Hundreds of people visited the “Saudi Archaeological Masterpieces Through The Ages” exhibition that was opened for the public at the Smithsonian’s Sackler Museum in Washington D.C. Saturday night. The Saudi Commission for Tourism and Antiquities (SCTA) also organized in collaboration with the Sackler Museum a variety of cultural events on the sidelines of the heritage exhibition.
SCTA chief Prince Sultan bin Salman formally opened the three-month event on Thursday.
An attractive event particularly liked by children was the Arabian story telling especially from the Arabian Nights. Another impressive cultural program was called “the Family Day.’
In a seminar on the cultural heritage of the Kingdom, participating research students shed light on the cultural and trade relations the Arabian Peninsula had with other regions in the world thanks to the caravan routes that used to meet in ancient Arab cities.
Visitors toured around exotically arranged pavilions and listened to the explanation of each item particularly about the rock inscriptions, wall paintings and utensils dating back to thousands of years.
Excited visitors also formed long lines at the calligraphy section to get their names written in various calligraphic styles.
Visitors were also treated to qahwa and dates in the ancient Arabia style. They also viewed the traditional style of coffee preparation.
The rare artifacts showcased at the exhibition are taken from the National Museum in Riyadh, King Saud University Museum, King Fahd National Library, King Faisal Center for Research and Islamic Studies, King Abdul Aziz Library in Madinah.
Saudi archaeology expo draws big crowd
Saudi archaeology expo draws big crowd
Saja Kilani shines at BAFTAs 2026
DUBAI: Palestinian-Jordanian-Canadian actress Saja Kilani, one of the stars of “The Voice of Hind Rajab,” stepped onto the BAFTA Film Awards 2026 red carpet in a sculptural look from Bottega Veneta’s Spring 2026 collection.
Nominated for Best Film Not in the English Language, Kaouther Ben Hania’s “Voice of Hind Rajab” tells the story of Hind Rajab Hamada, who was fleeing the Israeli military in Gaza City with six relatives last year when their car came under fire.
The sole survivor of the Israeli attack, who was then shot and killed, her desperate calls recorded with the Red Crescent rescue service caused international outrage.
Kilani plays Rana Faqih, the real-life Palestine Red Crescent Society volunteer who spoke to Hamada in the final hours of her life as she waited, surrounded by the bodies of her family, for help to come.
Meanwhile, politically charged thriller “One Battle After Another” won six prizes, including Best Picture, at the British Academy Film Awards on Sunday, building momentum ahead of Hollywood’s Academy Awards next month.
Blues-steeped vampire epic “Sinners” and gothic horror story “Frankenstein” won three awards each, while Shakespearean family tragedy “Hamnet” won two, including Best British Film.
“One Battle After Another,” Paul Thomas Anderson’s explosive film about a group of revolutionaries in chaotic conflict with the state, won awards for directing, adapted screenplay, cinematography and editing, as well as for Sean Penn’s supporting performance as an obsessed military officer.
“This is very overwhelming and wonderful,” Anderson said as he accepted the directing prize. He paid tribute to his longstanding assistant director, Adam Somner, who died of cancer in November 2024, a few weeks into production.
“We have a line from Nina Simone that we used in our film, ‘I know what freedom is: It’s no fear,’” the director said. “Let’s keep making things without fear. It’s a good idea.”
Bookies’ favorite Jessie Buckley won the Best Actress prize for her portrayal of grieving mother Agnes Hathaway, wife of William Shakespeare, in “Hamnet.” Buckley, 36, is the first Irish performer to win the Best Actress prize at the awards.
She dedicated her award “to the women past, present and future who taught me and continue to teach me how to do it differently.”
Horror film “Sinners” took home trophies for director Ryan Coogler’s original screenplay, the film’s musical score and for Wunmi Mosaku’s supporting actress performance as herbalist and healer Annie.
The British-Nigerian actor said that in the role she found “a part of my hopes, my ancestral power and my connection, parts I thought I had lost or tried to dim as an immigrant trying to fit in.”
