Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

The Camps Breakerz Crew offers breakdance workshops across Gaza’s refugee camps and schools. The workshop in this image took place in 2023. (Photo courtesy: Ahmed Alghariz/Camps Breakerz )
Short Url
Updated 28 October 2025
Follow

Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

RIYADH: On Oct. 27 at the Global Health Exhibition in Riyadh, the Jameel Arts & Health Lab, in collaboration with the World Health Organization, unveiled the regional launch of its photo essay showcasing how the arts “can support health and wellbeing across cultures, with a focus on underserved communities.”  

The photo essay — on display at the Riyadh Exhibition & Convention Center until Oct. 30 — is the first part of the Jameel Arts & Health Lab-Lancet Global Series on the Health Benefits of the Arts, billed in a press release as “a landmark international collaboration that will culminate in a full academic series published by The Lancet in early 2026” and based on a 2019 WHO report “highlighting the role of the arts in promoting health, preventing illness and supporting the management and treatment of a variety of health conditions from infancy to old age.”  

The series was led by Prof. Nisha Sajnani (co-director at the Jameel Arts & Health Lab and director of Drama Therapy and Arts and Health at NYU Steinhardt), Dr. Nils Fietje (co-director at the lab and technical officer at the World Health Organization Regional Office for Europe) and Stephen Stapleton (a founding co-director of the lab).  

“The arts and health fields have their own language and their own protocols, which often acts as barriers for collaboration,” Stapleton says in the press release. “With this series we aimed to break down those barriers by finding a common language accessible to professionals from both disciplines.” 

Here, we showcase a few of the 30 images comprising the photo essay.  

‘Clown Me In’ 

This image shows a clowning workshop at a refugee camp in Turkiye, led by Sabine Choucair, co-founder of the Lebanon-based association Clown Me In, as part of a project to support communities affected by the 2023 Turkiye-Syria earthquakes, which displaced around 3 million people. A statement from the photo essay curatorial team, led by Stephen Stapleton, explains: “An all-female team reached over 3,400 people across Hatay, Kahramanmaraş, and Islahiye in just 10 days. Drawing on art therapy, theatre, and storytelling, the initiative demonstrated how creative interventions can foster emotional relief, social connection, and hope among displaced and vulnerable populations.”  




(Photo courtesy: Evelina Rönnbäck/ Clowns Without Borders and Clown Me In)

‘Giving Blood at the Museum’ 

Since 2021, when this photo was taken, the Orléans Museum of Fine Arts in France has hosted monthly blood drives, “transforming the act of donation into a culturally enriching experience,” according to the curatorial team’s statement. “In the Old Masters gallery, medical equipment is placed among paintings, creating a calm and inspiring setting. Donors receive art-themed prompts to encourage reflection and relaxation. This innovative approach … has successfully increased participation, with all appointment slots consistently filled since the program’s launch.” 




(Photo courtesy: Musée des Beaux-Arts d'Orléans )

‘Camps Breakerz’ 

The Camps Breakerz Crew offers breakdance workshops across Gaza’s refugee camps and schools. The workshop in this image took place in 2023. “Founded by Mohamed Ghraiz and Ahmed Alghariz, who grew up in Gaza, the program uses hip-hop culture to support mental health, build community, and create moments of joy. Reaching over 300 children annually, it provides a safe space for expression and connection (and) helps reduce stress, depression, and post-traumatic symptoms through dance,” the statement says. 




(Photo courtesy: Ahmed Alghariz/Camps Breakerz )

‘Movement is Thy Mantra’ 

In “Still Dancing,” first performed in Dubai in 2019 (as seen in photo), Dr. Vonita Singh and caregivers guide people with Parkinson’s disease through Kathak dance moves. The show was “conceptualized by Dr. Singh and directed by Sanjeev Dixit of Third Half Theater.” Singh, the founder of Movement Mantra “uses mindful movement to help maintain motor and emotional health,” inspired by her father’s experience with Parkinson’s. “Still Dancing” has been performed in the UAE and India and “demonstrates how classical Indian dance can empower people with Parkinson’s and improve quality of life,” the statement says. 




(Photo courtesy: Vonita Singh)

‘A Dying Wish’ 

Former ambulance driver Kees Veldboer established the Stichting Ambulance Wens Nederland (Netherlands Ambulance Wish Foundation) in 2007 in order to offer the terminally ill “moments of joy in their last days by creating opportunities for them to fulfil their final wishes,” according to the statement. “The program echoes the learning of palliative care programs that integrate psychological and spiritual care alongside pain and symptom relief. This initiative points to a broader approach to the role of museums and their contributions to societal health and wellbeing.” To date, more than 270 medically trained volunteers have helped fulfil the wishes of around 24,000 people.  




(Photo courtesy: Roel Foppen for Stichting Ambulance Wens)

‘Song and Soft Embrace’ 

This image was taken at the Cluj Cultural Center in Romania and shows a group of mothers who participated in a 10-week singing program “designed to support women experiencing postpartum depression.” The initiative was based on research from the Center for Performance Science and was developed by Breathe Arts Health Research. The statement explains: “The (program) demonstrated music’s potential to ease postpartum depression symptoms and explored how this clinically proven approach could be adapted across diverse cultural and healthcare settings.” 




