Sarah Taibah features in Cole Haan’s campaign shot in Jeddah

Her outfits leaned into understated tailoring and clean lines, featuring structured denim sets. (Instagram)
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Updated 21 February 2026
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Sarah Taibah features in Cole Haan’s campaign shot in Jeddah

  • Taibah wears several of brand’s designs in images on streets, rooftops

DUBAI: Saudi actor Sarah Taibah this week shared a campaign she fronted with US footwear brand Cole Haan, photographed across the streets and rooftops of Jeddah.

Taibah wore several of the brand’s designs in the images, including pointed-toe heels finished with oversized bow detailing, sleek slingback pumps with a low heel, and classic closed-toe styles for everyday wear.

Her outfits leaned into understated tailoring and clean lines, featuring structured denim sets, fitted jackets paired with midi skirts, and coordinated two-piece looks in dark and earthy tones.

“My intention for this Ramadan is calmness and lightness,” she captioned her post. “To move through the day at my own pace, follow my intuition and less noise in general.” 

Taibah — an artist, writer, filmmaker and actor — is known for her roles in the psychological thriller “Hoba” and “A Matter of Life and Death.”

“Hoba” screened at the BFI London Film Festival last year. Taibah previously told Arab News about her performance in the Emirati horror film, directed by Majid Al-Ansari, who is known for the critically acclaimed 2015 film “Zinzana.”

She said: “I got so excited about ‘Hoba’ for two reasons: First, I like the director. I remember seeing his first film, and I thought that he does things differently. Second, I really appreciated him not typecasting me. I’m always cast by directors in certain roles that are really similar to my character, as Sarah, but with Majid, he saw something else. The character couldn’t be more different than me. I’ve never been this challenged, not only because she’s the villain of the movie, but also because it allowed me to experience different techniques, to tap into something a bit supernatural, something I have zero clue how to relate to.” 

“Hoba” tells the story of a devoted wife and mother — Amani, played by Bdoor Mohammed — whose life begins to unravel when her husband returns home with a second wife, Zahra (Taibah), and an unseen dark force infiltrates her home.

Meanwhile, “A Matter of Life and Death” premiered at the Red Sea International Film Festival in December. 

Billed as a quirky love story, the film is set in Jeddah. It follows superstitious Hayat, played by Taibah, who is “convinced a generational curse will kill her on her 30th birthday.”


Arab films win at Berlin International Film Festival

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Arab films win at Berlin International Film Festival

DUBAI: Two films by Arab filmmakers won top prizes at the 76th edition of the Berlin International Film Festival, where filmmakers used their time on stage to advocate for a free Palestine.

Lebanese director Marie-Rose Osta, accepting the Golden Bear for best short film for “Someday, a child,” denounced Israeli bombings in her home country and what she described as a “collapse of international law” in the region.

“In reality children in Gaza, in all of Palestine, and in my Lebanon do not have superpowers to protect them from Israeli bombs,” she said. “No child should need superpowers to survive a genocide empowered by veto powers and the collapse of international law … If this Golden Bear means anything, let it mean that Lebanese and Palestinian children are not negotiable,” she said.

Abdallah Al-Khatib, winner of the best documentary prize for “Chronicles from a Siege,” brought a Palestinian flag on stage, and called out the German government for what he called its “complicity” in Israeli “genocide” in Gaza.  

“We will remember everyone who stood with us, and we will remember everyone who stood against us, against our right to live with dignity, or those who chose to be silent. Free Palestine from now until the end of the world,” he said.

Opening the awards ceremony, Berlinale director Tricia Tuttle addressed the controversy surrounding this year’s festival, as artists called out Berlinale for not taking a stance on Palestine. She described this year’s festival as having “felt raw and fractured,” with many attendees arriving in Berlin “with grief and anger and urgency about the world that takes place outside the cinema walls.

“That grief, that anger and that urgency is real and belongs in our community. We hear you,” Tuttle said.