Karachi hosts scaled-down Lux Style Awards as industry reflects on recognition, evolving formats, inclusion

Actor Hania Amir speaks during an interview with Arab News at the 24th Lux Style Awards in Karachi, Pakistan, on December 11, 2025. (AN photo)
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Updated 12 December 2025
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Karachi hosts scaled-down Lux Style Awards as industry reflects on recognition, evolving formats, inclusion

  • 24th edition of prestigious awards held at historic Mohatta Palace after the ceremony in May was canceled
  • Awards introduce new Digital Content Creators category amid changing entertainment and media landscape

KARACHI: Pakistan’s entertainment industry gathered in Karachi on Thursday for a smaller, more intimate ceremony marking the 24th Lux Style Awards, as artists reflected on the importance of recognition, evolving formats and broader inclusion across creative fields.

The awards, considered Pakistan’s longest running and most prestigious entertainment honors, were held at the Mohatta Palace, a departure from previous large-scale events at the Karachi Expo Center. 

Actress Sanam Saeed, who co-hosted the evening, described the ceremony as “small and intimate,” a tone echoed by several attendees.

The scaled-down format followed an unusual year for the awards. The 23rd Lux Style Awards, scheduled to take place in Lahore in May, were canceled amid the brief war between Pakistan and India, with winners announced digitally and trophies delivered to recipients’ homes.

Among the prominent stars attending this year’s ceremony were Fahad Mustafa, Hania Aamir, Mawra Hocane and Yumna Zaidi. Aamir, who won Actor of the Year – Female (Viewers’ Choice), for the hit television drama Kabhi Main Kabhi Tum, said award platforms play a vital role in sustaining creative industries.

“It’s extremely important to appreciate the art that comes out of your country,” she told Arab News at the red carpet. The drama, she noted, resonated beyond Pakistan, trending in Bangladesh and India during its broadcast.




The picture shows entrance of the 24th Lux Style Awards in Karachi, Pakistan, on December 11, 2025. (AN photo)

Addressing fans abroad, Aamir, arguably Pakistan’s most popular celebrity internationally, said:

“Thank you so much for loving beyond borders. We love you as much even more. So thank you so much for appreciating all the hard work that we do.”

She also called for broader recognition across productions. 

“I’d like Lux [Style Awards] and every other award show to have a lot more diverse categories to appreciate every single person who is a part of the team. [And] who actually makes the project come to life.”

The Lux Style Awards have long attracted debate over transparency and credibility, a recurring discussion whenever nominations and winners are announced. 

Still, many artists said the platform remains essential for motivation and visibility.

“Whenever we discuss the awards, no award will be fair because some people will have certain reservations with it,” producer Abdullah Seja of iDream Entertainment told Arab News. “These might be the most authentic awards in Pakistan [but] obviously there is room for improvement in everything.”

Reflecting shifts in Pakistan’s creative economy, the awards introduced a separate category this year for Digital Content Creators. The inaugural trophy went to real-life couple Rabya Kulsoom and Rehan Nazim, known online as ‘Ron and Cocco’.

“The credit goes to Lux [Style Awards] for introducing the category because content creation is not easy,” Nazim said. “Whoever is doing it, it’s a difficult job. And now it has become a full-time job. You can’t take it lightly and do it on the side. So, we need to recognize the people who are doing it.”

Actress Yumna Zaidi, who won her first film award for Nayab, described the ceremony’s return to Karachi as significant. 

“I am so glad that it’s happening in Karachi because it’s been a while,” she said, adding, “Lux [Style Awards] are the strongest because it includes nominations from all the channels and it’s the strongest [competition].”

Mawra Hocane, whose drama Jafaa was nominated for TV Play of the Year (Critics’ Choice), said meaningful storytelling mattered more than trophies. 

“Platforms [like these] are very very important but more than that what’s important is that a project strikes a chord with the audience,” she said.

“I do my projects so that we can work on the position of women in society. [And] somehow elevate them, somehow create some space for them. And I think ‘Jafaa’ has done that.”




Actor Sona Rafiq is posing for picture at 24th Lux Style Awards in Karachi, Pakistan, on December 11, 2025. (AN photo)

Music remained a central draw of the evening. 

Co-host Sanam Saeed said she was particularly looking forward to live performances. 

“Music is the kind of genre that bonds people together and puts Pakistan on the map,” she said. 
“We become one when it comes to music, forgetting all the distance, limitations and borders. [And] Our music does that.”

Singer and songwriter Hasan Raheem, popular among younger audiences, also performed during the ceremony and reflected on the value of such platforms. 

