Lady in pink: The Internet cannot get over this veteran North Korean news anchor
Updated 05 September 2017
Arab News
DUBAI: When North Koreans see veteran news anchor Ri Chun-Hee in her trademark pink dress on screen, they know they are in for big news.
Known as the “pink lady” by international Twitter fans, Chun-Hee has been reading the news in North Korea since the 1970s and still makes all the major news announcements in the country, coming out of retirement when she is required.
She reads the news on state broadcaster Korean Central Television (KCTV) and most recently announced North Korea’s successful test of a thermonuclear bomb on Sunday.
The 74-year-old is recognized by media analysts the world over who link her appearance with major announcements. She has been the first to announce major deaths in the leadership of the country as well as news of military successes.
According to a translated interview by Reuters, she is known as “the people’s broadcaster” and was once an actor.
She first appeared on TV in 1971 and has been going strong ever since, The Independent reported.
Her appearance on Sunday sparked a flurry of posts on Twitter.
Ri Chun-Hee, 70, a veteran newsreader in North Korea. Would absolutely love to shadow her for a few days to see what her job is like! pic.twitter.com/sTnhFMkO7X
North Korean expert Victor Cha told Mashable that her return to the news should be taken as a sign of the country’s intentions.
“The fact that they brought her back is a sign of the regime’s desire to return to the hard-line Cold War-era ideology of the leader’s grandfather. It’s no accident that they bring her out.”
Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape
The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences
Updated 15 January 2026
Sherouk Zakaria
DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”
That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.
Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.
Hatem Alakeel is a Saudi fashion designer. (Supplied)
“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.
Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.
The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”
Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”
The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.
Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.
What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.
“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.
“So, it’s an evolution and it’s another home for all our content and our community.”
Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”
Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.
What began as a personal design mission would soon expand into a broader platform to champion Saudi talent.
“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.
“Art is such a great way of learning about a culture and a country,” he said.
On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.
Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.
He envisions the platform growing into a long-term cultural record.
“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.