(Photo courtesy: Ioana Ofelia/Cluj Cultural Centre)

‘Tehachapi, The Yard’ 

Tehachapi is a level 4 maximum security prison in California. The US-based artist JR and his team photographed some of the prisoners from above. “Each participant was then given the chance to record their story. No specific questions were asked; they had the freedom to express themselves openly and candidly. JR also photographed formerly incarcerated individuals and prison staff, collecting a total of 48 portraits and stories from the prison system,” the statement explains. These images were then pasted onto the ground in the prison’s yard, to create a large-scale installation only clearly discernible from the air, showing former and current prisoners, prison staff, and people who had been victims of crime standing shoulder-to-shoulder. “This naturally ephemeral installation disappeared in 3 days under the footsteps of the prison's population. The project showed the powerful role art can have within a prison context where anxiety, depression, and other mental health issues often go unacknowledged and unaddressed.” 




(Photo courtesy: JR Studio)

 


Saudi opera star Sawsan Albahiti: ‘I’m a playful person, I love to have fun’ 

Updated 13 December 2025
Follow

Saudi opera star Sawsan Albahiti: ‘I’m a playful person, I love to have fun’ 

  • The Kingdom’s first professional opera singer talks teaching, travel, and time off 

RIYADH: Sawsan Albahiti is one of the most recognizable voices in Saudi Arabia’s cultural renaissance. Recognized as the Kingdom’s first professional opera singer, Albahiti has performed in London and Berlin, as well as Riyadh and AlUla, among other cities, carving a path once unimaginable for Saudi artists, especially women. 

Albahiti began her operatic journey in 2008 and has since mastered singing in Italian, French, German, and English, giving her access to a rich repertoire of classical works. Her mix of perseverance and talent continues to inspire young Saudi women, and Albahiti is eager to ensure that she uses her standing to help the next generation of Saudi singers realize their potential. 

Sawsan Albahiti performing in Riyadh in May this year, accompanied by Najd Choir. (Getty Images)

“I love to train singers, whether they’re opera singers, pop singers or singers (in) different Arabic genres,” she tells Arab News. “I love to see those singers shaping their voices and polishing their skills. It’s a passion of mine to be a part of that.”  

And she has found that working with students enriches her own development. “I learn from every singer that I train by reflecting on my own capabilities,” she says. “Understanding how to inspire other singers and (aid) their artistic development helps me grow as an artist and as a leader.”  

She reveals that she will soon publish an Arabic-language book about vocal training, having noted that “content in Arabic — with books about singing — is not sufficient yet. I saw that it’s my place, as a vocal coach and an opera singer, to write a book about such an important topic.” 

Albahiti performing the national anthem at the Tareq Abdulhakim Center for this year's National Day celebrations. (Instagram)

Travel has also shaped her artistic evolution, with certain cities leaving lasting impressions, particularly Rome, where she lived for almost a year.  

“That city is so rich in history and arts, specifically music, and specifically opera,” she says. “Walking where (legends of opera) walked, learning in the same institutes where they learned, understanding their stories, and seeing their belongings changed my connection with the opera world forever.”  

Closer to home, AlUla has been a huge inspiration for Albahiti. “AlUla is such a strong representation of Saudi culture, it’s very artistic,” she says. “Its blend of culture and art, heritage and modernity, has really impacted my view of art in general.”  

Her serene stage presence, she says, gives people the impression that she is “very serious, like, calm and composed.” However, that persona is somewhat misleading, according to Albahiti.  

Albahiti performing the national anthem at the Tareq Abdulhakim Center for this year's National Day celebrations. (Instagram)

“I want people to know that I’m just (like) any other young Saudi woman,” she says. “I’m a playful person. I love to have fun. I love to dance. 

“A perfect day for me, outside of performing or rehearsing, is enjoying quality time with people I love — spending time with my family, going out with friends, walking my dog… my dog’s a sweet Maltese Shih Tzu called Lucky.” 

And she has a lot of family to spend time with, she adds. “I come from a big family. I’m the youngest of seven siblings.” Some of those siblings were early musical inspirations too. “I can say I’m the most artistic in my family, but one of my sisters and one of my brothers also have musical skills. And I learned from them. They pursued other fields in life, but I continued in music.” 

That decision is certainly paying off now, as Saudi Arabia’s leaders continue to place great emphasis on the development of a homegrown cultural scene, in which Albahiti is increasingly being acknowledged as a major player. The most recent recognition of this was her collaboration with the Tareq Abdulhakim Center for Saudi National Day, in which she performed the national anthem in the center’s courtyard in her hometown of Jeddah’s historic Al-Balad district.  

AlUla has been a huge inspiration for Albahiti. (Supplied)

“That was special because Tariq Abdulhakim was one of the pioneers of Saudi music,” she says. “To be able to have a collaboration with such a name was a big deal for me.” 

One of the most exciting of the Kingdom’s upcoming cultural projects, for Albahiti, is the Royal Opera House in King Salman Park. “I haven’t been involved yet, because the project is still under construction,” she says, adding that she is eagerly anticipating the opening “as (are) so many people around the world.”  

She continues: “I heard the great news about the collaboration with the Metropolitan Opera in New York, where (the Met) will perform their programs in the opera house once it opens.”  

The significance of the Royal Opera House will be far-reaching, Albahiti believes. “It will be a very important center for arts and culture,” she says. “It will not only bring a new form of arts — opera — (to the Kingdom), it will also be the hub for so many artists and so many art forms, introduce new arts to society, and give a platform for upcoming artists to showcase their art regardless (of what) new kind of genres they want to bring forward.”