Review: Netflix docuseries highlights the ugly truth of ‘America’s Next Top Model’

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Updated 25 February 2026
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Review: Netflix docuseries highlights the ugly truth of ‘America’s Next Top Model’

DHAHRAN: Out this month, nearly a decade after the successful show went off air, there is understandably a lot to unpack in Netflix’s three-episode documentary series “Reality Check: Inside America’s Next Top Model.”

Premiering in 2003 and running for 24 seasons until 2018, “America’s Next Top Model” invited aspiring models from across America to compete for a coveted modeling contract, and a glossy magazine cover (remember those?).

All this while juggling growing pains, random challenges cooked up by producers, marvelously messy makeovers, photoshoots, and living — and competing — with fellow contestants.

What could go wrong? Turns out — plenty. The show’s intimate format made for compelling TV.

Tyra Banks, one of America’s top models, was the show’s brainchild.

The young contestants were impressionable and eager, full of sky-high dreams and sky-high heels. They came from fractured backgrounds or from small towns. They were meant to have a mentor in Banks.

Instead, their deepest, most shameful moments were broadcast for the world to see. To my knowledge, while some contestants became semi-successful, none truly reached the “top model” level.

The docuseries hits like a punch in the face. And maybe that is the point.

Three episodes, each just an hour long, barely scratches the surface of the trauma, chaos, and behind-the-scenes drama on and off the screen.

The series is essentially a catwalk down nostalgia lane — but the road is uneven and swerving, much like the show itself. The style of filming is also similar to the show, which makes it all the more compelling for avid fans.

Designed for the TikTok-and-meme generation, these bite-sized scenes in the docuseries are tailor-made for viral clips.

Banks appears alone in every scene. Speaking directly at the camera, she seems to shrug through every apology and justify her past behavior.

The docuseries highlights interviews with main judges: Jay Manuel, Nigel Barker, and most prominently, a shocking update on beloved judge J. Alexander, known as “Miss J.” All claim to be estranged from Banks.

A few former contestants are also featured, each seated alone as tears or rage bubble to the surface. Nobody speaks favorably about Banks, especially while replaying clips showing her old judging panels.

Was this backlash justified? Are the vicious things said about Banks fair? The docuseries offers viewers the chance to be the judge in what invariably turns into a trial of Banks and her role on the show.

The docuseries ends on a cliffhanger, teasing a possible revival for cycle 25. Mixed feelings aside, there is clearly an audience for it.


Ramadan routines around the Kingdom 

Updated 26 February 2026
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Ramadan routines around the Kingdom 

RIYADH: Saudi Arabia is home to a diverse array of Ramadan customs, with each region boasting time-honored traditions. Here  is how the holy month is celebrated in various parts of Saudi Arabia.

NAJD 

One of the most significant Ramadan traditions in parts of Najd is Isha Al-Walidayn (the ‘parents’ dinner’), in which families prepare meals that are shared with relatives, neighbors and those in need. Often organized by neighborhood groups, the gatherings take place during iftar or after taraweeh. Families either invite relatives, neighbors and passersby to share the meal at home or send dishes to surrounding households and those in need. 

While rooted in charity, the tradition is equally about memory and community, offering a way to honor loved ones while strengthening social ties.  

In places including Qassim, the practice may be repeated several times throughout the month. The custom has been passed down through generations and remains part of Najd’s social fabric, reflecting the family-centered rhythm of Ramadan in the area.  

Hajar Alqusayer 

HIJAZ 

For more than a century, the chant of “Sidi Shaheen” has echoed through the narrow alleys of Madinah, marking the approach of Ramadan and signaling one of Hijaz’s most cherished folk traditions. Observed in the second half of Sha’ban — the month preceding Ramadan — the custom sees groups of boys walking through neighborhoods, singing traditional verses in celebration of the holy month’s imminent arrival. The practice remains particularly strong in Madinah, though it is also known across the wider Hijaz region. 

