Netflix subscribers hit 100m, but Mideast viewers slow to tune in

Updated 26 July 2017
Follow

Netflix subscribers hit 100m, but Mideast viewers slow to tune in

LONDON: Earlier this year Netflix soared past the 100-million-subscriber mark, prompting Chief Executive Reed Hastings to celebrate with a Denny’s steak dinner, as he did when the streaming service surpassed 1 million users.
Growth has outstripped expectations this year, boosting the company’s market cap to $81 billion, seeing its share price rise from $158 to almost $190 in the past month.
But while Hastings may be dining out on growth figures worldwide, he may be less taken with numbers being served in the Middle East.
According to estimates by analytics firm IHS Markit, at the end of 2016 Netflix had just 137,000 subscribers across the Middle East and North Africa (MENA).
IHS Markit estimates that will tick up to 1.29 million by the end of 2021. Its forecasts are created by combining subscriber numbers from Netflix with their own in-house models, resulting in estimated subscriber numbers by country and region. Netflix was asked to comment on these estimates but declined to reply.
According to analysts, Netflix — makers of the popular series “House of Cards” and “Orange is the New Black” — faces multiple headwinds in growing its user base in MENA.
Issues include pirated content and the popularity of free-to-air content, but the growth potential is strong.
“Piracy and the offering of quality content for free have already played their role in keeping pay TV in MENA very low. Around 10 percent of TV households in MENA subscribe to pay TV,” IHS Markit analyst Max Signorelli told Arab News.
“These factors are definitely impacting upon the growth of services like Netflix. However, IHS Markit has noticed that in the last few years an ever-increasing portion of premium content is moving under a paywall. Operators like OSN and beIN Media... are investing heavily in acquiring and licensing premium content. So definitely there are challenges, but also the MENA region has a high potential for growth for SVoD (subscription video on demand) services.”
Hurdles to Netflix cornering MENA also include other Over The Top (OTT) services — internet-specific entertainment providers — already vying for market share, including Starz Play Arabia, icflix, Shahid Plus and Seevii.
“There are other OTT players that are working hard in the region. Starz Play recently announced another round of funding, taking it up to $125 million. Iflix… has a deal in place with Zain, so it’s present in quite a significant way in the GCC (Gulf Cooperation Council) markets,” Nick Grande, managing director of Dubai-based TV consultancy ChannelSculptor, told Arab News.
Grande added that these regional OTT players are already taking on the challenge of low pay-TV take-up, while confronting the region-specific problem of limited credit card use.
“A credit card is the most straightforward way to subscribe to an OTT service, but credit card penetration in the region is very low, especially outside the UAE and Qatar,” he said.
Internet infrastructure is also noted as a potential barrier to OTT expansion across MENA, with streaming speeds being fast in most GCC countries, but less so elsewhere.
Hassan Ghoul, a broadcast industry veteran and regional director of IABM, the international trade association for suppliers of broadcast and media technology, told Arab News: “Average connection speeds vary across the MENA countries. Broadband speed isn’t the same everywhere. The UAE has strong infrastructure to give a good connection speed to allow services like Netflix (to flourish).”
Internet speed differences mean that while watching streaming content in Dubai is easy — with the UAE boasting the second-highest fiber broadband penetration globally — it is less easy in Lebanon.
Ghoul said while it is still possible to watch streaming content in the Levant, the quality is likely to be affected by infrastructure limitations.
The big lure for many subscribers to Netflix worldwide is its content, and the deep-pocketed company has a $6 billion content budget in 2017.
A big question is whether any of that will be spent in the Middle East on Arabic-language shows to boost subscriber numbers.
“Pay-TV operators that have invested in acquiring and producing local content (such as OSN) have seen a huge increase in viewership for this particular content from their subscribers. Netflix has no option but to invest in local content in the region,” said Signorelli.
“Considering the scalability potential of Arabic content, we expect that Netflix will eventually roll out content-investment plans for the region.”
Grande agrees but says Netflix likes to make universally appealing shows “that will sell in South America, in the US, in France… like they achieved with ‘Narcos.’”
All expectations are that Netflix will invest in Arabic content at some point, with Hastings telling Campaign Middle East in April that the region is a “great market” and “there is strong interest in Internet video of all sorts.”
The TV market in MENA is forecast to grow by 30 percent from 2016 to 2021, according to a report by digital economy think tank IDATE.
AT Kearney predicts that the Middle East’s OTT sector could grow to $1.06 billion by 2020 were it to gain mass-market acceptance.
That would represent 25 percent of total TV revenue in the region, on par with the American TV market.

This article was updated on July 26, 2017. In an earlier version of the article, a quote made reference to a deal between Icflix and Zain. In fact, the interviewee was referring to Iflix, another company. This change has been reflected in the text above. Another quote was clarified to indicate that credit card use is low in the region outside the UAE and Qatar.


Arab News wins 7 prizes at European Newspaper Awards, led by 50th anniversary coverage

Updated 27 February 2026
Follow

Arab News wins 7 prizes at European Newspaper Awards, led by 50th anniversary coverage

  • Anniversary special coverage and film won four Awards of Excellence across multiple categories

LONDON: Arab News won seven prizes at the 27th European Newspaper Awards — four for its 50th anniversary coverage and three for other projects — bringing its total to 160 awards since the 2018 relaunch.

The anniversary coverage earned an Award of Excellence in “Supplement for special occasions and anniversary editions,” plus wins in “Multimedia storytelling” for its special web section and two in “Film” and “Animated films” for its documentary.

Additional honors went to the “Spotlight — 2024 in Review” and “Opinion — 2024” print series in the “Sectional front pages nationwide newspaper” category, and a “Visualization” prize for an image from “Opinion — 2024.”

Launched in 1999 by organizer Norbert Kupper, the awards celebrate print and digital innovation. This year’s contest drew newspapers from 22 countries and more than 3,000 entries across 20 categories, despite fewer print submissions due to rising editorial collaborations.

“It’s testament to the skill, versatility and collaboration between the creative and editorial teams at Arab News that the seven awards at this year’s ENAs spanned print, digital and film categories,” commented Omar Nashashibi, head of creative design at Arab News. “These wouldn’t be possible without the world-class contributors we partner with, and the leadership, vision and support of Editor-In-Chief Faisal J. Abbas.”

Creative Director Simon Khalil called the film wins especially meaningful. “This recognition means a great deal because this film was never just about marking an anniversary, it was about capturing a defining moment in the evolution of Arab News and the region it represents.

“Telling the story, and drama of the 2018 relaunch, the digital transformation, and the courage to become ‘The Voice of a Changing Region’ was both a responsibility and a privilege.”

Past highlights include the “King Charles III Coronation” special coverage, “Kingdom vs. Captagon” investigation and FIFA Qatar World Cup 2022 special edition.

See more award-winning projects at arabnews.com/greatesthits.