Paris’s urban rooftop hives hope to preserve honeybees

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French beekeeper Audric de Campeau as he checks beehives set on the roof of the Monnaie de Paris in Paris, with Notre-Dame Cathedral in the background. To check the beehives he has set up on the roof of the sprawling Monnaie de Paris on the banks of the River Seine, Audric de Campeau slips on a harness over tan-coloured trousers. (AFP)
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Bees fly next to beehives set up by French beekeeper Audric de Campeau on the roof the Monnaie de Paris on July 16, 2017 in Paris as the Notre-Dame Cathedral is pictured in the background. (AFP)
Updated 04 August 2017
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Paris’s urban rooftop hives hope to preserve honeybees

PARIS: To check the beehives he has set up on the roof of the sprawling Monnaie de Paris on the banks of the River Seine, Audric de Campeau slips on a harness over tan-colored trousers.
The beekeeper then hooks his leg harness to a metal cable anchored to the roof’s edge, running the length of the entire structure.
“It’s not dangerous, but my insurance insists on it,” he says.
Elegantly dressed in a tweed jacket, pink shirt and straw hat customised with a protective net, he steps carefully between the rafters to reach the three beehives he set on the flat side of the roof.
From there, the 34-year-old will head to the roof of the neighboring Institut de France, another historic building with a majestic domed center.
He will don the same leg harness on the rooftop of the Boucheron fine jewelry boutique overlooking the Place Vendome square, on the other side of the Seine, before making his way to his three beehives.
In the distance, the Eiffel Tower rises far above the slanted Parisian rooftops.
“I’m lucky, my office is in the sky,” he says, smiling, adding that he does have “to climb a lot of stairs.”
De Campeau is an urban beekeeper, and his beehives sit atop monuments and office buildings and on rooftop terraces.
The French capital boasts more than 700 beehives, according to 2015 figures, most located on rooftops such as those of the haute cuisine Tour d’Argent restaurant, the Grand Palais and the Musee d’Orsay.
More and more companies, including AFP, are also adding beehives to the tops of their office buildings.
Beehives have long sat on the roof of the Paris Opera, and the Luxembourg Gardens has had beehives since 1856.

Urban rooftops are one of the ways the city is fighting against the “worrying” decline in the bee population, a trend France recognized early on despite its elevated use of pesticides.
The country is one of Europe’s leading users of pesticides.
The more pesticides are used, the more pests develop resistance to them, which leads to even more intensive use of pesticides.
Bees around the world — especially in Europe and North America — have been decimated in recent years by a mysterious blight called “colony collapse disorder,” in which entire populations disappear or die out.
Research has pointed an accusing finger at agricultural pesticides, viruses, fungi, parasites, poor weather, malnutrition because of fewer flowers — or some combination of the above.
According to the EU economic and social advisory committee (EESC), “nearly half of wild bee species have disappeared in just 30 years.”
But more than just the survival of the bees is at stake.
Scientists have calculated that 1.4 billion jobs, and three-quarters of crops, depend on pollinators, mainly bees.
All told, there are some 20,000 bee species that fertilize more than 90 percent of the world’s 107 major crops.
At the same time, the United Nations estimates that 40 percent of invertebrate pollinators — mostly bees and butterflies — are at risk of extinction.
In an effort to defend the bee, the northern French city of Lille began providing pesticide-free environments in 2007.
The southern city of Montpellier soon followed by installing beehives on the roofs of many high schools.
Though experts say it may not solve the problem, Lille’s environmental services said 80 species of wild bees that had disappeared from the area have returned since beginning the program.

De Campeau sees his mission as two-fold: take care of the health of his bees while also producing what he calls “liquid gold” for his company, “Le Miel de Paris” (Paris Honey).
Depending on the agreement he has with building owners, either he sells the honey or they use it. At the Monnaie de Paris, chef Guy Savoy uses de Campeau’s honey in his restaurant desserts.
He sells his homemade honey in 200ml bottles for 34.90 euros ($41).
As well as honey, de Campeau also makes mead — an ancient alcoholic honey-based drink — in oak barrels once used for wine or sherry that are stored in a secret cellar 30 meters (100 feet) underground.
For a man who spent his youth illegally exploring the underground Catacombs of Paris, de Campeau feels right at home.
“Stable temperature, high humidity, perfect to prevent evaporation, and zero vibration,” de Campeau said, adding that these factors are essential for raising a blend “worthy of a great vintage.”


