Javier Bardem, Hannah Einbinder speak on Gaza at the Emmy Awards

Javier Bardem, a nominee for best supporting actor in a limited series for “Monsters: The Lyle and Erik Menendez Story,” wore a black and white keffiyeh around his neck. (Getty Images)
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Updated 15 September 2025
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Javier Bardem, Hannah Einbinder speak on Gaza at the Emmy Awards

DUBAI: The war in Gaza was certainly on the minds of some attendees at the 77th Primetime Emmy Awards in Los Angeles.

Megan Stalter, one of the breakout stars of comedy hit “Hacks,” showed up casual in a white T-shirt and jeans, but her handbag did all the talking.

The black purse had white tape on it with a simple message: “Ceasefire!”

And Javier Bardem, a nominee for best supporting actor in a limited series for “Monsters: The Lyle and Erik Menendez Story,” wore a black and white keffiyeh around his neck.

“A lot of people are giving me their support in whispers, and I go, ‘Don't whisper, say it out loud,’” Bardem told AFP on the red carpet.

While speaking with The Hollywood Reporter, the actor did not want to talk about his work on “Monsters: The Lyle and Erik Menendez Story,” but rather the ongoing war in Gaza.

“At the end of August, the IAGS, the International Association of Genocide Scholars who studied thoroughly the concept of genocide, called what is going on in Gaza today a genocide,” Bardem said. “And that’s why we ask for the commercial and diplomatic blockade and the sanctions on Israel to stop this genocide. Free Palestine.”

He continued: “We are getting together Film Workers for Palestine. It’s a great union (and) group that is getting more and more people attached. It’s also important to clarify to Paramount that we do not target individuals by their identity. That’s absolutely wrong. Don’t send that message, that is a wrong thing. What we target are those complicit film companies and institutions that are involved in whitewashing or justifying the genocide of Israel in Gaza and its apartheid regime. And we stand with those who fight and stand in solidarity with the oppressed.”

Commenters on social media also praised the media outlet’s reporter for not shying away from the statement  and instead inviting Bardem to expand on his views.

Meanwhile, best supporting actress Hannah Einbinder from “Hacks” used her victory speech to deliver a brief, but very much no-holds-barred statement that called for a free Palestine, slammed immigration raids in the US, and declared her support for the Philadelphia Eagles.


Animated Saudi film screens at Red Sea International Film Festival 

Updated 18 sec ago
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.