Actors and directors to boycott Israeli film institutions ‘implicated in genocide’ of Palestinian people

Signatories include actors Mark Ruffalo, Olivia Colman and Javier Bardem. (AFP/File Photo)
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Updated 08 September 2025
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Actors and directors to boycott Israeli film institutions ‘implicated in genocide’ of Palestinian people

  • Signatories include actors Olivia Colman, Mark Ruffalo, Tilda Swinton, Javier Bardem
  • The campaign, inspired by the cultural boycott of apartheid South Africa, does not explicitly reference BDS

LONDON: Hundreds of actors, directors and other film professionals have signed a pledge vowing not to work with Israeli film institutions they say are “implicated in genocide and apartheid against the Palestinian people,” it was announced on Monday.

“As film-makers, actors, film industry workers, and institutions, we recognise the power of cinema to shape perceptions,” the pledge stated.

“In this urgent moment of crisis, where many of our governments are enabling the carnage in Gaza, we must do everything we can to address complicity in that unrelenting horror,” it added.

Signatories include actors Olivia Colman, Mark Ruffalo, Tilda Swinton, Javier Bardem, Ayo Edebiri, Riz Ahmed, Josh O’Connor, Cynthia Nixon, Julie Christie, Ilana Glazer, Rebecca Hall, Aimee Lou Wood and Debra Winger.

Film-makers Yorgos Lanthimos, Ava DuVernay, Asif Kapadia, Boots Riley and Joshua Oppenheimer also joined more than 1,200 signatories as of Sunday night.

The statement, published by Film Workers for Palestine, commits signatories not to collaborate with institutions deemed complicit — including festivals, broadcasters and production companies — citing examples such as “whitewashing or justifying genocide and apartheid, and/or partnering with the government committing them.”

It continued: “We answer the call of Palestinian film-makers, who have urged the international film industry to refuse silence, racism, and dehumanization, as well as to ‘do everything humanly possible’ to end complicity in their oppression.”

Screenwriter David Farr, one of the signatories, said: “As the descendant of Holocaust survivors, I am distressed and enraged by the actions of the Israeli state, which has for decades enforced an apartheid system on the Palestinian people whose land they have taken, and which is now perpetuating genocide and ethnic cleansing in Gaza. In this context I cannot support my work being published or performed in Israel. The cultural boycott was significant in South Africa. It will be significant this time and in my view should be supported by all artists of conscience.”

Commenting on her decision to sign, Absolutely Fabulous actress Julia Sawalha said: “Witnessing the annihilation of the Palestinians in Gaza by Israel over the past two years has splintered the depths of me, and the unrelenting silence to their suffering is unconscionable. As an actress and artist, I carry both the right and the duty to use my voice—to shatter the silence by taking action. This pledge is my way of joining a global community that refuses to be intimidated, that refuses to surrender to hopelessness, and that insists on saying loud and clear: the lives of Palestinians matter.”

An FAQ accompanying the pledge said: “Israel’s major film festivals (including but not limited to Jerusalem film festival, Haifa international film festival, Docaviv and TLVFest) continue to partner with the Israeli government while it carries out what leading experts have defined as genocide against Palestinians in Gaza.”

It stressed that “the call is for film workers to refuse to work with Israeli institutions that are complicit in Israel’s human rights abuses against the Palestinian people. This refusal takes aim at institutional complicity, not identity.”

The campaign, inspired by the cultural boycott of apartheid South Africa, does not explicitly reference the Boycott, Divestment, Sanctions movement but is among the most prominent cultural boycott efforts announced since Israel’s war in Gaza began, The Guardian reported.

The pledge comes just days after “The Voice of Hind Rajab,” a film about a 5-year-old girl killed by Israeli forces in Gaza, received a 23-minute standing ovation at its Venice film festival premiere, with Brad Pitt, Jonathan Glazer, Joaquin Phoenix, Rooney Mara and Alfonso Cuaron among its executive producers.


‘The Wild Within’ sees artists breathe new life into Mideast buildings

Updated 16 December 2025
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‘The Wild Within’ sees artists breathe new life into Mideast buildings

DUBAI: Lens-based artist Ryan Koopmans and digital artist Alice Wexell are staging a showcase at Dubai’s Leila Heller Gallery that breathes new life into regional buildings.

The series of digital artworks is part of the exhibition “The Wild Within,” featuring images of old structures in Beirut, Istanbul, and Abu Dhabi filled with wild flowers.

Two of the largest works, “Heartbeats” and “The Wish,” are displayed using Ventana, a microLED architectural display surface created by visual technology company Megapixel.

'Around Us' by Ryan Koopmans and Alice Wexell. (Supplied) 

The former artwork depicts the entrance hall of Qasr Al-Watan, the UAE’s presidential palace in Abu Dhabi, while the latter reimagines the upper floors of the Emirates Palace Mandarin Oriental in Abu Dhabi.

“Each building we work with comes to us through a combination of research, travel, and intuition,” the artists told Arab News in a joint statement.

'Constellations' by Ryan Koopmans and Alice Wexell. (Supplied) 

“We are drawn to structures that carry both emotional and historical resonance, often buildings that once embodied human ambition and now exist in a state of quiet transformation.”

Koopans and Wexell made sure to research the context of each building they choose to recreate, saying “an old villa in Jeddah or a former school in Sharjah each hold their own cultural memory, influencing everything from the lighting and atmosphere to the plants and flowers that we digitally sculpt and implement into the photographs.”

'Heart of Sharjah' by Ryan Koopmans and Alice Wexell. (Supplied) 

The hypnotic works depict the interior of buildings in the region, with digitally rendered flowers carpeting the floor in a bid to “(reimage) these spaces (and) explore the relationship between nature, place, and time, while celebrating each site as a unique work of architecture with its own spirit and story,” the artists said.

Koopmans is of dual Canadian and Dutch heritage, while Wexell is Swedish and based in Stockholm, so it is noteworthy that both artists chose to explore the Middle East for their latest project.

'Blossom of the Ancestors' by Ryan Koopmans and Alice Wexell. (Supplied) 

“In the Middle East especially, the architecture reflects a layered past that merges different styles and eras, while also expressing a sense of renewal and forward-looking energy, particularly in the region’s fantastic contemporary buildings. We are drawn to the symmetry, geometry and patterns that are found not only in nature itself, but in the architectural language of the region both past and present,” they said.

The series — featuring works such as “Adore You,” “Between Worlds,” and “Blossom of the Ancestors” — explores contrasts between the natural world and human-made forms, as well as the traditional and contemporary worlds.

“We are interested in how these elements coexist and merge into one another, creating a sense of hyperrealism that feels both familiar and imaginary. By merging photography with digital sculpture, the artworks question where the boundary lies between documentation and invention, and how technology can extend rather than replace our sense of the natural world.”

'Under the Rain of Light' by Ryan Koopmans and Alice Wexell. (Supplied) 

Although the scale of the artworks ensures they leave the viewer entranced, it did pose challenges, according to the artists.

“Presented at a large scale, every texture in these artworks becomes visible, which can be demanding but is also incredibly rewarding. The magnified detail allows the visceral and atmospheric layers of the pieces to come through with greater impact,” they said, adding that each piece took “many months” to create.

“Ultimately, we want our collectors to experience a sense of wonder and contemplation, as if they are standing inside a dream that feels both entirely real yet unreal.”

The exhibition runs until Jan. 15, 2026.