Israel to defund national awards after film about Palestinian boy wins

‘The Sea’ follows a Palestinian boy whose school trip to Tel Aviv’s beach is blocked at the border, prompting him to embark on a dangerous journey to sneak into Israel. Above, a Palestinian boy swims near the port of Gaza City on May 31, 2010. (AFP file photo)
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Updated 18 September 2025
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Israel to defund national awards after film about Palestinian boy wins

  • Culture minister slams Ophir Awards as ‘pathetic ceremony’ after film about a 12-year-old Palestinian boy won a top prize
  • ‘The Sea,’ directed and written by filmmaker Shai Carmeli-Pollak, is poised to be Israel’s entry for the best international film Oscar

LONDON: Israeli Culture Minister Miki Zohar intends to end funding for the country’s national film awards starting in 2026, after a film featuring the story of a Palestinian boy won the best feature film prize.

Zohar, who recently described the Oscar-winning documentary “No Other Land” as a “sabotage” against Israel, said on Wednesday that the Ophir Awards held in Tel Aviv was a “pathetic ceremony” after “The Sea,” a film about a 12-year-old Palestinian boy, won the prize.

“There is no greater slap in the face of Israeli citizens than the embarrassing and detached annual Ophir awards ceremony. Starting with the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money,” he said on X.

He added: “Under my watch, Israeli citizens will not pay from their pockets for a ceremony that spits in the faces of our heroic soldiers.”

Israeli rights groups are investigating whether the Culture Ministry has the authority to withdraw funding from the Ophir Awards, which members of the Israeli Academy of Film and Television vote on.

“The Sea,” directed and written by Israeli filmmaker Shai Carmeli-Pollak, is poised to be the country’s entry for the best international film Oscar. Baher Agbariya is a producer of the film and one of the 1.6 million Arab citizens of Israel, representing 20 percent of the population. He thanked the Israel Film Fund for supporting the film.

“The Sea” follows a Palestinian boy whose school trip to Tel Aviv’s beach is blocked at the border, prompting him to embark on a dangerous journey to sneak into Israel. Mohammad Gazawi, 13, who stars as Khaled, won the Ophir for best actor, while co-star Khalifa Natour received the award for best supporting actor.

Assaf Amir, chair of the Israeli Academy of Film and Television, said that “the selection of ‘The Sea’ is a powerful and resounding response” to the culture minister’s statement and to the recent boycott calls from the international film community.

Last week, more than 3,000 actors and directors signed a pledge to boycott Israeli film institutions, which they said are “implicated in genocide and apartheid against the Palestinian people” in Gaza and the West Bank. Signatories include filmmakers Yorgos Lanthimos, Ava DuVernay, Asif Kapadia, Boots Riley and Joshua Oppenheimer, among others.

Workers in the Israeli film industry criticized the boycott as “deeply troubling,” while Paramount, a Hollywood studio, said it “does not promote better understanding or advance the cause of peace.”


Book Review: ‘Padma’s All American’ Cookbook

Updated 19 December 2025
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Book Review: ‘Padma’s All American’ Cookbook

  • For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity

Closing out 2025 is “Padma’s All American: Tales, Travels, and Recipes from Taste the Nation and Beyond: A Cookbook,” a reminder that in these polarizing times within a seemingly un-united US, breaking bread really might be our only human connection left. Each page serves as a heaping — and healing — helping of hope.

“The book you have before you is a personal one, a record of my last seven years of eating, traveling and exploring. Much of this time was spent in cities and towns all over America, eating my way through our country as I filmed the shows ‘Top Chef’ and ‘Taste the Nation’,” the introduction states.

“Top Chef,” the Emmy, James Beard and Critics Choice Award-winning series, which began in 2006, is what really got Padma Lakshmi on the food map.

“Taste the Nation,” of course, is “a show for immigrants to tell their own stories, as they saw fit, and its success owes everything to the people who invited us into their communities, their homes, and their lives,” she writes.

Working with producer David Shadrack Smith, she began developing a television series that explored American immigration through cuisine, revealing how deeply immigrant food traditions shaped what people considered American today.

She was the consistent face and voice of reason — curious and encouraging to those she encountered.

Lakshmi notes that Americans now buy more salsa and sriracha than ketchup, and dishes like pad Thai, sushi, bubble tea, burritos and bagels are as American as apple pie — which, ironically, contains no ingredients indigenous to North America. Even the apples in the apple pie came from immigrants.

For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity.

“If I think about what’s really American … it’s the Appalachian ramp salt that I now sprinkle on top of my Indian plum chaat,” she writes.

In this book Lakshmi tells the tale of how her mother arrived in the US as an immigrant from India in 1972 to seek “a better life.”

Her mother, a nurse in New York, worked for two years before Lakshmi was brought to the US from India. At 4 years old, Lakshmi journeyed alone on the 19-hour flight.

America became home.

Now, with visibility as a model and with a noticeable scar on her arm (following a horrific car accident), she is using her platform for good once again.

Lakshmi is merging her immigrant advocacy with her long career in food media.

The photo of her on the cover, joined by a large American flag, is loud, proud and intentional.

The book contains pages dedicated to ingredients and their uses, actual recipes and, most deliciously, the stories of how those cooks came to be.