3.”
Ismail hopes to inspire other artists in the region to explore new avenues for artistic expression.
“As a female Saudi artist, I want to leave a mark and impact on every art platform, putting Saudi art on the map worldwide,” she said.
‘Bridgerton’ actress says she was warned not to campaign for Palestinians
- Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
- Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise
LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.
The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.
“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.
“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”
She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.
“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.
“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”
She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”
Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.
A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.
Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.
