US prison inmates work to save rare frogs and flowers

Updated 24 September 2012
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US prison inmates work to save rare frogs and flowers

Taylor Davis has dedicated himself to saving endangered Oregon spotted frogs. He spends hours each day tending to eggs or doting on tadpoles, feeding, nurturing and meticulously recording their development.
He’s in no hurry.
“We have nothing but time here,” said the 28-year-old Davis.
He added, “It’s perfect for a prison setting.”
Washington state inmates such as Davis have been working as ecological research assistants, partnered in recent years with scientists doing conservation projects. Their efforts include breeding threatened butterflies and growing native flowers and prairie grasses.
The programs are part of a push by the state Department of Corrections that has gained momentum recently, with one project earning an expansion grant from a federal agency this year and prison officials from across the country visiting Washington state penitentiaries in recent weeks to inspect the various projects.
At Cedar Creek Corrections Center, a medium-security prison in western Washington, Davis and another inmate, Mathew Henson, have been nurturing a batch of small black-spotted frogs that will be ready for release soon.
It’s an ironic twist. Davis is serving 10 years for stealing cars. And Henson is doing more than five years for robbery and assault.
But both have been granted a high level of confidence.
“It’s quite a leap of faith to let someone handle endangered frog eggs,” said Dan Pacholke, prisons director for the state Department of Corrections.
Prison officials say it’s a logical pairing. They consider inmates ideal candidates for conservation projects since they can work in a controlled environment and have a lot of time to dedicate. The research also allows inmates to contribute a broader social good, officials say.
“It makes sense that we engage in activity that make prisons safe to run, reduce negative inmate behavior and contribute to the community,” Pacholke said.
Pacholke co-directs the Sustainability in Prisons Project, a partnership with The Evergreen State College that involves regional zoos, nonprofit groups, the state Department of Fish and Wildlife and other state and federal agencies.
“We have inmates at the table who are making substantive contributions to the science,” said Carri LeRoy, a faculty member at Evergreen who co-directs the project.
Their efforts have gained the attention of the National Science Foundation, an independent federal agency, which gave the sustainability project money to explore spreading their work to prisons across the US
Corrections officials from states as far-flung as Maryland, Ohio and Utah visited prisons across Washington state this month to see some of the programs in action.
In one project, at the Mission Creek Corrections Center for Women in Belfair, inmates last year began helping state biologists, the Oregon Zoo and others breed an orange and black flecked butterfly known as the Taylor’s checkerspot.
The offenders had success in their first season, as more than 700 Taylor’s checkerspots were released onto south Puget Sound prairies this year. The inmates also raised more than 3,600 caterpillars for release next year, about 50 percent more than expected.
A Department of Defense grant paid for a new greenhouse at the prison, because the military wants to boost the declining population of the rare butterflies.
The Taylor’s checkerspot is a candidate for protection under the federal Endangered Species Act, and one of its prime habitats is near an artillery range at Joint Base Lewis-McChord. If the butterfly becomes federally protected, the military could be forced to change how it operates to protect the insect’s habitat, project officials said.
Inspired by the frog program and other operations, a Washington State University professor this year began working with inmates at the Washington State Penitentiary prison in Walla Walla to raise and tag Monarch butterflies to track their migratory path.
The inmates were able to raise about 500 butterflies from a batch of about 600 to 700 eggs in their first attempt.
David James, associate professor of entomology at WSU, said, “If we reared them, we’d be lucky to have half (that survival rate).”
James explained that prisoners are uniquely equipped to do the work.
“Often when you’re rearing butterflies you need to spend a lot of time with them. You can’t just go away for the weekend or leave the lab overnight,” he said, adding “there’s no doubt that this type of program can be beneficial to them, as well as conservation and scientific research.”
At Cedar Creek, south of Olympia, Davis and Henson spend time at “Frogga Walla” noting frog deformities or deaths. They feed them crickets — many of which they raise in a shed outside the barbed fences of the prison.
The inmates earn about 42 cents-an-hour, less than other prison jobs such as making furniture, but Henson said the sacrifice is worth it.
“The research helps a very big cause,” said Henson, 25, after explaining that the frogs face decline because of habitat loss and predators such as bullfrogs. “Being on the forefront of this research is payment enough.”
Adds Davis: “It’s a good job. It’s something different in a prison setting.”


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 19 sec ago
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Centerpiece of display, Jazan: A Nation and a Prince, places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.