ISLAMABAD: A Pakistani court on Thursday issued arrest warrants for ousted Prime Minister Nawaz Sharif in two cases of corruption spiraling from the Panama Papers leak, his lawyers said.
Sharif is currently in London with his wife Kalsum as she undergoes cancer treatment, and has not returned to Pakistan since he was indicted in the corruption allegations earlier this month, despite reports he would do so.
“The accountability court issued bailable warrants for the former prime minister in two cases of alleged corruption today and adjourned (the) hearing until November 3,” one of his defense lawyers, Zafir Khan said.
In late July the Supreme Court sacked Sharif following an investigation into corruption allegations against his family, making him the 15th premier in Pakistan’s 70-year history to be ousted before completing a full term.
The claims against the prime minister stemmed from the Panama Papers leak last year, which sparked a media frenzy over the luxurious lifestyles and high-end London property portfolio owned by his family.
Sharif has faced — and come back from — similar challenges in the past.
In 1993 he was sacked from his first term as premier for corruption, while in 1999 he was sentenced to life in prison after his second term in office ended with a military putsch.
Following the coup he was allowed to go into exile in Saudi Arabia, returning in 2007 before becoming prime minister for a third time in 2013.
Last month his wife Kalsum won his former parliamentary seat during a heated by-election in Lahore, in a poll seen as a key test of the ruling party’s popularity after Sharif’s sacking and ahead of a general election due to be held sometime next year.
Pakistan court issues arrest warrant for ex-PM Sharif
Pakistan court issues arrest warrant for ex-PM Sharif
At Jazan festival, Suad Al-Asiri paints memory, land and leadership
- Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
- Centerpiece of display, Jazan: A Nation and a Prince, places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi
RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship.
A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative.
“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.”
Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art.
The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively.
Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.
“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.”
The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment.
Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.
Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom.
From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.
Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke.
Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others.
Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life.
Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance.
At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.
