PARIS: The French artist who spent a week entombed inside a rock began an even more bizarre feat Wednesday — sitting on a dozen eggs until they hatch.
Abraham Poincheval aims to become a “human hen” by sitting and laying on the eggs inside a glass vitrine at a Paris modern art museum until the chicks emerge.
The performance, called “Egg,” could last three to four weeks, with the artist getting only a half-hour break every 24 hours to keep him from cracking.
He is also on a special diet rich in ginger so he can keep the eggs at a minimum of 37 degrees Celsius (98.6 degrees Fahrenheit).
Poincheval, 44, made headlines earlier this month after declaring his seven days inside a rock a mind-altering “trip.”
This time, however, he looked distinctly ill at ease as he stepped into the vitrine in the Palais de Tokyo museum in his socks.
He quickly wrapped himself in a heavy traditional Korean cape and sat on a “laying table” specially designed to stop him from accidentally crushing the eggs.
While Poincheval described his time inside the limestone rock as blissful, he acknowledged that sitting on the eggs for such a long time had him worried.
“I have never been so directly exposed to the public before. Usually I am inside something. But every performance is a first,” he told AFP.
His father Christian acknowledged that it was a test of his mental strength, with the usually amiable Poincheval avoiding eye contact with the crowds gathered around the glass case.
“He is going into himself,” his father said, describing the experience of observing his son through the vitrine as “like watching him on TV.”
He revealed that when Poincheval was a child he had a pet chicken, and promised that any “hen-men and hen-women” his son brings into the world will be allowed to live out their natural lives on his smallholding in the west of France.
“I have prepared everything to welcome the chicks including a luxury chicken coop. I can assure you that they will never be the centerpiece of a grand feast,” said Christian Poincheval, an inventor best known for pills that make flatulence smell of roses and even chocolate.
He saw the performance as a meditation on “the cycles of life. The cycle from egg to chick takes roughly 21 to 26 days, which correspondents almost to a woman’s (menstrual) cycle.”
His son had said earlier that he was inspired by a tragicomic short story by the French writer Guy de Maupassant.
In “Toine,” a bad-tempered farmer’s wife gets revenge on her idle bon vivant husband by using his body to keep her chickens’ eggs warm when he is paralyzed by a mysterious malady.
“Being inside the rock didn’t bother me at all,” he added.
“Normally there is a moment when your anxiety mounts, but with the rock that didn’t happen. I was almost anxious about not being anxious,” he said.
After talking to geologists, he put that down to the “extreme calmness” of the limestone.
“I learned it had been laid down gently, layer by layer, over thousands of years, and had never been tormented.”
Even though the rock is also egg-shaped, Poincheval said the two performances were not directly linked.
When he emerged from the rock, however, Chinese students told him the story of Sun Wukong, the Monkey King who was born from a stone egg.
Often described as France’s most extreme artist, Poincheval is no stranger to bizarre performances.
He once spent a fortnight inside a stuffed bear eating worms and insects; was buried under a rock for eight days; and navigated France’s Rhone river inside a giant corked bottle.
He also spent a week last year on top of a 20-meter (65-foot) pole outside a Paris train station.
His big dream, however, is to walk on the clouds.
“I have been working on it for five years, but it is not quite there yet,” he said.
French ‘human hen’ artist has a crack at hatching eggs
French ‘human hen’ artist has a crack at hatching eggs
Ilia Malinin hints at ‘inevitable crash’ amid Olympic pressure and online hate in social media post
- He says Olympic pressure and online hate have weighed on him. He described negative thoughts and past trauma flooding in during his skate
- He later congratulated the surprise champion, Mikhail Shaidorov of Kazakhstan
MILAN: Ilia Malinin posted a video on social media Monday juxtaposing images of his many triumphs with a black-and-white image of the US figure skater with his head buried in his hands, and a caption hinting at an “inevitable crash” amid the pressure of the Olympics while teasing that a “version of the story” is coming on Saturday.
That is when Malinin is expected to skate in the traditional exhibition gala to wrap up the Olympic figure skating program.
Malinin, who helped the US clinch the team gold medal early in the Winter Games, was the heavy favorite to add another gold in the individual event. But he fell twice and struggled throughout his free skate on Friday, ending up in eighth.
He acknowledged afterward that the pressure of the Olympics had worn him down, saying: “I didn’t really know how to handle it.”
Malinin alluded again to the weight he felt while competing in Milan in the caption to his social media video.
“On the world’s biggest stage, those who appear the strongest may still be fighting invisible battles on the inside,” wrote the 21-year-old Malinin. “Even your happiest memories can end up tainted by the noise. Vile online hatred attacks the mind and fear lures it into the darkness, no matter how hard you try to stay sane through the endless insurmountable pressure. It all builds up as these moments flash before your eyes, resulting in an inevitable crash.”
Malinin, who is expected to chase a third consecutive world title next month in Prague, had been unbeaten in 14 events over more than two years. Yet while Malinin always seemed to exude a preternatural calm that belied his age, the son of Olympic skaters Tatiana Malinina and Roman Skorniakov had admitted early in the Winter Games that he was feeling the pressure.
The first time came after an uneven short program in the team event, when he finished behind Yuma Kagiyama of Japan — the eventual individual silver medalist. Malinin referenced the strain of the Olympics again after the Americans had won the team gold medal.
But he seemed to be the loose, confident Malinin that his fans had come to know after winning the individual short program. He even playfully faked that he was about to do a risky backflip on the carpeted runway during his free skate introduction.
The program got off to a good start with a quad lutz, but the problems began when he bailed out of his quad axel. He ended up falling twice later in the program, and the resulting score was his worst since the US International Classic in September 2022.
Malinin was magnanimous afterward, hugging and congratulating surprise gold medalist Mikhail Shaidorov of Kazakhstan. He then answered a barrage of questions from reporters with poise and maturity that few would have had in such a situation.
“The nerves just went, so overwhelming,” he said, “and especially going into that starting pose, I just felt like all the traumatic moments of my life really just started flooding my head. So many negative thoughts that flooded into there and I could not handle it.”
“All I know is that it wasn’t my best skate,” Malinin added later, “and it was definitely something I wasn’t expecting. And it’s done, so I can’t go back and change it, even though I would love to.”











