New documentary shows life in Gaza for AFP journalists

In the film, AFP journalist Mohammed Abed recalls several Western media outlets asking him to prove that a child had died, after pro-Israel lobby groups claimed that a photo he had taken of a father embracing his dead child in a shroud was actually that of a doll. (AFP/File)
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Updated 08 October 2025
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New documentary shows life in Gaza for AFP journalists

  • Helen Lam Trong’s documentary “Inside Gaza” traces the lives of 7 journalists who covered the beginning of the Gaza conflict

PARIS: A new documentary tells the story of AFP journalists who were trapped in the Gaza Strip at the beginning of the Israeli offensive, witnessing the destruction of their own reality through a lens.
Independent journalist Helen Lam Trong’s documentary “Inside Gaza” will be screened at the Bayeux prize for war reporters award ceremony on Thursday in the presence of six of the seven permanent AFP journalists who covered the beginning of the Gaza conflict, before being broadcast on French-German TV channel Arte on December 2.
It traces their daily lives after October 7, 2023, when Hamas attacks in Israel led to the deaths of more than 1,200 people, according to an AFP tally based on official Israeli figures.
Then came the Israeli offensive, which has killed more than 67,000 people, according to figures from the Hamas-run health ministry — figures the United Nations considers reliable.
Day after day, the journalists had no choice but to document the unimaginable suffering of their own people.
“I wanted to explain what this profession is, which is primarily carried out in the field,” Trong, who co-produced the documentary with AFP’s documentary production unit Factstory, told AFP.
“Inside Gaza” almost exclusively relies on AFP images, mostly taken by the journalists who testify in it.

Attempts to discredit

Reporting in Gaza means being surrounded by children who are injured or in shock, and dead bodies wrapped in shrouds or buried under the rubble.
There is no let-up, as Israel has forbidden foreign journalists from entering the Palestinian territory.
“They are seasoned journalists in their fifties, and they know how to maintain their rigour under conditions of extreme urgency and discomfort,” said Trong, who conducted lengthy interviews with them after they left Gaza in early 2024.
But attempts to discredit these journalists are frequent.
AFP journalist Mohammed Abed recalls several Western media outlets asking him to prove that a child had died, after pro-Israel lobby groups claimed that a photo he had taken of a father embracing his dead child in a shroud was actually that of a doll.
“We have rarely seen such questioning of information disseminated by experienced journalists,” said Trong. “Palestinian journalists have faced the ultimate level of distrust from the media.”

Journalists a target

What is broadcast is “far, far from reality,” the director said, describing a careful curation process and a decision to remove the most disturbing footage from the film — a difficult task given the extent of Gaza’s destruction.
AFP’s seven journalists and their families were evacuated between February and April 2024 and now reside in Doha, Cairo and London, struggling with post-traumatic stress disorder.
The news agency is now working with a dozen freelancers in Gaza.
“The purpose of the film is to provoke reflection on what journalists do” as the profession faces global threats — particularly in Gaza, where the press is constantly targeted, said film producer and Factstory’s documentary unit head Yann Ollivier.
“I hope that those who claim there are no journalists in Gaza will be compelled, after watching this film, to acknowledge that there are indeed journalists there, and that they adhere to the ethics of factual journalism,” he told AFP.
Around 200 journalists have been killed in the Gaza Strip since the war began, according to the Committee to Protect Journalists and Reporters Without Borders.


Saudi Media Forum urges ethical coverage as crises redefine Arab journalism

Updated 04 February 2026
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Saudi Media Forum urges ethical coverage as crises redefine Arab journalism

  • Raw news without context can mislead audiences and distort credibility, experts say

RIYADH: Arab media was born in crisis and shaped by conflict rather than stability, Malik Al-Rougi, general manager of Thaqafeyah Channel, said during the Saudi Media Forum in Riyadh on Wednesday.

Al-Rougi was speaking during a panel titled “Media and Crises: The Battle for Awareness and the Challenges of Responsible Coverage,” which examined how news organizations across the region navigated credibility and professional standards amid fast-moving regional developments.

“Today, when you build a media organization and invest in it for many years, a single crisis can destroy it,” he said.

Referring to recent events, Al-Rougi said that he had witnessed news channels whose credibility “collapsed overnight.”

“In journalistic and political terms, this is not a process of news production. It is a process of propaganda production,” he said. “The damage caused by such a post … is enormous for an institution in which millions, perhaps billions, have been invested.”

When a media outlet shifts from professionalism and credibility toward “propaganda,” he added, it moves away from its core role. 

Saudi media leaders, journalists, and experts gathered at the Saudi Media Forum in Riyadh to discuss credibility, ethics, and innovation. (AN photo by Huda Bashatah/Supplied)

“A crisis can work for you or against you,” Al-Rougi added. “When, in the heart of a crisis, you demonstrate high credibility and composure, you move light-years ahead. When you fail to adhere to ethical standards, you lose light-years as well.”

Abdullah Al-Assaf, professor of political media studies at Imam Muhammad bin Saud Islamic University, said that in many crises across the Arab world, agendas and directives had often prevailed over professionalism.

“Credibility was buried,” he added.

Hasan Al-Mustafa, writer and researcher at Al-Arabiya channel, said that raw information could be subject to multiple interpretations if not placed within a proper political, security, historical or geographical context.

He added that such an approach was urgently needed during periods of political and security volatility in the Middle East. 

When, in the heart of a crisis, you demonstrate high credibility and composure, you move light-years ahead. When you fail to adhere to ethical standards, you lose light-years as well.

Malik Al-Rougi Thaqafeyah, Channel general manager

“This objectivity, or this reliability, is a great responsibility,” Al-Mustafa said. “It is reflected not only in its impact on the audience, but also on the credibility of the content creator.”

Al-Mustafa warned against populism and haste in coverage, saying that they risked deepening crises rather than providing informed public perspectives.

He also said that competition with social media influencers had pushed some traditional outlets to imitate influencer-driven models instead of strengthening their own professional standards.

“Our media has been crisis-driven for decades,” he said, describing much of the region’s coverage as reactive rather than proactive.

During a separate panel titled “The Official Voice in the Digital Age: Strategies of Influence,” speakers discussed how rapid technological and social changes were reshaping the role of institutional spokespersons.

Abdulrahman Alhusain, official spokesperson of the Saudi Ministry of Commerce, said that the role was no longer limited to delivering statements or reacting to events.

“Today, the spokesperson must be the director of the scene — the director of the media narrative,” he said.

Audiences, he added, no longer accept isolated pieces of information unless they were presented within a clear narrative and structure.

“In the past, a spokesperson was expected to deliver formal presentations. Today, what is required is dialogue. The role may once required defense, but now it must involve discussion, the exchange of views, and open, candid conversation aimed at development — regardless of how harsh the criticism may be.”

He said that spokespersons must also be guided by data, digital indicators and artificial intelligence to understand public opinion before speaking.

“You must choose the right timing, the right method and the right vocabulary. You must anticipate a crisis before it happens. That is your role.”

Abdullah Aloraij, general manager of media at the Riyadh Region Municipality, said that the most important skill for a spokesperson today was the ability to analyze and monitor public discourse.

“The challenge is not in transferring words, but in transferring understanding and impact in the right way,” he said.