‘Goodbye Julia’ wins big at Critics Awards for Arab Films in Cannes

Updated 19 May 2024
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‘Goodbye Julia’ wins big at Critics Awards for Arab Films in Cannes

DUBAI: Sudanese first-time director Mohamed Kordofani’s “Goodbye Julia” won the best feature film and best screenplay awards at the eighth Critics Awards for Arab Films that took place on the sidelines of the Cannes Film Festival on Saturday.

French-Tunisian composer Amin Bouhafa, who worked on “Hajjan,” won the best music award for the Saudi Arabia-based film. 

Tunisian director Kaouther Ben Hania’s hybrid docudrama “Four Daughters,” which missed out on the Best Documentary win at this year’s Academy Awards, scored three prizes: Best director for Ben Hania, best documentary and best editing.

Amjad Al-Rasheed’s “Inshallah a Boy” picked up the best actress prize for Palestinian star Mouna Hawa and best cinematography for Kanamé Onoyama.

Palestinian actor Saleh Bakri nabbed the best actor prize for his role in “The Teacher” while Egyptian filmmaker Morad Mostafa’s “I Promise You Paradise” came out on top in the best short film category.

The awards ceremony is organized by the Cairo-based Arab Cinema Centre (ACC) and winners are voted on by 225 critics from more than 70 countries.  


Saudi Arabia’s RSIFF hosts ‘Women in Cinema’ gala in Cannes

Updated 19 May 2024
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Saudi Arabia’s RSIFF hosts ‘Women in Cinema’ gala in Cannes

  • Rosie Huntington Whitley, Richard Gere, Minnie Driver, Alexa Chung, Uma Thurman and Eiza González attended the event, among other international celebrities

DUBAI: Saudi Arabia’s Red Sea International Film Festival (RSIFF) hosted the “Women in Cinema” Gala in partnership with Vanity Fair Europe in Cannes on Saturday, attracting celebrities from across the world.

Richard Gere poses with Mohammed Al-Turki. (Ammar Abd Rabbo)

The glitzy gala dinner took place after RSIFF presented the “Women in Cinema” panel discussion during the Variety Global Conversations event earlier in the day.

The panel featured Egyptian actress and model Salma Abu Deif, Indian actress Kiara Advani,  Thai actress, model and singer Sarocha Chankimha (also known as Freen), Saudi actress Adhwa Fahad, Saudi singer and actress Aseel Omran, and French-Senegalese director Ramata Toulaye-Sy. The talents spoke about their early beginnings, their career breakthroughs and their sources of inspiration during the panel talk.

Aseel Omran pictured at the event. (Ammar Abd Rabbo)

Those stars and many more attended the evening’s festivities at the iconic Hotel Du Cap.

“The Ministry of Ungentlemanly Warfare” actress Eiza González, model Ikram Abdi, supermodel Naomi Campbell and actress Dorra Zarrouk were among the star-studded guest list.

Rosie Huntington Whitley, Richard Gere, Minnie Driver, Raya Abirashed, Alexa Chung, Wallis Day, Lucas Bravo and Uma Thurman also attended the event. 

Yousra attended the event in Cannes. (Ammar Abd Rabbo)

“The Red Sea International Film Festival (#RedSeaIFF) and Vanity Fair Europe reunited to host the #WomenInCinema Gala, championing the achievements of rising female talent on both sides of the camera who are reshaping the film industry in Saudi Arabia, Africa, Asia and the Arab world,” the Red Sea Film Foundation posted on Instagram.

Saudi Arabia is playing a key role at the 77th edition of the Cannes Film Festival, having supported four projects that are screening at the event.

Eva Longoria and Eiza González snap a selfie. (Ammar Abd Rabbo)

“Norah,” “The Brink of Dreams,” “To A Land Unknown” and “Animale” will screen as part of the Un Certain Regard, Directors’ Fortnight and Critic’s Week programs at Cannes. The Red Sea Film Foundation supported the projects through the Red Sea Fund and the Red Sea Souk.

RSIFF CEO Mohammed Al-Turki has been spotted on multiple red carpets throughout the event so far and walked the opening night’s red carpet alongside Jomana Al-Rashid, CEO of the Saudi Research and Media Group.

 


Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

Updated 19 May 2024
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Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

RED SEA: Moroccan label EAU made history when it kicked off the second set of Red Sea Fashion Week shows on Friday, marking the first time swimwear has featured on a Saudi runway.

With the glistening St. Regis pool and swaying palm trees as a backdrop, the second RSFW began by highlighting one of summer’s essential pieces.

EAU. (Supplied)

The collection featured simple swimwear that ranged from one-pieces with deep V-cuts and off-shoulder motifs to bandeau tops and various sarongs. Royal blues, mustard yellows, hunter greens and maroon reds dominated the collection, setting a rather curious, but not unwelcome, fall palette for the upcoming summer season.