“These [platforms] are important, honestly,” he said. “I feel like things like these should happen because the real present and the gift that I personally get is the love from people that is the epitome of all the awards. I can never get a better award than that.”


Art and the deal: market slump pushes galleries to the Gulf

Updated 16 February 2026
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Art and the deal: market slump pushes galleries to the Gulf

DOHA: With global sales mired in a slump, art dealers have turned to buyers in the oil-rich Gulf, where culture sector spending is on the rise.
Art Basel, which runs elite fairs in Miami, Hong Kong, Paris and Switzerland, held its Gulf debut in Qatar earlier this month.
“The second you land here, you see the ambition. It’s basically the future,” Andisheh Avini, a senior director at New York-based Gagosian Gallery, told AFP at the Doha fair.
“We see a lot of potential in this region and in Qatar,” Avini said, explaining it was “extremely important” for galleries to be exploring new consumer and collector bases.
“That’s why we’re here. And with patience and a long view, I think this is going to be a great hub,” he added.
A 2025 report on the global art market by Art Basel and the Swiss bank UBS showed sales fell across traditional centers in Europe and North America in the previous year.
Economic volatility and geopolitical tensions have weighed on demand, meaning global art market sales reached an estimated $57.5 billion in 2024 — a 12 percent year-on-year decline, the report said.
“The value of sales has ratcheted down for the past two years now, and I do think we’re at a bit of a turning point in terms of confidence and activity in the market,” Art Basel’s chief executive Noah Horowitz told AFP in Doha.

Prompted by a cooling global art market, particularly in North America and Europe, international art dealers are increasingly looking for buyers in the Gas-rich Gulf, where governments have also ramped up spending in the cultural sector. (Mahmud Hams / AFP) 
 


‘Time was right’

“Looking at developments in the global art world, we felt the time was right to enter the (Middle East, North Africa and South Asia) region,” he added.
Gulf states have poured billions into museums and cultural development to diversify their economies away from oil and gas and boost tourism.
In 2021, Abu Dhabi, home to the only foreign branch of the Louvre, announced a five-year plan for $6 billion in investments in its culture and creative industries.
Doha has established the National Museum of Qatar and the Museum of Islamic Art. The gas-rich country’s museums authority has in the past reported an annual budget of roughly $1 billion a year to spend on art.
Last year, Saudi Arabia announced that cultural investments in the Kingdom have exceeded $21.6 billion since 2016.
Gagosian had selected early works by Bulgarian artist Christo to feature at Art Basel Qatar.
Best known for large-scale works with his French partner Jeanne-Claude, like the wrapping of Paris’s Arc de Triomphe in 2021, Berlin’s Reichstag in 1995 and Pont Neuf in 1985, the Doha fair exhibited smaller wrapped sculptures.
Avini said the works had sparked curiosity from an “interesting mix” of individuals and potential buyers.
“Of course, you have the Qataris. You’re meeting other dealers, for instance, from Saudi and other parts of the region,” he said.
Among the Christo works were “Wrapped Oil Barrels,” created between 1958-61 shortly after the artist fled communist Bulgaria for Paris.

Art Basel, which runs elite fairs in Miami Beach, Hong Kong and Paris as well as Switzerland, held its Gulf debut earlier this month in gas-rich Qatar. (Mahmud Hams / AFP) 


‘Turn of the cycle’

The barrels — bound tightly with rope, their fabric skins stiffened and darkened with lacquer — inevitably recall the Gulf’s vast hydrocarbon wealth.
But Vladimir Yavachev, Christo’s nephew and now director for the artists’ estate following their deaths, said the barrels were not developed with “any connotation to the oil industry or criticism.”
“He really liked the proportion of this very simple, everyday object,” Yavachev said. “It was really about the aesthetics of the piece,” he added.
Horowitz said there had been an “evolution that we’ve seen through the growth of the market in Asia and here now in the Middle East.”
“With each turn of the cycle in our industry... we’ve seen new audiences come to the table and new content,” he added.
Hazem Harb, a Palestinian artist living between the UAE and Italy, praised Art Basel Qatar for its range of “international artists, so many concepts, so many subjects.”
Among Harb’s works at the fair were piles of old keys reminiscent of those carried during the “Nakba” in 1948, when around 760,000 Palestinians fled or were forced from their homes.
Next to them was a pile of newer keys — 3D-printed replicas of the key to Harb’s own apartment in Gaza, destroyed in the recent war.
In the Gulf and beyond, Harb said he thought there was a “revolution” happening in Arab art “from Cairo to Beirut to Baghdad to Kuwait... there is a new era, about culture, about art.”