As part of the tradition, children carry a small container known as a quff, used to collect sweets, nuts and coins offered by households they visit. Moving from door to door, they chant in unison, their songs met with open doors and generous smiles. 

In preparation, families stock up on treats — particularly nuts and traditional sweets such as mushabak (pictured) — ensuring they are ready to share in the joy. 

Nada Hameed 

EASTERN PROVINCE 

Gargee’an is a traditional festival which is primarily celebrated mid-Ramadan in Gulf countries; specifically Kuwait, Bahrain, Iraq, the UAE, and in Saudi Arabia’s Eastern Province. It is not commonly observed in other parts of the Kingdom.  

Traditionally, boys in crisp white thobes and girls adorned in intricate jalabiyas go door-to-door in their neighborhoods and collect sweets and goodies in their handwoven baskets. It is a chance for them to reconnect with the community and spread colorful cheer. 

In recent years, however, the King Abdulaziz Center for World Culture (Ithra) in Dhahran has staged its own Gargee’an, providing candies for the kids as well as numerous indoor and outdoor activities for youngsters of all ages — including the young at heart — alongside performances of traditional folk songs and other live shows. 

The main plaza at Ithra, the Library and Energy Exhibit will each have Instagram-worthy moments. Entry to the center is free, though certain events — such as those at The Children’s Museum — require you to purchase tickets on the premises. 

Jasmine Bager 

JAZAN 

In Jazan, Ramadan is scented with wood smoke and freshly baked bread. Across villages and coastal towns, families still use the traditional mifa — a clay oven — to prepare corn and millet breads to eat at iftar. A staple of the season is mafalt (pictured), a creamy mixture of flour and milk often eaten at suhoor, valued for its simplicity and ability to sustain you through long fasting hours.  

Another distinctive feature of Ramadan in Jazan is the communal spirit of preparation. Neighbors exchange dishes before sunset, ensuring no table is without the region’s signature flavors. Evenings often extend into open-air gatherings where stories are shared and elders recount how Ramadan was observed generations ago. In Jazan, the holy month is less about extravagance and more about preserving culinary heritage and close-knit community bonds.  

Rahaf Jambi 

HAIL 

Since Ramadan this year is taking place while the weather in Hail is still relatively cool, it has been common to see dozens of people gathering along the banks and beds of nearby valleys — particularly in Mashar, Tuwaren, and Naqbin in the late afternoon, setting up seating and making arrangements for iftar. 

Coffee and tea are typically brewed over a fire, and participants often bring homemade dishes including lamb or chicken soups, vegetable or meat pastries, and Hail-style keubaiba —square-folded vine leaves filled with rice and a blend of spices, including cumin, black pepper, and dried lime. Sometimes, participants pool resources to buy a young lamb to eat. The liver is seasoned and cooked with onions, while the rest of the meat is prepared with rice for consumption at suhoor. 

Between iftar and suhoor, people socialize or play volleyball — a favorite activity for many Saudis during Ramadan. 

Hebshi Alshammari 

QATIF 

On the fifteenth night of Sha’ban, and again in the middle of Ramadan, children run through the streets of Qatif in traditional dress, going from house to house in celebration of Nasfa, a holiday celebrated in cities across the Arab world, but, in Saudi Arabia, only in Qatif (although it is practically identical to Gargee’an).  

“This celebration is not a fleeting ritual; it is a collective memory, a bridge connecting past to present,” Ismail Hejles, a Saudi researcher of traditional architecture from Qatif, told Arab News. “It teaches that religion was never meant to be stern, and that joy can be part of worship when it is pure.” 

Historians suggest the custom of children going door to door to receive gifts developed in tightly knit urban neighborhoods, where strong community bonds allowed the practice to flourish. And Nasfa is not just a distribution of sweets; it is a distribution of joy.  

“On that night, homes are equal,” Hejles said. “The rich give, and the poor give. The child is not asked who they are or which family they belong to.” 

Tamara Aboalsaud