Highlights from Ramzi Mallat’s ‘Aporia’ on show at Project Loop in London

‘Sorrowful and Bellicose.’ (Supplied)
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Updated 09 January 2026
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Highlights from Ramzi Mallat’s ‘Aporia’ on show at Project Loop in London

  • Here are three highlights from Ramzi Mallat’s ‘Aporia,’ on show at Project Loop in London until Jan. 17

‘Adrift’

The Lebanese artist’s solo show in London “explores themes of memory, displacement, and reconstruction through a multidisciplinary practice,” according to a press release. This 2023 work —a Mediterranean fishing boat fitted with Levantine-style windows — “captures the tension of migration, where opportunity for some becomes danger for others,” the curatorial statement says, adding that it “explores heritage, displacement, and the fragile line between safety and peril.”

‘Sorrowful and Bellicose’

Here, Mallat presents a hanging anchor “composed of illegible Arabic text which visually merges the familiar and the strange,” the curatorial statement for the show explains. “A jute rope is adorned by copper dendrites in the shape of coral growths, suggesting a repeated submersion in bodies of water. These nautical references symbolize both physical and metaphorical journeys into the sinking unknown, bringing to the forefront themes of erasure, refuge, wreckage, and the abyss.”

‘Constellations of Protection X’

This bronze sculpture from Mallat’s ongoing series features in a show in which Mallat explores the eponymous philosophical concept, used by Plato to “describe the moment of profound doubt that follows questioning,” and by Aristotle to portray “a necessary obstruction through which knowledge advances,” the press release states. “Mallat’s works resist both nostalgia and repair. They dwell instead in what the artist calls a ‘poetics of aftermath’: an aesthetics of instability that reflects ... the times we live in.”


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.