Kaouther Ben Hania attends Oscar nominees’ luncheon

Tunisian filmmaker Kaouther Ben Hania was among the nominees for the 98th Academy Awards who attended the star-studded pre-Oscars lunch for the annual class photo on Tuesday.
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Updated 11 February 2026
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Kaouther Ben Hania attends Oscar nominees’ luncheon

  • Director of film about Israeli killing of Hind Rajab, 6
  • Israel condemned worldwide for actions of soldiers

DUBAI: Tunisian filmmaker Kaouther Ben Hania was among the nominees for the 98th Academy Awards who attended the star-studded pre-Oscars lunch for the annual class photo on Tuesday.

Other attendees at the event included celebrities Teyana Taylor, Leonardo DiCaprio, Timothee Chalamet, Jessie Buckley, Michael B. Jordan, Amy Madigan, Emma Stone, Elle Fanning, Chloé Zhao, Jacob Elordi, Rose Byrne, Yorgos Lanthimos, Wagner Moura, and Kate Hudson.

Ben Hania’s “The Voice of Hind Rajab,” a film inspired by the final moments of a young Palestinian girl killed by Israeli soldiers in Gaza, has been nominated for an Oscar in the best international feature film category.

The film, backed by Saudi Arabia’s Red Sea Fund, tells the story of Hind Rajab Hamada, 6, who was fleeing the Israeli military in Gaza City with six relatives last year when their car came under fire.

The sole survivor of the Israeli attack was then also shot and killed. Her desperate calls recorded with the Red Crescent rescue service caused international outrage against Israel.

The movie has several famous names attached as executive producers, including actors Joaquin Phoenix and Brad Pitt, and Oscar-winning directors Jonathan Glazer (“The Zone of Interest”) and Mexico’s Alfonso Cuaron (“Roma”).

The film premiered in September 2025 at the Venice International Film Festival, where it quickly became one of the most talked-about entries. Days later, “The Voice of Hind Rajab” was awarded the Silver Lion Grand Jury Prize, the festival’s second-highest honor.
 


REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

Updated 19 February 2026
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REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

DUBAI: In its first two seasons, “Shrinking” offered a smartly written, emotionally intelligent look at loss, therapy and the general messiness of human connection through the story of grieving therapist Jimmy (Jason Segel) — whose wife died in a tragic accident — and the village of flawed but recognizably human characters helping to heal him. Season three struggles to move forward with the same grace and thoughtfulness. It’s as though, encouraged by early praise, it has started believing its own hype.

For those familiar with co-creator Bill Lawrence’s other juggernaut, “Ted Lasso,” it’s a painfully familiar trajectory. That comedy also floundered in its third season. Emotional moments were resolved too quickly in favor of bits and once-complex characters were diluted into caricatures of themselves. “Shrinking” looks like it’s headed in the same direction.

The season’s central theme is “moving forward” — onward from grief, onward from guilt, and onward from the stifling comfort of the familiar. On paper, this is fertile ground for a show that deftly deals with human emotions. Jimmy is struggling with his daughter’s impending move to college and the loneliness of an empty nest, while also negotiating a delicate relationship with his own father (Jeff Daniels). Those around him are also in flux. 

But none of it lands meaningfully. The gags come a mile a minute and the actors overextend themselves trying to sound convincing. They’ve all been hollowed out to somehow sound bizarrely like each other.

Thankfully, there is still Harrison Ford as Paul, the gruff senior therapist grappling with Parkinson’s disease who is also Jimmy’s boss. His performance is devastatingly moving — one of his best — and the reason why the show can still be considered a required watch. Michael J. Fox also appears as a fellow Parkinson’s patient, and the pair are an absolute delight to watch together.

A fourth season has already been greenlit. Hopefully, despite its quest to keep moving forward, the show pauses long enough to find its center again. At its best, “Shrinking” is a deeply moving story about the pleasures and joys of community, and we could all use more of that.