RIYADH: Riyadh Metro is an impressive project, which will change the lifestyle of the people in the city, said EU Commissioner Violetta Bulc.
Bulc’s comments followed her tour of the ongoing SR85 billion ($22.5 billion) project in Riyadh.
She earlier inaugurated the second EU-GCC Business Forum, PPP and Infrastructure Investment Opportunities in the GCC in Riyadh.
“The deadlines are very demanding, but so far they’re following the deadlines well,” she told the media on the sidelines of the forum.
“As far as I could tell ... it’s moving well,” she said.
Describing the metro as the largest investment project in the field of transport in Saudi Arabia, Bulc said that she was happy to note that those involved in the project are using state-of-the art equipment and services for the convenience of commuters.
Bulc said she understood the completion date to be 2019, and described the metro as “the biggest global project in urban mobility.”
The metro, the biggest infrastructure project in the history of Riyadh, is an urban rail and bus system, and the project is on track, Pietro Bagnati, project director for the Italian construction group Salini Impregilo, separately told AFP.
“The project is going on satisfactorily. It is a priority project for the government,” Bagnati said on the sidelines of the forum.
His firm leads the ArRiyadh New Mobility consortium, one of three foreign groups building the six-line Metro project planned to cover 179km of the sprawling city.
The underground and elevated rail network is to be supported by a bus system.
New Mobility’s portion of the project — the Line 3 railway — covers 42 kilometers.
During her opening address at the press briefing, the EU commissioner said that the purpose of her mission is to focus on a new investment plan with Saudi Arabia and other GCC countries, which took 18 months of preparation by the EU.
The commissioner addressed the media following a meeting with EU ambassadors in Riyadh.
Commending Saudi Vision 2030, she said it is an integrated action plan, which covers the implementation of a vast range of projects with the participation of local businessmen.
Bulc also said that she was touched by the hospitality of the people, who were cooperating with free and frank discussions.
Her talks with government officials focused on transport — railways and aviation — and digitization of these projects.
She added that other areas, including research and innovation in transport projects and urban mobility, crowd congestion and pollution, were also taken up during the talks.
In the field of aviation, she said it was agreed to sign trade agreements between the two parties.
Bulc said she had the opportunity of meeting a group of local women and praised the tremendous improvements in their lifestyle.
Bulc said that the literacy rate among women has greatly improved and she was happy to see a large number of women graduates completing their respective degrees at local and foreign universities.
Riyadh Metro will reshape Saudi capital, says EU commissioner
Riyadh Metro will reshape Saudi capital, says EU commissioner
Saudi Arabia witnessing comprehensive cultural development, says expert
- Clotilde Entrecanales of Acciona hails pace of change in Kingdom
JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.
Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.
She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.
She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”
Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”
She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”
Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.
“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”
Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”
She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”
Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.
She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”
Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.
She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”
She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”
About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”
Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”