Some of the sleek looks were coupled with silky headwear and sophisticated handbags, including woven baskets dotted with rhinestones, straw beach bags, and fringe clutches.

Sarah Altwaim. (Supplied)

More fashion flowed as the Red Sea glowed. Sara Altwaim brought her silhouettes to the poolside runway. The collection kicked off with a number of white flowing lace and chiffon dresses, each catching the eye with individual flair, subtle beaded pearls, layered cuts or mix of fabrics.

Altwaim introduced an underwater-inspired chiffon fabric featuring sketches of seabed creatures, such as fish, shrimp, and crab, that made its way into a variety of ensembles.

 

 

Heavily-layered pearl neck pieces, sarong-like skirts, bejeweled fishnets, metallic fabrics, and flowing garments also drew their inspiration from marine life.

Saudi designer Yasmina Q introduced loungewear to the mix, ending the shows with a collection of knitted rib dresses in mint greens, seafoam blues, bright yellows, corals, and more.

 

 

The signature silhouette featured flared sleeves and a fitted waist that flowed into an A-line shape, while some of the pieces were also sleeveless for a more daytime summer look. Her collection, styled with summery bucket hats and sunglasses, also showcased an array of loungewear, from ribbed bottoms to simple fitted tops, fitted ribbed button-downs, kimono tops, and loose sweaters.


Tina Kunakey fronts Amina Muaddi’s latest campaign

Updated 18 May 2024
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Tina Kunakey fronts Amina Muaddi’s latest campaign

DUBAI: French model Tina Kunakey this week starred in Romanian Jordanian footwear designer Amina Muaddi’s latest summer-inspired campaign.

Kunakey, who has Moroccan origins, showcased Muaddi’s new BRITO slipper, a single block of plexiglass carved into the designer’s signature flared heel.

The handcrafted square-toed heels, made in Italy, come in hues of orange, purple, blue, pink, black and transparent.

The model shared pictures of the campaign on Instagram. (Instagram)

This marks Kunakey’s third collaboration with Muaddi. The model shared her thoughts on Instagram about working with the part-Arab designer once again.

“My admiration for you only deepens,” Kunakey wrote, sharing a picture of herself in the pool for the shoot.

“Season after season, each new campaign your talent shines brighter. You continuously push boundaries, and your commitment to excellence is as inspiring as it is contagious,” she added. “I couldn’t be prouder to be part of this journey and am so grateful to share this path with you, not just as your model, but as your friend.

“Thank you for trusting me since the very beginning. I love you. I am so proud of you and I am excited, and so full of love for what you’ve built and what’s to come.”

In addition to her collection of shoes, Muaddi’s jewelry and bag lines are also gaining acclaim among her celebrity clientele. The shoemaker’s label has garnered a loyal list of famous fans, including Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber Baldwin.

Muaddi launched her eponymous footwear line in August 2018, about one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye.

The creator also helped design the shoes for Rihanna’s Fenty collection. The collaboration received the Collaborator of the Year award at the 34th edition of the FN Achievement Awards in 2020.

A year later, she landed a spot on Women’s Wear Daily and Footwear News’ 50 Most Powerful Women list.

Her jewelry collection encompasses rings, earrings and bangles, while her handbag range includes a variety of styles, from sleek clutches with striking embellishments to bold totes and crossbody bags.

Some of the bags are embellished with sparkling crystals or intricate sequins, while others are made from satin or leather and feature metallic finishes. The color palette includes classic cream, brown, black, red and silver.


Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

Updated 18 May 2024
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Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

DUBAI: The Biennale of Sydney announced this week that Emirati creative Hoor Al-Qasimi will become its artistic director for 2026.

The 25th edition of the biennale will run from March 7 to June 8.

Since its inception in 1973, the biennale has grown to become one of the longest-running exhibitions of its kind and was the first biennale established in the Asia-Pacific region.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by IBA (@biennialassociation)

Al-Qasimi created the Sharjah Art Foundation in 2009 and is currently its president and director. Throughout her career, she acquired extensive experience in curating international biennials, including the second Lahore Biennale in 2020 and the UAE Pavilion at the 56th Venice Biennale in 2015.

In 2003, she co-curated the sixth edition of Sharjah Biennial and has remained the director of the event since.

Al-Qasimi has been president of the International Biennial Association since 2017 and is also president of the Africa Institute. She has previously served as a board member for MoMA PS1 in New York and the UCCA Center for Contemporary Art in Beijing, among other roles.

She is also the artistic director of the sixth Aichi Triennale, scheduled to take place in Japan in 2025.