A new video clip released on the first day of Eid by “The Artist of Arabs” Mohammed Abdu has disappointed his fans, who say the song, in which the singer is wearing a Western attire and includes dance scenes, does not suit his grand status and age.
The song is called ‘Wahda be Wahda,’ Arabic for ‘one for one,’ and is directed by Kuwaiti director Yaqoub Al-Muhanna. Abdu’s fans criticized his new video on social media platforms, where they vented their embarrassment. Many of them say the Saudi singer did a huge mistake by agreeing to do the video because it was more suitable for a young singer and not for an legend of the Arab world.
“When I first saw it I thought it was a prank because Mohammed Abdu is always singing the national anthem and the lyrics for his songs are usually written by Saudi royalty,” tweeted Amal Al-Qahtani.
“Imagine the late opera singer Pavarotti appearing in a video clip for Snoop Dogg. This action doesn’t suit giants, because every artist has his own style, which he built over the years. The video clip it is a setback, not an evolution,” said Raja Sayer Al-Mutairi, editor of the entertainment page in Al-Riyadh daily newspaper.
“This video clip is acceptable from a younger singer like Lebanese singer Meriam Fares or Egyptian singer Saad Elsoghayar because it is more of their style but Mohammad Abdo has never filmed anything like that during his long singing career. I find the Kuwaiti director, Yaqoub Al-Muhanna, quite daring to film this kind of a song. I hold Yaaqoub responsible for distorting the image of Mohammed Abdu, for he chose a style that doesn’t suit the age of the artist and his status, not to mention the fact that the filming isn’t compatible with the lyrics of the song. I don’t know why he chose to film the video clip in a club when the song is all about a man addressing his beloved,” he said.
Another tweep Ammar Ashour said Abdu ruined his reputation with the amateur video clip. “I don’t know what he was thinking and what he was trying to proof. He is already a legend and he does not need improvement. He lost many fans because of this song,” he said.
The director should have studied the audience before working on the clip, said tweep Najlaa Al-Mutairi.
“When working with a legend such as Mohammed Abdu, one should always do their homework and know who they are dealing with,” she said. “Now I’m sure Al-Muhanna’s market value has gone down and many artists are going to refuse to work with him after he ruined Abdu’s reputation,” she added.
Journalist Salah Makhareesh tweeted: “The idea of filming a video clip doesn’t suit the artistic history of this legend; I wish he didn’t broadcast the whole thing.”
Fahad Zaidan, art editor in Al-Madinah daily, said: “Mohammad Abdu surprised everyone with this clip that doesn’t go with his status. He made a big mistake and distorted his reputation. He would have deplored other singers if they did the same. It will be best for Abdu to quit singing and maintain his dignity, because staying will stain his reputation even more.”
Managing editor of Al-Nadi newspaper Naeem Tamem Al-Hakim said that Arab artistic and music history is replete with emotional and nationalistic songs. “These songs and the songs of the late artist Talal Maddah enriched the Saudi music history.”
“This song was not only a failure but it was like falling into the swamp of youth songs that contradict Abdu’s long artistic history, which is filled with creativity and innovation,” said Al-Hakim.
“He should quit now on demand to maintain his reputation,” he added.
Saudi music legend Abdu’s new video rakes up a storm
Saudi music legend Abdu’s new video rakes up a storm
Cambodia takes back looted historic artifacts handled by British art dealer
- The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia
PHNOM PENH, Cambodia: Cambodian officials on Friday received more than six dozen historic artifacts described as part of the country’s cultural heritage that had been looted during decades of war and instability.
At a ceremony attended by Deputy Prime Minister Hun Many, the 74 items were unveiled at the National Museum in Phnom Penh after their repatriation from the United Kingdom.
The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia.
“This substantial restitution represents one of the most important returns of Khmer cultural heritage in recent years, following major repatriations in 2021 and 2023 from the same collection,” the Culture Ministry said in a statement. “It marks a significant step forward in Cambodia’s continued efforts to recover, preserve, and restore its ancestral legacy for future generations.”
The artifacts were described as dating from the pre-Angkorian period through the height of the Angkor Empire, including “monumental sandstone sculptures, refined bronze works, and significant ritual objects.” The Angkor Empire, which extended from the ninth to the 15th century, is best known for the Angkor Wat archaeological site, the nation’s biggest tourist attraction.
Latchford was a prominent antiquities dealer who allegedly orchestrated an operation to sell looted Cambodian sculptures on the international market.
From 1970 to the 1980s, during Cambodia’s civil wars and the communist Khmer Rouge ‘s brutal reign, organized looting networks sent artifacts to Latchford, who then sold them to Western collectors, dealers, and institutions. These pieces were often physically damaged, having been pried off temple walls or other structures by the looters.
Latchford was indicted in a New York federal court in 2019 on charges including wire fraud and conspiracy. He died in 2020, aged 88, before he could be extradited to face charges.
Cambodia, like neighboring Thailand, has benefited from a trend in recent decades involving the repatriation of art and archaeological treasures. These include ancient Asian artworks as well as pieces lost or stolen during turmoil in places such as Syria, Iraq and Nazi-occupied Europe. New York’s Metropolitan Museum of Art is one of the prominent institutions that has been returning illegally smuggled art, including to Cambodia.
“The ancient artifacts created and preserved by our ancestors are now being returned to Cambodia, bringing warmth and joy, following the country’s return to peace,” said Hun Many, who is the younger brother of Prime Minister Hun Manet.









