Hail’s iconic Quraishyyat coffee pot is symbol of hospitality

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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
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Updated 23 September 2025
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Hail’s iconic Quraishyyat coffee pot is symbol of hospitality

  • Distinctive design crafted in the northern city for hundreds of years
  • Item traditionally used for special occasions remains popular today

RIYADH: The northern city of Hail in Saudi Arabia has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years.

This distinctive vessel features a longer neck and a slimmer body than the typical receptacle, and was traditionally reserved only for special occasions.

“Al-Quraishyyat is a coffee pot made of green and yellow copper and has several names such as the palace coffee pot, the khateeb coffee pot, or Hail’s Quraishyyat,” Hamid Al-Dhuwaili, owner of Al-Dhuwaili Heritage Museum in Hail, told Arab News.

He explained that making such coffee pots had been part of the culture in Hail for hundreds of years, and added: “People have practiced this craft since ancient times, before the founding of the First Saudi State. There are well-known craftsmen in Hail who excel in this industry. Currently Hail is home to a coffee pot factory considered one of the best in the Middle East.”

While other handicrafts, including carving, tent making and weaving, are also native to Hail, it is its coffee pots that most visitors and tourists find attractive.

Thanks to its cool weather, rocky landscape and groundwater resources, Hail was one of the main stopping points for traveling merchants and migrants.

It was a resting point for travelers to feed their cattle, which fostered a culture of hospitality among the people of Hail. Coffee has been a significant part of that culture for centuries.

Along with the Quraishyyat, there are other kinds of coffee pots that are also prominent in the city, including the Baghdadiyyat, which is believed to have been introduced by travelers from the Iraqi capital.

Another variation is the Raslan, which consists of pots of different sizes. The Raslan is believed to have been brought to Hail through merchants from the Levant region.

The crafting of coffee pots in Hail has been significant throughout its history as a trading post, and remains so today as the tradition welcomes visitors from near and far.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.