DUBAI: A team of archaeologists in Turkey have discovered what could be the world’s oldest emoji on a pitcher in the ancient city of Karkamış located along the border with Syria.
Nikolo Marchetti, a professor from Italy’s Bologna University, told Turkey’s state-run Anadolu Agency that Karkamış dates back to 2,000 B.C.
During the excavations, carried out by a joint Italian-Turkish team, researchers uncovered various vases and pots in the necropolis site.
“One of the most interesting findings of this season was a pitcher with a smiley emoji on it. This pitcher, which traced back to 1,700 B.C., was used to drink sherbet, a sweet drink. We have probably found the oldest smiley emoji. We do not know with which purpose the craftsmen drew this symbol on the pitcher but we call it a smile,” Marchetti said told Anadolu Agency this week.
The pitcher will be sent to the Gaziantep Museum of Archaeology, he said.
The Karkamış Ancient City Archaeological Park is set to reopen after a seven-year excavation period on May 12, 2018, Turkish Culture and Tourism Minister Nabi Avcı said in July.
World’s oldest emoji? Smiley face found on ancient pot in Turkey
World’s oldest emoji? Smiley face found on ancient pot in Turkey
The difference between European and Gulf weddings — from a photographer’s point of view
DUBAI: From her early career in northeast France to working across the Gulf and Europe, wedding photographer Maddy Christina has observed many contrasts between such events in different parts of the world.
Her early years as a photographer were defined by variety; she worked across fashion, family portraits and weddings simultaneously before recognizing how wedding photography brings multiple genres together in a single day.
“I actually fell into weddings by accident,” Christina told Arab News. “It blends every discipline at once — fashion for the couple session, sports for the reception, documentary work throughout the day, still life with details and jewelry.”
Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session: “I instantly connected with the energy of the city,” she said.
A few years later, a wedding in Kuwait marked the start of her long-term relationship with the region.
Now working extensively across the Gulf Cooperation Council, Christina said weddings in the region required a shift in both perspective and technique.
“Working across the GCC has opened my mind in ways I didn’t expect,” she said, adding it felt like “resetting everything I thought I knew about weddings” — particularly compared to her experience in Europe.
She said there were clear distinctions between the two regions. “European weddings tend to be more demonstrative and expressive, while brides in the Gulf often place a deeper emphasis on tradition, family bonds and a sense of ceremony,” she said. “The emotional language is different, yet equally beautiful.”
From a technical standpoint, the contrast is just as pronounced: “In the south of France, I was used to shooting outdoors at sunset with couples already comfortable in front of the camera. Here, I often find myself in much smaller spaces, with no windows, artificial light and couples who may be more reserved.”
She added that adapting to these conditions pushed her to explore new ways of shaping light and expanded her creative approach.
While Christina is drawn to candid moments, like “guests laughing together, old friends reconnecting, a fleeting emotion passing across someone’s face,” posed pictures remain central to her work.
For Christina, the most meaningful aspect extends beyond the wedding day itself.
“It’s not the decor that makes a wedding unforgettable for me,” she said. “It’s the connection I build with the bride. That long-term bond is what feels truly magical.”
